Music
Matthew Pinder Delivers Highly Anticipated Indie-Folk EP ‘Seated In The Sun’
‘Seated In The Sun’ is a collection of four captivating tracks recounting stories of hopelessness, embracing change, and finding peace with an innovative, pop-kissed folk sound.
Bahamian folk artist Matthew Pinder excitedly welcomes the long-awaited release of his new EP, ‘Seated In The Sun,’ out November 5. Pinder’s soothing vocals and introspective lyricism couple to create a mesmerizing soundtrack that eases the soul despite exploring heavy-hearted subject matter. The caliber of intentional, profound artistry captured on this project implores listeners to surrender their full attention to every word Pinder whispers. This release follows the recent previews “Cascade,” “Used To Say,” and “Stars,” completing the collection with the final track, “Plans,” featuring Sara Davis Regan. Pinder describes this project as “songs made in many little rooms,” in reference to the difficult, yet undeniably successful remote recording process with this project. ‘Seated In The Sun’ was made in collaboration with co-producers Mitch Webb and Sara Davis Regan, and Sherwood Rahming, who worked closely with Pinder in the early stages of creating the EP.
Listeners can stream ‘Seated In The Sun’ on all major streaming platforms November 5.
Matthew Pinder is a Bahamian singer-songwriter who has established a quintessential sound within the indie-folk space over the last few years. Pinder often sings from his own experiences allowing his music to leave an “indelible mark on indie-folk music” (B-Sides & Badlands). First gaining recognition for his viral hit single “Golden Hour” – still one of his most popular releases today with over 2 million streams – he soon followed with the release of the full-length album, Give Me Some Time which was hailed as “Pinder’s magnum opus: a debut so rich and extravagantly heart-rending and deeply-crushing” (B-Sides & Badlands). Soon after, Pinder took a break from music to focus on his mental health until he was ready to begin on his next project, set to release later this fall. Working with local studio engineer/producer Sherwood Rahming and past collaborators Mitch Webb and Sara Davis Regan, Pinder is eager to make music “fun” again by making it with people and friends along the way. Nonetheless, fans can still expect his modern flair with the influences of classic singer-songwriters and present-day artists, all melded into a sound completely his own.
Artist Spotlight
Mamas Gun and Brian Jackson shines light on the truth on latest release “DIG!”
Mamas Gun makes a strong comeback with their new single “DIG!.” The track sounds more like a strong statement of intent than just a release. The UK band is known for its smooth blend of blue-eyed soul and traditional black music. They show once again that they can make music that sounds both thoughtful and very new, while still being real, emotional, and sophisticated.
“DIG!” was recorded directly onto analogue tape, and every note has warmth, grit, and soul. The production choice gives the music a rich, natural sound that complements the band’s unique groove. It is a piece of music that makes people slow down, really listen, and experience it rather than hear it.
Adding famous collaborator Brian Jackson, whose vocals, keyboard, and flute give the song a timeless elegance, adds even more depth and magic. Jackson is known for working with artists such as Stevie Wonder, Gil Scott-Heron, Roy Ayers, and Earth, Wind & Fire. His addition makes the song something truly special. His reunion with Andy Platts, the lead singer of Mamas Gun, almost twenty years after they first worked together creatively in New York, gives “DIG!” a very personal touch that can be felt throughout. “DIG!” sets a strong mood based on connection, art, and essence. Mamas Gun not only goes back to their roots but also makes them stronger. This song is heartfelt, timeless, and completely captivating.
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Artist Spotlight
Bromsen crafts a suspension between attachment and release in new single “Concendrain”
Bromsen’s latest release, “Concendrain,” is very immersive and lives in the space between control and disintegration. The song smoothly shifts from focused to tired, from connected to free, and captures a complex emotional balance that is both personal and universal.
“Concendrain” starts slowly and carefully, the structure has layers that change over time, so each part can come out on its own without any stress or hurry. As time goes on, electronic textures begin to emerge, giving the music a mood that eventually turns into rock-infused energy. These different sounds don’t clash, they work together to create a track that is alive, fluid, and always changing.
The guitar, voice, and rhythm should all work together on the song. These parts don’t compete for attention; instead, they work together to make a smooth flow that pulls the listener into the song’s emotional depth. The arrangement features vocals that complement complex guitar lines and a steady beat that keeps everything in line.
“Concendrain” is really interesting because it has two sides. The track is about the fight in your head between giving up and pushing through, and between staying focused and giving in to tiredness. Bromsen and Reatsch work together to make something that looks natural and well-made. “Concendrain” doesn’t try to be cool or follow trends. Instead, it gives you a slow experience that you should really pay attention to. “Concendrain” is a powerful and thought-provoking work that sticks with you long after the last note has faded away. It stands out because its structure changes, its atmosphere is rich, and its emotions are strong.
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