Connect with us

Music

Nas Addresses His Doja Cat Controversy: ‘People Do It All The Time’

Getty Image ‘I don’t really know the world that these stars live in anymore,’ he admits. …

In a new interview with NME, Nas addresses the controversy that followed him name-checking Doja Cat on his comeback single, “Ultra Black.” He previously spoke on the line itself, claiming that he didn’t feel it was a diss during an interview with Power 106, but during this new interview, he talks about being caught off-guard by the controversy and how out-of-touch he feels with modern social media.

“Well, I’ve been away, so, of course, I mention someone’s name that’s popular and people are gonna talk about it,” he replies. “I hear people do it all the time but no one makes a big deal of it. Maybe it’s because I don’t put out records a lot, so they’re like, ‘Whoa!’ I don’t really know the world that these stars live in anymore. I’m rapping the same way I did when I was on the block, but now there’s a new world and what I say can take off with social media and I can’t do anything about it.”

“Ultra Black” drew a backlash from fans due to its line referencing Doja Cat’s recent chat room scandal. “We going ultra-Black, the opposite of Doja Cat,” he rhymes. Fans interpreted this as a derogatory comment toward the “Say So” singer, who had just been accused of participating in a white supremacist chat room at the same time as an old track of hers titled “Dindu” — a slur against Black people — resurfaced online. Doja apologized for the song but also defended her chat friends from accusations of racism.

Doja Cat herself responded to Nas’ line a couple of times since. Initially, she sarcastically told fans during a live stream “I am so offended and upset about this song” before noting that her anticipated single “N****s Ain’t Sh*t” is an unintentional acronym for “Nas.” Ultimately, she said that she will never beef with Nas — however, I propose as a counterpoint: “N****s Ain’t Sh*t” remix, featuring Nas. Think about it, guys.

Check out Nas’ full NME interview here.

Advertisement
Advertisement

Artist Spotlight

Cali Tucker Unwraps Christmas Magic With Her New EP “Santa Baby”

Cali Tucker

Cali Tucker is back in the spotlight this season with “Santa Baby,” a beautifully made holiday EP that captures the heart, warmth, and timeless glow of Christmas classics. Cali is known for singing the National Anthem at NASCAR’s Pennzoil 400 in front of 80,000 fans and more than three million people at home. She brings the same powerful presence and emotional depth to this holiday project.

“Santa Baby” is a great holiday release for music lovers, bloggers, and new artist discovery sites. It has six tracks and lasts 20 minutes. It mixes nostalgia with Cali’s signature smooth vocals. Each song shows off her talent, but “O Holy Night” and “The Christmas Song” are two that stand out as favorites. Both performances show off her range, control, and ability to bring classic songs into modern emotional spaces without losing their original charm.

“O Holy Night” stands out as the EP’s spiritual center, with a glowing performance full of dynamics, warmth, and a cinematic stillness that draws people in. Cali gives the song both respect and a unique touch, breathing new life into a well-known hymn. “The Christmas Song,” on the other hand, makes you feel like you’re sitting next to a fire. It’s soft, heartfelt, and full of stories that make you feel nostalgic. Cali’s voice flows effortlessly through every note, making it impossible not to feel the magic of the season.

The whole EP flows easily and has a mix of fun sparkle, soulful warmth, and classic Christmas music. “Santa Baby” is the perfect song for the season, whether people are making holiday playlists, looking for new Christmas music, or discovering new vocal talents. This EP adds a new but familiar sound to today’s holiday music scene. It has a comforting feel and is easy to listen to repeatedly.

Advertisement
Continue Reading

Artist Spotlight

Kalpee Honors Heritage and Heart on His Emotion-Rich New EP Dougla Boi

Kalpee

Kalpee is back with Dougla Boi, a beautiful new EP that is both personal and powerful. It gives listeners a close look at the layers of identity, heritage, and emotion that make him who he is. The Trinidad and Tobago artist is confident in his own space, which is rooted in New Calypso and polished with hints of dancehall, R&B, and afrobeats. In this space, genre bends, but emotion leads.

Named after the Trinidadian word for someone of mixed African and Indian heritage, Dougla Boi is honest, proud, and warm about the complexities of culture. Kalpee opens a window into the dualities that define him across six tracks, turning personal truth into universal resonance. The EP is just under 19 minutes long, but every second is carefully planned to take listeners on a journey through courage, joy, healing, and the quiet strength that comes from accepting all parts of yourself.

The first single, “Under,” stands out right away for its calming yet emotionally charged experience. Kalpee’s voice flows over a beat that sounds both new and old, fitting the EP’s theme of bringing cultures together. It’s one of the best examples of how he can mix soft and hard sounds, which is what makes his New Calypso sound so unique.

“Everybody,” which features Full Blown, is another excellent song that has already done very well. It has a happy vibe and an infectious bounce, making it one of the EP’s most replayable songs. “Everybody” captures the spirit of community and shared experience, which is what Kalpee means when he says that identity is not a box but a rhythm.

Advertisement

Connect with Kalpee: Instagram

Continue Reading

Video Of The Week

Trending