Story
Offset Woos Cardi B With The Woo Walk: “When Ya Girl From New York”
A few weeks ago, it was revealed that Cardi B had filed for divorce from Offset. Though not entirely shocking, things did seem like they were copacetic in the public eye. No new scandals emerged and both had been working away through quarantine.
Offset has been particularly vocal this week in his attempt to win back Cardi, again. The rapper declared that he missed Mrs. WAP in TheShadeRoom comments before Cardi extended a thank you to him for a birthday billboard featuring Kulture. Then, it was revealed at the wee hours of the morning that he had been with Cardi for her birthday, gifting her a brand new Rolls Royce.
The party surely didn’t end after leaving the club. Both Cardi and Offset have shared footage of themselves turning up after their night out with a bunch of friends. Offset, though, shared a video of himself doing the Woo Walk to Smoove L’s “New Apollo.” And it appears the only reason he’s learning how to do the Woo Walk is that Cardi is from New York. “When ya girl from Newyork I’m trying,” he wrote in the caption. “Ima Atlanta N***a,” he added.
The entirety of Offset’s IG Story is filled with videos of Cardi twerking. There’s even one where his hand is placed on her butt while she twerks for the ‘Gram. The fact that he referred to Cardi as his “girl” on the ‘Gram seems to be enough of a confirmation that pair are close to getting back together again.
Check out the video below.
Story
ReeToxA confronts the past with truth on “HMAS CERBERUS”
“HMAS CERBERUS,” ReeToxA’s new single, is a raw, very personal song about his life experiences. The song sounds like Oz rock from the 1990s, and modern alternative and grunge. It sounds brave and familiar at the same time, like a truth kept secret for a long time.
“HMAS CERBERUS” is based on a true story from Jason McKee’s life, and it shows how his ten years in the Navy changed him and how they still do. The song bravely speaks to the emotional toll of service, including alcoholism and mental stress, sincerely.
The poem is what makes the single stand out. The writing is brilliant and stays smart, and it’s hard without being preachy. The singer got the idea for the song when he saw four seasons in one day at a beer garden in Melbourne. It connects the sudden change in the weather to a life that is constantly changing and hiding how you feel. It’s a potent metaphor for a mind that finally stops long enough to figure out where the damage started.
The song “HMAS CERBERUS” is both intense and at the same time. It makes you think, but it’s also surprisingly easy to dance to, which shows that dark themes don’t have to be sad music. The song is both interesting and challenging to listen to because of the gritty guitars and rock base. In a sea of safe releases, ReeToxA stands out as honest, raw, uncomfortable, and necessary. “HMAS CERBERUS” is a brave meditation that stays with you for a long.time
Story
Kieran James Honors Memory with “Part of the Grind”
Singer-songwriter Kieran James delivers a devastating new single with “Part of the Grind,” a track to tackle the tangled emotions behind loss and memory. A love letter penned to a close friend who faced severe cognitive decline, the song’s emotional heft feels universal yet heartbreakingly personal.
Set to delicate instrumentation and achingly sung vocals, “Part of the Grind” is both a lament and an honoring, a means of remembering while addressing the unavoidable cost of time and illness. His voice floats, leaving room for silence and the long pauses that so often come with grief. But in that silence, there is warmth as well, a refusal to let memory be totally extinguished.
Resilience is also implied in the song’s title, a reminder that even in heartbreak, life goes on and holding the memory of someone stays with the rhythm of everyday living. it’s an anthem for anyone who has ever looked on witnessing decline, mixed sorrow with love.
In Kieran James’s “Part of the Grind,” we hear music as well as go behind it. He gives us room feel, to mourn, and to honor. In the process, he turns private pain into something achingly universal, a song for everyone who has either loved or lost.
