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Michael Jordan Makes Interesting Claim About Social Media Era

Michael Jordan is easily one of the greatest basketball players of all-time, and according to most people, he is the best, without question. Jordan got to play during the 80s and 90s which were a simpler time for athletes as they didn’t have to deal with the pitfalls of social media. For instance, a player such as LeBron James has to deal with everything the fans are saying, while also seeing everything he says become a huge story and narrative on Twitter.

During an interview with Cigar Aficionado, Jordan had an honest answer while speaking about the social media age and how he would have been able to handle it all. As he explains in the video below, athletes like Tiger Woods proved to him that Jordan wouldn’t be the player he was in the 90s, if social media had existed at the time.

“Tiger [Woods] played at his peak somewhere toward the end of my career. Then, what changed from that time-frame to now is social media – Twitter and all those types of things,” Jordan said. “And that has invaded the personalities and personal time of individuals. It’s to the point where some people have been able to utilize it to their financial gain and things of that nature. But for someone like myself – and this is what Tiger deals with – I don’t know if I could’ve survived in this Twitter [era], where you don’t have the privacy that you’d want and what seems to be very innocent can always be misinterpreted.”

This is an extremely honest assessment of himself, although we’re sure Jordan would have been just as dominant, albeit just a tiny bit less focused. Either way, it would be fun to see prime Jordan competing against the likes of prime LeBron.

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Artist Spotlight

Seun Kuti & Egypt 80 makes a stand for afrobeat against corruption on latest release Na Dem feat. Tom Morello.

Seun Kuti & Egypt 80 deliver a powerful afrobeat statement with “Na Dem,” Featuring Tom Morello and produced by Femi Koleoso. The track has been a fan favourite even before its official release, and comes with the unmistakable spirit of protest, truth-telling, and social accountability that have long characterized Afrobeat’s most impactful moments.

The song’s heart is a direct challenge to corruption and the abuse of power. Instead of singling out one profession or institution for its critique, “Na Dem” identifies a larger culture of dishonesty, targeting bad lawyers, bad doctors, bad politicians, and anyone who would sell their integrity for personal gain. The message is sharp and uncompromising and delivered with the urgency that has become a hallmark of Seun Kuti’s artistry.

The inclusion of Tom Morello adds another level of intensity to the record. His presence adds to the song’s rebellious energy, creating a powerful intersection between the rhythmic activism of Afrobeat and the confrontational edge of rock. The result of the collaboration is a track that is both timeless and of the moment.

The song’s dedication to principle is what rings true. The moral center of the record is Seun’s statement that he would never prostitute his conscience for money. It turns “Na Dem” from a critique into a declaration of personal values, responsibility, and resistance.

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Deaf Radio returning to a place that feels familiar but has changed on “No Place Like Home”

Deaf Radio offers a deeply affecting experience with “No Place Like Home,” a haunting meditation on grief, memory, and the enduring connection between family and place. Rather than a story of loss, the song invites listeners into the emotional experience of returning to a place that feels familiar but has changed.

It’s an open letter to the people, the moments that used to make home. It captures the unsettling experience of walking into a house where everything is still there, the clothes, the scents, the light streaming through the windows, but the person who gave those details meaning is gone. There is only a lingering ache that fills every room.

It’s a complex emotional journey that runs just under eight minutes in “No Place Like Home.” Its structure does not allow for repetition, each section uncovering another layer of feeling. The song begins with a hushed looping arpeggio and the striking line “your tough mother’s love”, immediately setting a deeply personal tone. From there, it spills out into spare, humane verses before exploding into ninety seconds of crushing guitars and feedback that feel like grief breaking through emotional constraint.

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