Music
Megan The Stallion Tries To Explain Why Sexy Rappers Get Criticized So Much
Megan also reveals what’s on her Christmas list and her New Year’s resolutions for 2021. …
Ever since breaking out in 2019 with her song “Big Ole Freak” (really late 2018, but it took a while to gain steam), Megan Thee Stallion has been both a sex symbol and a lightning rod for criticism about the unapologetically sexy image and lyrics. In a new interview with GQ about, among other things, the backlash against Cardi B and Megan’s runaway hit “WAP,” the Houston Hottie takes a stab at explaining why so many people — both men and women — are bothered by female rappers owning their sexuality.
“Some people just don’t know what to do when a woman is in control and taking ownership of her own body,” Meg hypothesizes. “I feel like for a long time men felt like they owned sex and now women are saying, ‘Hey, this is for me. I want pleasure. This is how I want it or don’t want it,’ it freaks men the hell out. It just comes from a place of fear and insecurity, like why would anyone be mad about my WAP? It belongs to me.” She certainly has a point and while even GQ’s author Jonathan Heaf has a touch of trouble in the story with his very young daughter asking what a “WAP” is, Heaf also shows dodging such questions is just as easy as changing your Spotify password.
Elsewhere in the interview, Megan reveals her favorite Christmas song (Mariah Carey’s “All I Want For Christmas Is You,” naturally), her New Year’s resolutions for 2021 (“Eating healthy and maintaining my skincare regime”), and the main thing on her Christmas list, other than world peace and justice for all. “My wish would be for young women everywhere to have equal access to education and to know that they are amazing, valuable, and can accomplish whatever they put their minds to. I want all my hotties to know their power and be confident in themselves.”
You can check out the full interview here.
Artist Spotlight
“Subterranean Homesick Blues” finds a new direction through Ghost of Panama
Rearranging a song that carries six decades of cultural weight is a creative challenge, but Ghost of Panama approaches “Subterranean Homesick Blues” with clear purpose. The rock band radically reworks Bob Dylan’s counter-culture hit, reshaping its identity while keeping its rebellious spirit. It’s a tribute to musical heritage and a statement of artistic independence all in one.
This new interpretation is very much shaped by the production, made at Ghost of Panama’s home studio in West London. The setting allows an intimate approach to reinterpreting a familiar song and lets the group engage directly with the material, taking it in a new artistic direction.
“Subterranean Homesick Blues” centers on the tension between conservation and transformation. Ghost of Panama is true to the song’s rebellious spirit without adding to its legacy, and this approach gives the release an adventurous feel, grounded in countercultural energy but driven by a desire to see what the composition can become in a different musical context.
Their version of this 60-year-old classic shows that respecting a song’s history can also mean breaking the rules and finding new ways to express its spirit. Fundamentally, “Subterranean Homesick Blues” presents Ghost of Panama as artists who want to engage with the past without being tied to it. The release’s strongest identity is a familiar heritage reimagined through a singularly forward-looking creative vision.
Artist Spotlight
“NO MORE” by Amanda Holley connects healing, awakening, and survival
“NO MORE“ carries that kind of emotional weight, and some songs feel like they come from lived experience but reach for something bigger. Amanda Holley blends R&B and soul, turning a lifetime of survival into a vision of healing, awakening, and the determination to move beyond what caused the pain.
“NO MORE“ is a healing anthem for people who have gone through bad experiences and reached a place of higher awareness, but it’s also an emotionally charged protest. The duality is introspective and outward-looking at the same time, turning personal survival into a broader declaration that some experiences, conditions, or cycles should end.
Holley had a premonition of the song six months before the world went into global shutdown. In the vocal booth, working out melodies with her collaborators, she pictured people in the streets. Those images were hard to imagine at the time, but subsequent events would make them painfully familiar.
“NO MORE“ is given a particularly contemplative underpinning by the context. The identity of R&B and soul leaves room for emotion. The song’s themes link survival, awakening, resistance, and the need for change. Amanda Holley is an artist using music to process personal endurance and a broader sense of social awakening. It’s got a complicated significance, and its release feels like a glimpse of a moment when personal intuition and public reality collided in an unexpected way.
Photo Credit: Yulia Shusharina
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