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Megan Thee Stallion Delivers Stinging Message To Kentucky AG Daniel Cameron On SNL
Megan Thee Stallion’s first appearance on Saturday Night Live exceeded all expectations.
She definitely rose to the occasion, lending her charismatic personality to a couple of skits but it was her performance on the show that has everybody talking.
She introduced an energetic performance of her single “Savage” with soundbites from Malcolm X and activist Tamika D. Mallory, the giant screens behind her flashing the words that were being said.
“The most disrespected, unprotected person in America is the Black woman,” Malcolm X’s voice rang out. “Who taught you to hate the texture of your hair, the colour of your skin, the shape of your nose?”
Her next message was directed at Kentucky attorney general Daniel Cameron, who has become known nationwide for his controversial handling of the Breonna Taylor case.
“Daniel Cameron is no different than the sellout negroes that sold our people into slavery,” Mallory’s voice declared as Megan and her backup dancers stared ahead sternly to applause from the audience.
Raising her fist in the air, Megan then had some words of her own.
“We need to protect our Black women and love our Black women cause at the end of the day, we need our Black women,” she said. “We need to protect our Black men and stand up for our Black men cause at the end of the day, we tired of seeing hashtags of our Black men.”
She then launched straight into a blistering performance of “Savage” and absolutely killed it.
Fresh off landing the cover to the Time 100, it looks like Megan is moving forward with purpose and focus and we love to see it.
What are your thoughts on Megan’s first appearance on Saturday Night Live?
Artist Spotlight
Billy Chuck Da Goat finds his flow on new release “Vibez”
Billy Chuck Da Goat’s latest release, “Vibez,” has a laid-back, hypnotic bounce that makes it easy to listen to without ever feeling empty. It makes a place where calmness and quiet confidence come together.
“Vibez” was made on purpose, but it also sounds simple. Billy Chuck’s smooth delivery flows through the production without rushing or pushing anything. Instead, he lets the rhythm breathe, allowing people to get into the song at their own pace. This laid-back energy is the best part of the song, nothing feels forced, which is exactly what it’s trying to do.
The track changes to fit whatever you need it for, like a late-night drive, a focused workout, or a way to unwind after a long day. It has a quiet edge of confidence, it’s not loud or bragging, but it’s steady and sure of itself.
Connect with Billy Chuck Da Goat on Spotify || Instagram || Facebook || Youtube
Story
François Marius and Bérénice creates a tender acoustic pop confession with “Billie Jean”
François Marius’ latest release, “Billie Jean (Acoustic Version),” cuts to the quick and lets raw emotion take over. What you get, ultimately, is a personal pop experience that feels closer to a secret than to either a spoken-word show or a performance. The initial soft strum of an acoustic guitar creates a mood that is soft, sweet, and quietly interesting. It’s a full-throated, backbones-out piece, and every note is screaming its potential. It’s simple but riveting, and it proves that sometimes less is more.
François Marius and Bérénice’s voices sound right together, their voicings intermingle so naturally that they seem accidental or spontaneous, harmonies that emerge from nowhere. The way they speak to one another is very, I mean, they really love each other. That even makes the track seem like a conversation about feelings.
The two artists are clearly close. Romance and Eros are not just ideas, and they inhabit every note that lingers and every minuscule shift in tonality. The harmonies soar effortlessly over the acoustic foundation, a blend of sweetness and strength. It’s a sign of strength and also of a willingness to be hurt.
“Billie Jean (Acoustic Version)” is stripped of any fancy production or theatrical effects, it wins you over with its frankness and forthrightness. Sandy François Marius’s impersonation is fresh and real, endowed with depth and softness thanks to Bérénice’s presence, which definitely makes everything more perfect. This acoustic performance serves as a stark reminder of the elements that do connect people: the singer, his guitar, and a story from the heart.
Connect with François Marius on Spotify || Instagram || Facebook || Youtube || Twitter || Soundcloud
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