Music
MATYA’s “Nobody’s Home,” a Sonic Rock Reverie That Defies Conventions
The Los Angeles-based artist MATYA has burst onto the music scene with her debut single, “Nobody’s Home,” a sonic journey that defies traditional categorization. Released on September 22, 2023, as a precursor to her upcoming EP, this track is a brilliant blend of creativity and talent, offering a unique listening experience that sets MATYA apart in the music world.
“Nobody’s Home” is an auditory delight that transcends the boundaries of music genres, capturing the essence of fleeting nostalgia and longing for simpler times. MATYA herself describes it as a reminder to stay dreaming, and this sentiment permeates every note and lyric of the song.
The track opens wistfully from the first note, with MATYA’s delicate vocals and vintage synth tones transporting listeners to a dreamlike reverie. As the song unfolds, her vocals become increasingly hazy and frenetic, mirroring the inner turmoil and restlessness conveyed in the lyrics. MATYA’s lyrical prowess shines through in “Nobody’s Home.” Lines like “No one is home and they stop serving that drink… Let me be in my head… Let me be alone” and “I’m higher than the white sky, tracing all the phone lines…. Nobody’s Home” are evocative and thought-provoking, painting a vivid picture of solitude and introspection.
MATYA’s music style is a genre-defying blend of lo-fi rock snares and dreamy French touch synths, a fusion she aptly labels “avant rock.” This unique sonic landscape challenges conventional boundaries and offers an intriguing perspective on music.
This track is more than just music; it’s the beginning for MATYA. She is currently adding the finishing touches to her upcoming project slated for release in 2024, which aims to create a generational musical gem for those who challenge the conventional norms of the American Dream and showcase her potential as a groundbreaking artist.
The track was craftily produced in Los Angeles and Paris at Catmilk Studios, collaborating with the industry’s finest talents like John Velasquez, Dan Bailey, Gabriel Cheurfa, and Pierre Duval, and mastered by Mike Marsh. This all-star team has undoubtedly contributed to the song’s exceptional quality.
MATYA’s song “Nobody’s Home” is a breath of fresh air in an industry saturated with predictable sounds, a powerful and captivating introduction to her innovative musicality. The track stands out with its rich lyrics and brilliant musical composition, making it a must-listen for anyone seeking a thought-provoking addition to their playlist. Keep an eye on MATYA as she’s set to make her mark in the music world with her brilliant sound and compelling narrative.
For more information about MATYA, please visit [website].
CLICK HERE TO STREAM MATYA’s “Nobody’s Home“ on Spotify.
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Artist Spotlight
Louise Goffin Takes Us for an Intimate Ride with “Backseat”
Louise Goffin’s new single, “Backseat,” takes listeners on a nostalgic journey, like a late-night drive filled with deep emotions. The Brooklyn-born singer-songwriter offers a heartfelt song that feels personal yet relatable to everyone. Drawing inspiration from the storytelling style of Laurel Canyon, “Backseat” invites you to dive into its rich, soulful sounds and escape the daily hustle and bustle.
Goffin’s talent shines through in her ability to tell a story reflecting her life experiences. Growing up with famous songwriters, she experienced a world full of creativity and ups and downs, which she beautifully expresses in her music. “Backseat” captures the mix of chaos and tranquility, creating a calming yet powerful musical experience. Her gentle voice flows over various instruments, making it feel like a cozy chat with a close friend.
At its heart, “Backseat” touches on balancing being a passenger in life and taking charge, something everyone can relate to when feeling uncertain about the past and future. Goffin’s gift for sharing her thoughts makes this journey feel shared, showcasing her storytelling talent.
Louise Goffin is truly coming into her own as an artist, turning the intricacies of life into songs that resonate with many. Whether you’re already a fan or just discovering her music, “Backseat” is a song you don’t want to miss—a beautiful celebration of growth, resilience, and the magic of music.
Artist Spotlight
Rich Kidz’s “Settle Down” Hits a Sweet Spot with Heartfelt Realness
Regarding merging authenticity with infectious beats, Rich Kidz pairs up like no other, and their latest single, “Settle Down,” dives into the depths of love and relationships. At the same time, ensuring listeners remain locked in with melodic flows unique to the duo.
Written in the studio during honest discussions about their personal lives, “Settle Down” is less a song than a heart-to-heart. The two talk about the fact that no relationship is perfect, and that’s just fine. All good things end up being perfect in their unique way. Rich Kidz features relatable lyrics and production that are both contemporary and ancient all at once, teaching us that the beautiful aspects of love are the flaws.
The song offers a luxuriant sound from the very first bars, combining smooth harmonies with a midtempo gait that feels like the auditory half of a cleanse. It’s reflective but also a lift, a duality that aligns with the message of accepting the highs and lows in any partnership. The duo’s storytelling shimmers as the verses progress, mixing personal details with a wider, relatable narrative.
“Settle Down” is not just a song for romantic couples; it serves as a universal rallying cry for anyone taking the plunge into the complicated tango of human relations. Whether you’re enjoying love’s sweet side or grappling with its thorns, this track has something to tell you.
The way Rich Kidz pairs its introspection with infectious energy makes “Settle Down” extraordinary in today’s music landscape. This is one of those songs that has to be added to everyone’s playlist and shows how much they have grown as a band. With this release, they’re not merely making music — they’re composing a soundtrack to life’s most pivotal moments.
