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Mick Jenkins Questions Efficacy Of “#Endsars” & “BLM” Hashtags

Mick Jenkins has never been one to shy away from speaking his mind, and today, the acclaimed Chicago lyricist took to Twitter to vent about something that’s been frustrating him — the ongoing hashtag campaign dedicated to the #Endsars movement transpiring on social media. “I don’t know what tweeting #endsars actually does,” he captions, referencing the tragic and disturbing situation transpiring in Nigeria. “Any more than I know what tweeting #BLM does.”

Mick Jenkins

Dimitrios Kambouris/Getty Images 

“And that’s to say only: it’s clear people in power will do what the fuck the fuck they want,” he continues. “Suppress what they want. And lie to the world about what happend. While we tweet. Shit is infuriating. Like there killing ni**gas everywhere bro. On camera….all over the world. The fuck I look like promoting a album. Lol am I tweaking like?”

While it’s likely will misinterpret his words, as well as the main sentiment behind them, it’s clear that Mick is not dismissing the severity of what’s been going on. He’s simply questioning the efficacy of a hashtag movement, opening the door for a greater discussion in the process. From the sound of it, there’s a futility at the center of it all, a dark truth that no matter how much awareness is raised, change may never truly come — at least, not anytime soon.

Still, some felt that hashtag movements were effective in raising awareness to a cause that may otherwise fly under the radar. And given the severity of the situation transpiring in Nigeria, it stands to reason that increased awareness could go a long way in mobilizing politicians to take action — even if it is for the wrong reasons. Check out Mick’s reflection below, and sound off — do you agree with his assessment on social media hashtag movements?

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François Marius and Bérénice creates a tender acoustic pop confession with “Billie Jean”

François Marius

François Marius’ latest release, “Billie Jean (Acoustic Version),” cuts to the quick and lets raw emotion take over. What you get, ultimately, is a personal pop experience that feels closer to a secret than to either a spoken-word show or a performance. The initial soft strum of an acoustic guitar creates a mood that is soft, sweet, and quietly interesting. It’s a full-throated, backbones-out piece, and every note is screaming its potential. It’s simple but riveting, and it proves that sometimes less is more.

François Marius and Bérénice’s voices sound right together, their voicings intermingle so naturally that they seem accidental or spontaneous, harmonies that emerge from nowhere. The way they speak to one another is very, I mean, they really love each other. That even makes the track seem like a conversation about feelings.

The two artists are clearly close. Romance and Eros are not just ideas, and they inhabit every note that lingers and every minuscule shift in tonality. The harmonies soar effortlessly over the acoustic foundation, a blend of sweetness and strength. It’s a sign of strength and also of a willingness to be hurt.

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“Billie Jean (Acoustic Version)” is stripped of any fancy production or theatrical effects, it wins you over with its frankness and forthrightness. Sandy François Marius’s impersonation is fresh and real, endowed with depth and softness thanks to Bérénice’s presence, which definitely makes everything more perfect. This acoustic performance serves as a stark reminder of the elements that do connect people: the singer, his guitar, and a story from the heart.

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RoHaNa and Morpheus von Dobenhausen paint love in shadows and light “WHEN A BOY LOVES A WOMEN”

Morpheus von Dobenhausen

RoHaNa feat. Morpheus von Dobenhausen, in this new release, “When a Boy Loves a Woman,” This track, recorded in winter, has a hint of gothic style that blends emotional restraint with atmospheric elegance. The track is all about RoHaNa’s emotional singing, which fits perfectly with the carefully crafted production. Her voice shows desire, weakness, and dedication without being too loud, letting each note ring out. The result is a sound that affects people on a personal and universal level. There is a sense of innocence that permeates, capturing the delicate nature of love in its purest form.

Morpheus von Dobenhausen is a guest singer who deepens the track’s emotional journey. Their voices work together to make a conversation of feelings that is both clear and mysterious. The song doesn’t go too fast, so the listener can feel the mood and atmosphere as they go through its subtle changes.

“When a Boy Loves a Woman” is unique because it strikes the perfect balance between modern pop and gothic restraint. The result is a soundscape that is both creepy and easy to listen to. It is a moving story about love and devotion, told with grace and quiet strength.

With this first release, RoHaNa confidently joins the scene, thanks to XanadumusiX’s never-ending creative drive, even when things get hard in the winter. This release not only introduces a new artist with significant potential but also showcases a bold artistic direction in which emotion, atmosphere, and story come together to make a lasting impression.

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