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Lupe Fiasco & Joe Budden Squash Alleged “Hate” for Kendrick Lamar & Drake in Fiery X Spaces Debate

Lupe Fiasco

Lupe Fiasco and Joe Budden took to an X (formerly Twitter) Spaces discussion on Monday to dive into the viral feud between Kendrick Lamar and Drake, addressing long-standing rumors about their alleged disdain for the two rap titans. During the discussion, Fiasco confronted the rumors about his supposed hatred for Lamar, while Budden tackled similar accusations regarding his feelings towards Drake.

The conversation kicked off with Fiasco revealing his limited engagement with the diss tracks circulating between Lamar and Drake. “You know I haven’t listened to any of the songs? I listened to ‘Push Ups’ and then after the [Rick] Ross response [‘Champagne Moments’], I haven’t listened to anything. So I haven’t heard any of the records: ‘Family Matters,’ ‘Meet the Grahams,’ ‘Not Like Us.’ I kinda tapped out,” Fiasco admitted. Budden seized the moment, accusing Fiasco of harboring “sheer hate for one of them n****s,” to which Fiasco swiftly shot back with the same accusation.

In an effort to set the record straight, Fiasco declared, “I do not have a problem. No matter what was said in the past, what you think happened, what happened, what didn’t happen. I personally and professionally do not have a problem with my brother-in-arms Kendrick Lamar.” The heated exchange left fans eager for more insights into the minds of these influential artists.

The longstanding beef between Lamar and Drake has been brewing since the release of Future and Metro Boomin’s “Like That” earlier this year. Although no new diss tracks have surfaced since May, the tension remains high. Stay tuned for further updates on the evolving dynamics between Lupe Fiasco, Joe Budden, Drake, and Kendrick Lamar right here on Honk Magazine.

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Artist Spotlight

Lisa Boostani creates a mesmerizing tidal realm in “Ocean”

Lisa Boostani

Lisa Boostani’s “Ocean” takes you deep into a sensory world where body, spirit, and myth come together, beyond the surface of genre. Boostani makes a soundscape that is both ethereal and deeply human by combining the broad essence of psychedelic pop with the strong appeal of alternative rock.

Her voice rises as if it is coming from deep within her, shaped by emotion rather than action. She intentionally channels the intangible, turning weakness into strength rather than a source of pain, and “Ocean” tells people to get involved in this inner world, not just watch it. This release is an integral part of her first EP, “One,” which will come out in March 2026 and is based on love, sensuality, and unity.

If “Ocean” is any indication, the EP will show sensuality not as something pretty, but as a kind of spiritual intelligence, a way to know yourself by connecting with others. The song’s textures and structure have an aquatic quality, moving between clarity and delirium, rhythm and freedom. Its emotional focus is on immersion instead of resolution.

The striking quality of “Ocean” is the blend of the mystical worlds. Boostani understands that strength often shows up as gentleness and that deep feelings are better expressed through frequencies than words. She wants people to see consciousness as immediacy, sensation as truth, and openness as an undeniable strength.

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Artist Spotlight

NOAH. captures the unspoken signals in enchanting R&B track “That’s Bless”

NOAH.

“That’s Bless” captures the unspoken late-night message, the smile that was exchanged from afar, and the feeling you sense but are afraid to say. NOAH. offers a song with a smoky R&B feel and lyrics that capture unspoken tension, firmly in the realm of emotional ambiguity, where connection is clear but not defined.

This piece concerns the subtle discomfort of mixed signals and quiet longings, when looks say more than words ever could. NOAH. handles the theme with restraint, letting the chemistry simmer rather than explode. NOAH.’s delivery shows a confident gentleness, recognizing that some feelings don’t need strict definitions to be real.

In “That’s Bless,” he captures the essence of connection and the compelling allure that endures, even when both parties pretend it is not there. The composition is based on real-life events, and it acknowledges that specific attachments endure in the heart long after one has persuaded oneself of having progressed.

“That’s Bless” is at the crossroads of closeness and distance, clarity and confusion. The song doesn’t resolve the tension it talks about, and that’s what makes it so powerful. It sums up the connection we say we don’t want but keep coming back to in memory, rhythm, and pulse.

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