Album Review

“Milky Way Rising” by Hourstone

When it comes to making pop music that isn’t all about the tired stereotypes that have driven so many of its most ardent supporters away from the genre, few do it better than Hourstone does. The solo artist and frequent indie collaborator has been cutting some magnetic music in the last few years, and in his most recent effort “Milky Way Rising” featuring none other than the talented Amanda Kang, he arguably goes bigger than ever. Conceptually speaking, Hourstone is determined to expand on a fluid style of arranging introduced to us in previous releases by incorporating additional elements of instrumentation into the fabric of his sound, rendering what can only be described as a new strain of techno-inspired pop that is as rooted in balladry as it is an old school club beats.

With Kang by his side to emotionally colorize the lyrics in the song, this player tears through the rhythm of the track with a swagger that is unlike anything we’ve heard from him before, proving himself to be one of the most confident and charismatic performers of his currently-exploding scene along the way.

Produced with exquisite attention to detail, Hourstone ensures that every intricate facet within the tonality of the music is given VIP treatment behind the soundboard in the song. Every part of the mix is contributing to the larger narrative in “Milky Way Rising,” starting with the soothing radiance of the synth-born melody chasing the bassline in the background.

It helps to keep the intensity in Amanda Kang’s sensuous lyrics firing on all cylinders by breaking down some of the ominousness in the beats, but moreover, it adds a layer of melancholic undertow to the mood in the verses that wouldn’t be there otherwise. When Kang takes over the epicenter of the groove, the bass is toned down a bit, and the space that it leaves behind in the master mix is quickly filled by an exotic serenade which is as much of a reason to pick up “Milky Way Rising” as Hourstone’s definitively clever arranging is.

Album Review

Artificial Incline unveils its emotionally charged new album premiere, “Used to Be”

The premiere of Artificial Incline’s latest album, “Used to Be,” enriches the musical landscape of Strathmore, Canada. This four-track masterpiece explores the complexities of romantic relationships, emotional resilience, and self-identity, offering a cathartic listening experience that transcends genre boundaries. The album showcases sophisticated lyrical craftsmanship while adhering to classic pop sensibilities, marking a significant evolution in Artificial Incline’s journey as an artist and songwriter.

Thematically, “Used to Be” draws inspiration from personal experiences of relationship discord, delving into topics such as infidelity, betrayal, emotional volatility, and verbal conflicts, all while seeking healing. Artificial Incline utilizes music to process trauma and achieve transformative catharsis. Reflecting on their artistic growth, they emphasize that “good things take time,” a sentiment echoed throughout the album’s dynamic and evocative tracks.

Opening with “King Without a Crown,” which explores existential loneliness alongside the quest for self-actualization. This classic pop anthem highlights the tension of navigating a life or ambition where recognition remains elusive. It captures the haunting reality of feeling lost while striving for greatness, embodying the paradox of “living the nightmare as a king without a crown.” Through enchanting vocal performances, Artificial Incline vividly conveys both regret and aspiration.

The title track, “Used to Be,” follows and provides a passionate, candid portrayal of yearning for clarity within failing relationships. Its stirring melodies and melancholic undertones reflect on past emotional frameworks, advocating for compassion and understanding during difficult times. This piece encourages listeners to embrace resilience and acknowledge the intricate fragility of love, resonating with those who have experienced the turmoil of fading connections.

Album Review

The Vlade unveils a mesmerizing indie pop-rock revelation in his recent album, “Bring Me To The Light”

Emerging from Vancouver, Canada, the dynamic indie pop-rock sensation known as The Vlade has officially launched his latest musical endeavor, “Bring Me to the Light.” This impressive ten-track album constitutes a significant artistic achievement that transcends conventional musical boundaries, exploring themes such as love, illumination, and the diverse spectrum of human emotions. The Vlade’s distinctive style incorporates nuanced storytelling and exceptional lyricism, showcasing his remarkable talent for crafting immersive auditory experiences further enhanced by his soaring vocal performances and intricate instrumental soundscapes that evoke hope, vulnerability, and melancholy.

At the core of “Bring Me to the Light” lies the eponymous title track, an impactful pop-rock anthem that effectively lays the thematic foundation for an unforgettable introduction. This track sets the tone for the album’s dynamic exploration of euphoric melodies combined with introspective lyrics that encourage the struggle to be illuminated by the adventure of love, which permeates the work. Notably, this track has garnered significant resonance among audiences in Ukraine, highlighting its extensive emotional appeal.

Following this energetic introduction, “I Do Not Want to Lie“ presents a soulful yet melancholic perspective that delicately examines life’s imperfections, uniting reflective lyricism with an authentic sonic aesthetic. Conversely, “Train to Delhi” evokes an enchanting tribute to classic soul-pop with jazz sensibilities, seamlessly merging the artist’s soulful journey through Delhi with a thought-provoking rhythmic narrative highlighting his artistic versatility.

In “I Do Not Want Your Love,” The Vlade articulates a complex ambivalence toward romantic commitment, utilizing emotive guitar motifs interwoven with a rhythmic bass line and piano harmonies to create an engaging soundscape. Conversely, “It Is Not the End” embodies a sense of optimism, generating a dreamlike ambiance through its catchy beats and entrancing organ strums. Thus, it imparts an uplifting sense of discovery that propels the album’s momentum.

Adding further depth to the compilation, “The Owls” (Bulgarian lyrics) encapsulates a smooth sophistication, exploring nostalgia in unexpected contexts through its flowing melody and tingling sound. Tracks such as “Brand New Day,” “Into Eternity,” and “The Lizard King“ contribute to the album’s hauntingly poetic sonic experience, each revealing distinct aspects of The Vlade’s artistic brilliance.

The album concludes on a poignant note with “When/Life” (Bulgarian lyrics), which leaves a lasting impression characterized by trembling vibrato and a deeply heartfelt interpretation. Every composition within “Bring Me to the Light” exhibits notable melodic and harmonic craftsmanship, guiding listeners through a deeply personal yet universally relatable narrative.

With meticulous attention to detail and a fervent commitment to artistic production, The Vlade’s unique songwriting trajectory solidifies his reputation as an indispensable voice and transformative force within the indie music landscape. His ability to create immersive auditory experiences fosters a profound connection with listeners, rendering this album an essential addition to any playlist for individuals seeking music that resonates at a deeper emotional level. As “Bring Me to the Light” continues to gain acclaim, it further highlights The Vlade’s dedication to pioneering innovative and boundary-defying music.

For more information about The Vlade, please visit [website].
CLICK HERE TO STREAM The Vlade’s Album “Bring Me To The Light“ on Spotify.
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