Music
Hypocrite In A Hippy Crypt’s “I Won’t Go To Florida,” a Sonic Adventure of Rock Brilliance
Hypocrite In A Hippy Crypt, a Colorado-based musical group, is breaking the boundaries of genres with their latest indie/garage rock single, “I Won’t Go To Florida.” Released on September 15, 2023, as part of their full-length album “The New Planet,” this track showcases the band’s unique ability to blend alternative rock, psych-rock, and indie-rock styles into a captivating sonic experience that stands out in today’s crowded music landscape.
Hypocrite In A Hippy Crypt, the one-man bedroom studio project, has always been known for its creative innovation and artistry. “The New Planet” is their seventh Already Dead release, and this album sees the project exploring new musical territories, including elements of twee pop and psychedelia. The album marks a significant evolution of their debut into analog and modular synths, lending a psychedelic influence evident in the lead single, “The Next Level.”
While the music title may appear simple, it exudes an upbeat and hopeful vibe; lyrically, “I Won’t Go To Florida” explores themes of escapism and detachment, creating an intriguing emotional dynamic that perfectly suits the end-of-summer mood. The album demonstrates Hypocrite In A Hippy Crypt’s evolution and growth, showcasing some of their most compelling songwriting and production.
The track “I Won’t Go To Florida” is more than just a tune; it’s a standout track from this album, characterized by its captivating instrumentals, infectious melodies, thought-provoking lyrics, and introspective storytelling. Hypocrite In A Hippy Crypt’s rich songwriting is nothing short of skillful; it displays a keen ability to establish a deep connection with listeners, adding an emotional layer to the music.
The vocal performance in “I Won’t Go To Florida” is calm and mesmerizing, drawing the listener into the heart of the song’s narrative and emphasizing Hypocrite In A Hippy Crypt’s artistic intent. The harmonious interplay between the vocal lyrics and instrumental elements creates an enchanting atmosphere that perfectly encapsulates the song’s essence.
One of the standout features of this song is its exceptional instrumentation. “I Won’t Go To Florida” has a meticulously crafted and thoughtfully executed instrumental arrangement that elevates the song’s depth and complexity. The fuzzy guitar chord progressions, distorted lead basslines, and intricate drumming contribute to the track’s progression, culminating in a triumphant sonic chorus that immerses the listener in its mesmerizing ambiance. This showcases the artist’s versatility and directness in composition and musical expression.
Amidst a world where musical genres constantly evolve, and artistic expression has no limits, “I Won’t Go To Florida” by Hypocrite In A Hippy Crypt remains a prime example of creative brilliance. This track is a must-listen, deserving a special place in any music enthusiast’s playlists, taking its listeners on a fantastic genre-defying sonic journey. It’s a testament to the band’s dedication to pushing musical boundaries and creating something exceptional for those seeking unique musical experiences.
CLICK HERE TO STREAM Hypocrite In A Hippy Crypt’s “I Won’t Go To Florida“ on Spotify.
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Artist Spotlight
Loris Tils brings funk energy to life with “IKKI”
Loris Tils comes out swinging with “IKKI,” a single that comes with energy and musicianship right from the opening note. Borne on the unmistakable thump of Minneapolis Funk, the song surges forward with a groove that feels impressively designed and still wildly alive.
“IKKI” is a naughty conversation between slap bass and guitar, and the two instruments impressively craft around each other with both precision and flair, building a high-octane rhythm section that feels as tight as it is explosive.
The magic of “IKKI” is this tension, relentless discipline balanced by acrobats of daring improvisation. The energy never overwhelms the groove. Instead, it expands on it, making this song a celebration of rhythm, creativity, and instrumental chemistry.
Connect with Loris Tils on Spotify || Facebook || Instagram || Youtube || Soundcloud
Artist Spotlight
Glass Mansions turn a possible goodbye into “SUNSETTING”
Glass Mansions return with “SUNSETTING,” a new single that came together during some uncertain times for the project. What began as a mini farewell to music turned out to be among the band’s most authentic and openhearted efforts yet.
The back story of the song’s creation feels almost cinematic. The day the decision was made to quit music altogether, a message came through from some big-time music executive who had heard about the band’s first Ep and wanted to collaborate. The band had agreed to share unreleased demos on request, though they hadn’t prepared any. That urgency caused a combustion of creativity that would shape the song’s trajectory.
“SUNSETTING” was written, tracked, and recorded in a home studio with scratch vocals in roughly two hours. What could have been a thrown-together demo became a surprise breakthrough. Confronted with the prospect of delivering just one last song, the writing became rather reflective, what would you say if it were your final creative curtain call.
“SUNSETTING,” produced by Zack Odom and Kenneth Mount alongside Orb Studios’ Taylor Webb, captures the urgency of its origin story but colors it with a new reflective emotional depth. The upshot is a song that feels at once improvisational and profound, an affirmation that, sometimes, when we think we’re reaching the end of something, it’s actually only setting in motion the most powerful of new starts.
Connect with Glass Mansions on Spotify || Instagram || Facebook || Youtube || Tiktok || Twitter || Soundcloud
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