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Artist Spotlight

Meet WHOSFLYY, The Artist on the Watch from Long Island, NY

Erick Johnson was born on June 6th, 1989 in Manhattan, New York, USA, and his stage name is WHOSFLYY. He was raised in the gritty streets of Brentwood Long Island. WHOSFLYY started his music at a younger age but never really took it serious until he got older and actually could find his sound. What inspired him to do music was the fact that he listened to all types of music growing up, and a lot of friends around him are either rapping, dancing, or were involved with some sort of music.

WHOSFLYY and his friends would record songs on a computer with the built-in mic and start the crafting as time went on. He said a lot of their good young songs came from that old Mac computer, you know those ones with the fatback LOL.

Music has been his outlet to expressing how he feel about things going on in his life whether it was good, bad, sad, depressed, or just a party lifestyle. He has always been in some sort of a spotlight he didn’t know if that’s good or bad. Everyone learns a lot of things as you get older, and perfecting his craft as an artist is one of them.

WHOSFLYY has never shied away from challenges or an opportunity that presents itself. He is a motivated, calm, soft-spoken, kind-hearted, determined, well put together young man. He is ever grateful and thankful to his mother for her motivation as a youngster. WHOSFLYY seeing his mother doing things as a single mother taking care of two boys has always encourage him to do better things, and work harder for whatever it is that is worth doing well for greater achievement.

WHOSFLYY came from a small family. So, doing everything he could be just to comfort the family. He had his troubles in the past with the law or just making dumb decisions, but growing up as a man all has changed. When he was just 20 years old, he was blessed with two little boys – Ayden and Evan. These little boys look up to their father, they follow their father, they want to be with their father always, so in his mind, quitting is not an option for WHOSFLYY.

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He is hopeful that his music can bring joy to someone’s day because you never know what someone is going through, or what they are about to go through. I make music for parties, MB, deep thoughts, or if you want to just vibe, make sure you tuned up WHOSFLYY!

When he found his sound, He performed different shows like SOBs, Studio shows, etc. WHOSFLYY wants to make music that people can relate to, vibe to, dance to, and just be themselves. Music is an art and most of the time you have to keep tracing a picture until you can actually draw it on your own. Just like music, you keep recording until you perfect your craft. He wants his music to be on the playlist, games, movie clips, etc. The sky is the limit. WHOSFLYY’s style is Word Play, and that’s what makes it fun and interesting.

WHOSFLYY sound is unique when you listen and can only be WHOSFLYY and nobody else. He advised that if you are out trying to achieve your dream, you don’t let anybody cross your way to stop you from doing your dream. Negativity is everywhere but just remember that if they are not talking about you, then you’re not doing something right. Keep going, Don’t Stop!

 

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Album Review

Cognitive Constellation Corps blurs humanity and technology on “Thank You for Your Feedback (I)” album

Cognitive Constellation Corps

In a world of notifications and automated responses, algorithms, and feedback requests, Cognitive Constellation Corps finds something unexpectedly human inside the machinery. “Thank You for Your Feedback (I)” is an alt-pop exploration of connection, isolation, communication, and the increasingly complicated relationship between people and technology, transforming familiar procedural language into something else.

Created by Brooke Tamsin Clevenger, a Belfast-based artist, the project’s principal composer, lyricist, producer, and conceptual director, the album is deliberately constructed around what happens to human emotion when our lives are increasingly structured by systems that process information rather than necessarily understand feelings. The album opens with “Opening Loop (i),” which introduces that world through the idea of repetition, linking software loops to the habits we humans learn in modern life.

Followed by “Signal Received (i),” the track becomes more fragile, a mix of bubbling electronic movement and the promise of waiting for a response. It picks up the strange emotional weight that can be behind something as simple as a digital signal. “Thank You For Your Feedback (i)” examines the pressure to be constantly evaluated, and “Echo Chamber (i)” reflects on how digital interaction creates intimacy and amplifies alienation. “The Curve of Clarity (i)” is a road toward understanding where data and human realization begin to converge.

On the production side, the project explores electronic textures without allowing its technological concept to overwhelm its emotional core. “Threadbare, Threadshare (i)” turns the fatigue of constant communication into an interesting concept. “The Response Loop (You’re Still Talking)” injects a sense of urgency with a faster, more club-friendly beat that mixes early-80s electronic music with state-of-the-art sounds.

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“Harmonic Distortion (i)” continues the album’s obsession with emotion that has been filtered, and “Always (i) [Sevahem]” is an appropriate closer, reflecting on organic feeling and ancient human knowledge through the prism of digital sound. “Thank you for Your Feedback” is a tech-driven concept that is always aware of the person behind the screen. Cognitive Constellation Corps is cerebral and electronic and conceptually ambitious while remaining emotionally accessible.

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Artist Spotlight

Shawn Brown raises the volume on love, loss, and survival in “What a Way to Go”

Shawn Brown

Shawn Brown’s new single, “What a Way to Go,” is a guitar-heavy rock-pop anthem that makes doomed young love, instability, and survival something ferociously cathartic. The single, produced by celebrated musician and producer Grecco Buratto, fully embraces the scope of its story. Brown doesn’t turn heartbreak into a quiet, inward experience, but he energizes it, giving it drive and urgency.

“What a Way to Go” is a relationship against impossible odds, and the emotional tension is the clash between a world that feels like it’s falling apart and the stubbornness of two people who won’t let go of each other. That tension is what makes the song dramatic, but it also allows Brown to aim for a bigger, more explosive sound.

Recorded at The Trench in Portland with engineer Gregg Williams and the full Shawn Brown Band and trusted creative team, including Ben Landsverk, Jeff Langston, Ned Failing, Tiago Becker, and Juan Garcia Petri. Their combined presence adds to the muscular, expansive character of the single that one would expect from an anthem of this magnitude.

Brown handles the emotional commitment with confidence, true to its survivalist spirit, and pairs the guitars with a performance that feels immediate rather than remote. “What a Way to Go” is one of Shawn Brown’s most electrifying releases, blending raw rock power with the emotional openness of a love story that won’t go quietly. It’s raw, loud, passionate, and unapologetically alive.

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