Music
Open Mike Eagle Drops A New Freestyle In Honor Of The Late MF DOOM
Open Mike salutes his supervillain hero while revealing one last, epic troll from the masked rapper. …
When it was announced on New Year’s Eve that MF DOOM had passed away on Halloween last year, the outpourings of respect and condolences from hip-hop were both immediate and prolific. Adult Swim Senior Vice President Jason DeMarco shared a stream of stories and about his experiences with the rap iconoclast (including explaining the aborted The Missing Notebook project) and fellow underground rap icon Yasiin Bey posted a cover of DOOM’s Madvillain cut “All Caps.” Today, the tributes continued as another unconventional MC, Open Mike Eagle, shared his thoughts about the last masked rapper in a freestyle detailing his emotional response at the news of his hero’s death.
Mike and DOOM had previously connected on a pair of tracks: “Phantoms,” from the Czarface album, Czarface Meets Metal Face, and “Police Myself,” from Mike’s Comedy Central show The New Negroes. However, as he notes in his freestyle, the two men never met in real life, only corresponding through a go-between. As he reels off his own experiences, Mike reminisces about having a photo of MF DOOM rapping on some art in his living room. As he mentions this, he picks up the photo and looks at it, only to belatedly realize that the photo is of one of the imposter DOOMs that the original Daniel Dumile dispatched to live performances a few years ago so he wouldn’t have to show up himself.
Mike, unfazed, acknowledges the posthumous troll, “Supervillain. This n**** got me again. Rest in peace.”
Watch Mike’s tribute to MF DOOM above.
Artist Spotlight
Lisa Boostani creates a mesmerizing tidal realm in “Ocean”
Lisa Boostani’s “Ocean” takes you deep into a sensory world where body, spirit, and myth come together, beyond the surface of genre. Boostani makes a soundscape that is both ethereal and deeply human by combining the broad essence of psychedelic pop with the strong appeal of alternative rock.
Her voice rises as if it is coming from deep within her, shaped by emotion rather than action. She intentionally channels the intangible, turning weakness into strength rather than a source of pain, and “Ocean” tells people to get involved in this inner world, not just watch it. This release is an integral part of her first EP, “One,” which will come out in March 2026 and is based on love, sensuality, and unity.
If “Ocean” is any indication, the EP will show sensuality not as something pretty, but as a kind of spiritual intelligence, a way to know yourself by connecting with others. The song’s textures and structure have an aquatic quality, moving between clarity and delirium, rhythm and freedom. Its emotional focus is on immersion instead of resolution.
The striking quality of “Ocean” is the blend of the mystical worlds. Boostani understands that strength often shows up as gentleness and that deep feelings are better expressed through frequencies than words. She wants people to see consciousness as immediacy, sensation as truth, and openness as an undeniable strength.
Artist Spotlight
NOAH. captures the unspoken signals in enchanting R&B track “That’s Bless”
“That’s Bless” captures the unspoken late-night message, the smile that was exchanged from afar, and the feeling you sense but are afraid to say. NOAH. offers a song with a smoky R&B feel and lyrics that capture unspoken tension, firmly in the realm of emotional ambiguity, where connection is clear but not defined.
This piece concerns the subtle discomfort of mixed signals and quiet longings, when looks say more than words ever could. NOAH. handles the theme with restraint, letting the chemistry simmer rather than explode. NOAH.’s delivery shows a confident gentleness, recognizing that some feelings don’t need strict definitions to be real.
In “That’s Bless,” he captures the essence of connection and the compelling allure that endures, even when both parties pretend it is not there. The composition is based on real-life events, and it acknowledges that specific attachments endure in the heart long after one has persuaded oneself of having progressed.
“That’s Bless” is at the crossroads of closeness and distance, clarity and confusion. The song doesn’t resolve the tension it talks about, and that’s what makes it so powerful. It sums up the connection we say we don’t want but keep coming back to in memory, rhythm, and pulse.
Connect with NOAH. on Instagram
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