Music
Megan Thee Stallion Sparks Drama with Kendrick Lamar Cover at L.A. Concert
Megan Thee Stallion‘s “Hot Girl Summer” tour has been packed with unforgettable moments, but it’s also managed to steer clear of major drama with other artists—until now. The Houston rap queen added a touch of controversy during her Los Angeles show on Friday (June 21) by performing Kendrick Lamar’s “Not Like Us,” subtly weighing in on the ongoing beef between Kendrick and Drake. Though it was just a brief rendition of the chorus accompanied by a playful dance, it made a significant statement.
Fans didn’t need Megan to declare Kendrick the winner in his feud with Drake—K.Dot’s triumphant “The Pop Out” show in L.A. on Juneteenth did that already. However, given Kendrick’s lyrical nods to Megan on “family ties” and her rocky history with Drake, her performance felt inevitable. For those out of the loop, tensions between Megan and Drake flared when he referenced a woman “lying about getting shots, but she’s still a stallion” on his 2022 album Her Loss. Megan perceived this as a direct jab, fueling the feud.
Adding to the drama, Megan’s beef with Nicki Minaj has also been heating up. Some speculate that her perceived disses toward Nicki were actually aimed at Drake. Whether these major rap battles will escalate or fade remains to be seen. Kendrick Lamar and his camp might move on, or Young Money could reignite the feud. Either way, it’s bound to be anything but a smooth resolution.
Amidst all this, Megan’s highly anticipated new album is on the horizon, building considerable buzz. Fans are eager to see if she’ll address the Kendrick-Drake rivalry or her personal issues with Drake in her new music. One thing’s for sure: Megan Thee Stallion knows how to keep us all on the edge of our seats.
Artist Spotlight
“Hell has frozen over” finds Sarina choosing peace over being understood
Sarina’s new track, “Hell has frozen over,” explores the less dramatic, more complicated moment of reaching the end of the road, being gaslit, ignored, rejected, and painfully lonely. It translates the emotional burnout into a rock-pop context that’s easy to understand.
“Hell has frozen over” focuses on the decision to step away, instead of explaining, defending, or seeking understanding from people who refuse to listen. The rock foundation gives it the right weight, the pop influence makes it accessible, and the focus stays on the emotional message.
Sarina’s art is the struggle of loss and being strong in yourself. It’s about understanding that protecting your peace is more important than being understood. And that’s the emotional balance that gives the release its character so that the subject matter has relevance beyond a particular circumstance.
“Hell has frozen over“ is a relief from the burden of carrying on a debate that will never be resolved. Sarina turns an experience of isolation into a statement about boundaries, resilience, and the choice not to get caught in the same cycle. The result is a record that’s at its best when it’s being true to what it feels like to finally be free from whatever has been holding you down.
Photo Credit: Andrea Hunter
Artist Spotlight
Girlhood finds summer warmth and quiet freedom on “Lemon Aid”
“Lemon Aid“ is a warm indie-pop ballad from Girlhood that finds comfort in the ordinary and weaves in a sense of release. This song is about surrendering to the moment, finding space to breathe, and letting a little lightness back in. This reflective core is surprising, given the warm summer-night feel of the track, hinting at a moment of emotional rebalancing.
Singer-songwriter Natalie Holmes has a tender personality and fronts the slow-burning “Lemon Aid.” The production supports that softness, keeping the song’s gentle mood and intimate direction front and center. Beneath the comfort is a thoughtful examination of pressure, transition, and the need to pause.
The song’s link to the streets of Stroud offers yet another layer of art to the work. Familiar places can mean something when life feels uncertain, and the emotional scene involves storefronts, parks, cafes, and leafy, winding streets. “Lemon Aid“ searches for beauty in everyday places and rituals, finding still moments that mean something without getting carried away.
The track is the first release of Girlhood’s forthcoming album, “This Will Make Sense In The End,” a more reflective chapter with hope at its heart. “Lemon Aid” is about softness, conjuring a space where dancing, wandering, and just existing can feel like a cure. It’s an unleashing of small observations and soft emotional movement and a clear indication of the thoughtful direction that Girlhood is heading next.
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