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T.I. Addresses The Drake Pee Bar On “We Did It Big”
T.I. recently dropped off his eleventh studio album The L.I.B.R.A, which served as a thorough reminder of his prowess behind the microphone. And though there was much to unpack across the star-studded twenty-track project, one particular bar on “We Did It Big” ultimately went on to cause quite the stir on social media. “While I’m fightin’ my own somehow got you home,” T.I. rapped, in heartfelt dedication to his late friend Terrance “Cap” Beasley. “So drunk in LA, end up pissin’ on Drake, shit / Fuck it, that’s still my brother since back in the trap house.”
Shareif Ziyadat / Contributor / Getty Images
Though hardly a diss, Drake didn’t exactly seem thrilled by the urine-soaked namedrop, who went on to unfollow Tip on Instagram. Some immediately felt that mentioning the infamous incident was disrespectful, with others went so far as to declare the bar to be a straight-up diss. In response, T.I. took a moment to reflect on the fallout during a conversation with Ebro Darden on Apple Music’s Rap Life.
“That’s the wildest sh*t I’ve ever seen before in my f*cking life,” says Tip, after Ebro addresses the diss track rumors. “You know what I’m saying? But that sh*t, I ain’t had no malicious intent. You know these blogs going to take it and flip it however. And then I just don’t see how that could ever be taken as a diss. I don’t see how that could be. That would be someone allowing their emotions to manipulate them if so.”
T.I. ft John Legend: “We Did It Big”
T.I. reveals that he actually moved to put John Legend on the hook following a suggestion from Rick Ross, who immediately conjured imagery of a “white piano and smoke.” Unfortunately, upon receiving the vocals from Legend, Tip learned that both John and his wife Chrissy Teigen had experienced a miscarriage. “I don’t know whether he did it before or during,” reflects T.I. “I don’t know. I just know that it made the record mean so much more to me. The fact that he chose to, I guess you could say, share that moment.”
Check out the full interview below, and be sure to go support The L.I.B.R.A right here.
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E.G. Phillips unveils where silence speaks the loudest on new release “Empathy for the Night Fly”
The mood of E.G. PHILLIPS’s “Empathy for the Night Fly” is instantly cinematic, dark, introspective, and frozen in time. The track sounds like a scene from a late-night club where everything slows down just enough for feelings to come out. The arrangement is jazz-like in that it lets each part breathe. The arpeggiating Rhodes piano comes and goes, giving the impression that the music is thinking, as if it’s moving.
The song is really about recognition, which is when you hear something in someone else’s voice that reminds you of your own experience. It’s subtle, almost fragile, but it has a big effect on people. That emotional connection is what holds the piece together.
That choice seems deliberate, even defiant. It asks the listener to pay attention differently, not just passively. Every break is a part of the story. E.G. Phillips doesn’t just make the mood; he keeps it going. In that space, “Empathy for the Night Fly” becomes a quiet, powerful look at memory, connection, and shared feelings.
Connect with E.G. Phillips on Spotify || Instagram || Facebook || Youtube
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Firecamino maintains folk storytelling with new release “Juan The Baptist”
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The song’s central character is a misguided hero, vulnerable and human. Firecamino emphasizes imperfection over perfection, creating a relatable protagonist. That storytelling gives the song a cinematic, intimate feel.
“Juan the Baptist” handles several musical influences well. Folk-inspired writing and country textures add emotion and familiarity. Meanwhile, the cool indie vibe smooths the edges and lets the track flow naturally without being dramatic.
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