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LVRN Gets In The Christmas Spirit With Shelley And Young Rog’s Jazzy ‘Feliz Navidad’ Video

LVRN beat the holiday rush with their Christmas EP and add an extra present for fans with their new video. …

Earlier this year, the Virginia singer/rapper formerly known as Big Baby DRAM quietly changed his name on streaming services to his government-issued first name Shelley, although he generously tagged himself “FKA DRAM” so fans could still find his catalog. However, he hadn’t released any new music under his rebranded moniker until his label, Love Renaissance (or LVRN), issued its first-ever holiday album, Home For The Holidays, last month. Today, the label shared the first video from the project, which features Shelley and newcomer Young Rog covering José Feliciano’s “Feliz Navidad.”

Featuring a quick intro by LVRN’s resident DJ Kitty Cash, the video documents the two crooners recording their rendition in a thoroughly decorated studio complete with Christmas trees, stockings, and fairy lights. Shelley — who’s recently taken to filming cooking content for his Instagram throughout the pandemic — looks like he’s been baking some cookies for Santa and his labelmates, wearing a printed apron and holding a blunt as he embellishes Rog’s mellow take on the holiday standard. Fittingly, the production still features a subtropical flair, with bossa nova percussion and a soft, Spanish guitar backing the singers’ smooth vocals.

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Other standards that appear on Home For The Holidays include “Santa Baby,” sung by Summer Walker, “This Christmas,” by Eli Derby, and Shelley’s second take on “The Christmas Song” after he dueted the song with his mom on his own holiday EP in 2017. Meanwhile, 6lack and Summer Walker take a turn on James Brown’s “Santa Claus, Go Straight To The Ghetto” with “Ghetto Christmas,” while rappers Westside Boogie and OMB Bloodbath put a ratchet twist on a classic with their irreverent “12 Days Of Bhristmas.”

Check out Home For The Holidays here.

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Artist Spotlight

Sadie Brown delivers a heartfelt illusion of a fake life with her new single “Counterfeit”

Sadie Brown

At the heart of “Counterfeit” is a tale of love manipulated for selfish purposes, yet still feels captivating. Sadie Brown’s new single “Counterfeit” invites listeners into the deceptive lull of beautiful and bleak love, one that promises everything while lacking genuine vulnerability, ultimately delivering only heartbreak. Brown adeptly illustrates the anguish of being entangled in a romantic relationship that never fully reveals itself, leaving listeners caught between longing and the painful acknowledgment of reality. Through ethereal pop sensibilities and a bittersweet melody, Brown explores the complexity of a “counterfeit love life” alluring yet reserved, a love that’s perpetually poised to “cut its losses.” The outcome is a sonic experience that feels as vast and unreachable as a memory of love gone awry.

Counterfeit” doesn’t just touch on the hurt that comes from unrequited love; it captures the quiet resignation accompanying it. With “Counterfeit,” Sadie Brown steps into a new creative direction in her music, mixing introspective storytelling with emotional resonance.

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Written during the lockdown and produced by Cashybear (Tim Ross, formerly of Cash+David), “Counterfeit” builds a hazy, indie-pop atmosphere that feels grounded and otherworldly. The collaboration with guitarist Jimmy Sims (known for his work with George Ezra) lends a retro warmth, creating swirling riffs that complement Sadie’s soft yet piercing vocal delivery. This subtle instrumentation mirrors the song’s themes: a relationship built on false pretenses, with its sweetness fading away like mist.

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Brown draws inspiration from artists like Camera Obscura, Kate Bush, and Lana Del Rey, bringing a charming and restrained sense of vulnerability. Like Joni Mitchell, Brown leans into the contradictions of love, evoking nostalgia but never retreating from the reality of unfulfilled desire. “Counterfeit” is a thought-provoking piece that establishes Sadie Brown as a voice that can authentically convey both the charm and the ache of illusion.

 

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For more information about Sadie Brown, please visit [website]. 
CLICK HERE TO STREAM Sadie Brown’s Counterfeit on Spotify.
CONNECT WITH Sadie Brown | Instagram

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Indie

“Is Everything Okay?” by Tom Minor drops an anthemic vibe wrapped in a gold question

Tom Minor

The newest single by Tom Minor, entitled “Is Everything Okay?” presents a compelling fusion of introspective lyrics and vibrant soundscapes, establishing a unique intersection where self-reflection meets the assertiveness of indie rock. The song commences with an almost casual inquiry, “If you are unhappy and you do not know it, what value does it possess?” This opening lyric serves as both a reflective mirror and a cautionary prompt; it suggests that well-meaning inquiries from others may compel listeners to confront uncomfortable truths they might prefer to overlook while seeking clarity within their complex emotions.

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What renders “Is Everything Okay?” particularly noteworthy is Minor’s effective amalgamation of contemplative lyricism with a multifaceted, genre-defying composition. While indie rock sound with splashes of new wave and power pop have a discernible influence, the track ventures into unexpected realms of psychedelic music. Under the meticulous production of Teaboy Palmer, the song radiates the vitality of garage rock, simultaneously incorporating subtle elements of soul and R&B. The arrangement, characterized by vibrant guitar riffs and a fluid rhythmic structure, conveys the emotional depth of the message without appearing overly burdensome. Minor skillfully employs melody to construct an engaging groove that embodies optimism and challenge.

Additionally, Tom Minor’s vocal delivery demonstrates notable sincerity, reflecting his earnest intent to engage with the audience personally while allowing them space to process their emotional responses. By the conclusion of “Is Everything Okay?“, this work emerges as a significant addition to the contemporary musical landscape. It acts as a dialogue that invites contemplation of one’s current circumstances. The composition provides a form of sonic therapy that avoids offering simplistic solutions. This piece may represent Tom Minor’s most substantial achievement to date, as it fosters a more profound understanding among his audience.

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CLICK HERE TO STREAM Tom Minor’sIs Everything Okay? on Spotify.
CONNECT WITH Tom Minor | Facebook |

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