Music

Open Mike Eagle Drops A New Freestyle In Honor Of The Late MF DOOM

Open Mike salutes his supervillain hero while revealing one last, epic troll from the masked rapper. …

When it was announced on New Year’s Eve that MF DOOM had passed away on Halloween last year, the outpourings of respect and condolences from hip-hop were both immediate and prolific. Adult Swim Senior Vice President Jason DeMarco shared a stream of stories and about his experiences with the rap iconoclast (including explaining the aborted The Missing Notebook project) and fellow underground rap icon Yasiin Bey posted a cover of DOOM’s Madvillain cut “All Caps.” Today, the tributes continued as another unconventional MC, Open Mike Eagle, shared his thoughts about the last masked rapper in a freestyle detailing his emotional response at the news of his hero’s death.

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Mike and DOOM had previously connected on a pair of tracks: “Phantoms,” from the Czarface album, Czarface Meets Metal Face, and “Police Myself,” from Mike’s Comedy Central show The New Negroes. However, as he notes in his freestyle, the two men never met in real life, only corresponding through a go-between. As he reels off his own experiences, Mike reminisces about having a photo of MF DOOM rapping on some art in his living room. As he mentions this, he picks up the photo and looks at it, only to belatedly realize that the photo is of one of the imposter DOOMs that the original Daniel Dumile dispatched to live performances a few years ago so he wouldn’t have to show up himself.

Mike, unfazed, acknowledges the posthumous troll, “Supervillain. This n**** got me again. Rest in peace.”

Watch Mike’s tribute to MF DOOM above.

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Artist Spotlight

Vishwa Ganesh stirs a mesmerizing pure rhythmic joy with “Don’t Wanna Go”

Hit play to briefly escape the world with “Don’t Wanna Go,” an innovative work by emerging artist Vishwa Ganesh. Based in Dubai, this dynamic vocalist embarks on a delightful creative adventure, offering listeners a richly vibrant, intimate, and cohesive auditory experience. Recorded in his hometown of Dubai, “Don’t Wanna Go” pairs rhythmic hooks with lighthearted vibes and infectious energy from the first beat. Vishwa’s velvety vocals float effortlessly over intricate production and instrumentation, while the immersive Dolby Atmos mix elevates the listening experience to a whole new dimension.

Breaking away from his customary narrative-driven style, he adopts a comprehensive role as a writer, composer, and performer, leveraging his multifaceted talents to craft an upbeat track that encapsulates a danceable anthem celebrating the sheer joy of being present at the moment. Each meticulously fused sound feels perfectly placed, enveloping audiences in a kaleidoscope of melodies that inspire their feet to move.

What truly sets this track apart is its dedication to authenticity. Eschewing pre-made samples and loops, Vishwa crafted this masterpiece entirely from scratch. That raw creativity shines through, making each note, rhythm, and harmony personal and intentional. The result is a standout track in his discography that doesn’t just entertain; it connects.

“Don’t Wanna Go” embodies a sensibility that encourages individuals to immerse themselves in its exuberant rhythms through high-energy dance scenarios or simply enjoying intimate listening vibes with headphones. It reminds us that music can be a profound source of unfiltered happiness, providing a respite from the distractions and complexities of everyday life.

Through “Don’t Wanna Go,” Vishwa Ganesh conjures an enchanting sonic vibe that merits inclusion on every playlist. He transforms mundane moments into spontaneous dance opportunities while demonstrating his versatility as an artist. This work underscores his musical evolution as a noteworthy trajectory to follow. Set it on repeat, and you will find it hard to let go.

CLICK HERE TO STREAM Vishwa Ganesh’s “Don’t Wanna Go“ on Spotify.
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Artist Spotlight

“Pretty Ugly” by Archer Stevens stirs the soul with retro-modern rock vibes

“Pretty Ugly,” the inaugural single by Archer Stevens, represents a compelling homage to the golden age of 70s rock music with a fresh coat of modern vibrancy. From the outset, the track masterfully exudes an irresistible energy that embodies vintage and contemporary influences, acting as a sonic bridge between eras. The Phoenix-based ensemble skillfully weaves their influences into a pronounced, personal narrative.

A noteworthy aspect of the track is its instrumentation. Recorded across three diverse locations, Phoenix, Los Angeles, and even Peru, the song has a global resonance. The incorporation of congas introduces a surprising layer of depth and rhythm, giving “Pretty Ugly” a distinct flair that separates it from cookie-cutter rock releases. This thoughtful musical choice enhances the song’s groove, complementing the shimmering guitar lines and soulful vocal delivery.

Lyrically, “Pretty Ugly” plays on contrasts, embodying the emotional push and pull of life’s dualities. The heartfelt lyrics evoke a sense of intimate admiration and longing to please a partner, while the melodic structure ensures the track remains uplifting despite its introspective qualities.

By drawing inspiration from the enduring spirit of rock legends such as Elton John, Joe Cocker, and the Rolling Stones, Archer Stevens pays tribute to their predecessors without resorting to imitation. The soaring vocals and driving rhythm establish “Pretty Ugly” as a cathartic anthem that appeals to classic and contemporary rock enthusiasts. With this debut, Archer Stevens distinguishes itself as a band unafraid to experiment and honor its musical heritage, thus carving out its unique sonic identity. The result is a richly layered auditory experience that captivates from the first listen, revealing engaging narratives within the music.