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[Premiere] Michael Isaak Peels Back the Layers in “Say Too Much”

Michael Isaak

Michael Isaak shows no signs of holding back. With his new single, “Say Too Much,” the rising Egyptian-American indie folk musician brings us into a world that seems like it’s still happening when you listen to it raw, human, and heartbreaking.

After the introspective storytelling of his debut EP, Forever is a Scary Word, Isaak found his footing, and “Say Too Much” makes that clear. Melding organic instrumentation with experimental textures, the track is an experience. From those first plucked notes to the hushed, confessional vocals, it’s as though Isaak is beside you, allowing the music to breathe and break in all the right spots.

There’s something undeniably raw about “Say Too Much,” a beautiful imperfection that brings the track to life. Isaak treads the tenuous line between restraint and surrender skillfully, creating a space where each chord, each pause, and each whispered lyric bears the kind of gravitas you’d expect from an artist still willing to bring their music down a level in the name of showmanship. It’s a song for authentic lovers, for those who want to hear more than music but the person behind it.

With “Say Too Much,” Michael Isaak offers up a small slice of himself along with his story, process, world, and evolution. And if this track is any sign, he’s just getting started.

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Artist Spotlight

Lisa Boostani creates a mesmerizing tidal realm in “Ocean”

Lisa Boostani

Lisa Boostani’s “Ocean” takes you deep into a sensory world where body, spirit, and myth come together, beyond the surface of genre. Boostani makes a soundscape that is both ethereal and deeply human by combining the broad essence of psychedelic pop with the strong appeal of alternative rock.

Her voice rises as if it is coming from deep within her, shaped by emotion rather than action. She intentionally channels the intangible, turning weakness into strength rather than a source of pain, and “Ocean” tells people to get involved in this inner world, not just watch it. This release is an integral part of her first EP, “One,” which will come out in March 2026 and is based on love, sensuality, and unity.

If “Ocean” is any indication, the EP will show sensuality not as something pretty, but as a kind of spiritual intelligence, a way to know yourself by connecting with others. The song’s textures and structure have an aquatic quality, moving between clarity and delirium, rhythm and freedom. Its emotional focus is on immersion instead of resolution.

The striking quality of “Ocean” is the blend of the mystical worlds. Boostani understands that strength often shows up as gentleness and that deep feelings are better expressed through frequencies than words. She wants people to see consciousness as immediacy, sensation as truth, and openness as an undeniable strength.

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Artist Spotlight

NOAH. captures the unspoken signals in enchanting R&B track “That’s Bless”

NOAH.

“That’s Bless” captures the unspoken late-night message, the smile that was exchanged from afar, and the feeling you sense but are afraid to say. NOAH. offers a song with a smoky R&B feel and lyrics that capture unspoken tension, firmly in the realm of emotional ambiguity, where connection is clear but not defined.

This piece concerns the subtle discomfort of mixed signals and quiet longings, when looks say more than words ever could. NOAH. handles the theme with restraint, letting the chemistry simmer rather than explode. NOAH.’s delivery shows a confident gentleness, recognizing that some feelings don’t need strict definitions to be real.

In “That’s Bless,” he captures the essence of connection and the compelling allure that endures, even when both parties pretend it is not there. The composition is based on real-life events, and it acknowledges that specific attachments endure in the heart long after one has persuaded oneself of having progressed.

“That’s Bless” is at the crossroads of closeness and distance, clarity and confusion. The song doesn’t resolve the tension it talks about, and that’s what makes it so powerful. It sums up the connection we say we don’t want but keep coming back to in memory, rhythm, and pulse.

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