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Megan Thee Stallion “Disgusted” By Mike Pence’s Breonna Taylor Response

Mike Pence and Kamala Harris, the two Vice-Presidential nominees, linked up last night for the first-and-only Vice-Presidential Debate, which aired live across the nation. Despite Pence consistently going over his allotted two minutes, this debate was far less mean-spirited than that between Donald Trump and Joe Biden, which was really just a shouting match.

Harris’ facial expressions have been going viral this morning, and so has the fly that was glued to Pence’s head for a good ten minutes, but their policies and responses are getting less attention.

Megan Thee Stallion was tuned into the debate, commenting on one specific question that was posed to Mike Pence, regarding whether he believes that the grand jury decision made in the Breonna Taylor case resulted in justice for her family.

“Well, our heart breaks for the loss of any innocent American life, and the family of Breonna Taylor has our sympathies,” said the Vice-President. “But I trust our justice system, a grand jury that refused the evidence.”

When asked the same question, Harris said that she does not believe justice was achieved in the Taylor case, saying that there needs to be criminal justice reform. “I am a former career prosecutor, I know what I am talking about, bad cops are bad for good cops. We need reform of our policing in America and our criminal justice system,” she said.

Tuned into both of their responses, Megan Thee Stallion was triggered by what she was hearing.

“Pence’s response to the question ‘did Breonna Taylor receive justice’ was disgusting #VicePresidentialDebate,” tweeted the Houston rapper during the debate.

Stalli isn’t the only celebrity to be criticizing last night’s event. 2 Chainz was also critical of Pence on Instagram, as was Cardi B.

What did you think of the debate?

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François Marius and Bérénice creates a tender acoustic pop confession with “Billie Jean”

François Marius’ latest release, “Billie Jean (Acoustic Version),” cuts to the quick and lets raw emotion take over. What you get, ultimately, is a personal pop experience that feels closer to a secret than to either a spoken-word show or a performance. The initial soft strum of an acoustic guitar creates a mood that is soft, sweet, and quietly interesting. It’s a full-throated, backbones-out piece, and every note is screaming its potential. It’s simple but riveting, and it proves that sometimes less is more.

François Marius and Bérénice’s voices sound right together, their voicings intermingle so naturally that they seem accidental or spontaneous, harmonies that emerge from nowhere. The way they speak to one another is very, I mean, they really love each other. That even makes the track seem like a conversation about feelings.

The two artists are clearly close. Romance and Eros are not just ideas, and they inhabit every note that lingers and every minuscule shift in tonality. The harmonies soar effortlessly over the acoustic foundation, a blend of sweetness and strength. It’s a sign of strength and also of a willingness to be hurt.

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RoHaNa and Morpheus von Dobenhausen paint love in shadows and light “WHEN A BOY LOVES A WOMEN”

RoHaNa feat. Morpheus von Dobenhausen, in this new release, “When a Boy Loves a Woman,” This track, recorded in winter, has a hint of gothic style that blends emotional restraint with atmospheric elegance. The track is all about RoHaNa’s emotional singing, which fits perfectly with the carefully crafted production. Her voice shows desire, weakness, and dedication without being too loud, letting each note ring out. The result is a sound that affects people on a personal and universal level. There is a sense of innocence that permeates, capturing the delicate nature of love in its purest form.

Morpheus von Dobenhausen is a guest singer who deepens the track’s emotional journey. Their voices work together to make a conversation of feelings that is both clear and mysterious. The song doesn’t go too fast, so the listener can feel the mood and atmosphere as they go through its subtle changes.

“When a Boy Loves a Woman” is unique because it strikes the perfect balance between modern pop and gothic restraint. The result is a soundscape that is both creepy and easy to listen to. It is a moving story about love and devotion, told with grace and quiet strength.