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Otto Releases 80’s-inspired, Nostalgic Pop Debut EP “Still Picture You”

Earnestness is a quality we often lose touch with as we grow up. For Otto, earnestness is a defining characteristic. With the release of their debut EP “Still Picture You,” Otto aims to capture the candid thoughts and feelings of someone falling in and then out of love – a young soul navigating the changes that accompany that journey. With energetic, 80’s inspired instrumentals and candid lyricism, Otto captures the nostalgic essence of the John Hughes era with a modern, alternative twist.

“Still Picture You” was written virtually, growing up over the airwaves in online songwriting sessions in the winter of 2020. The first time the band members were all in the same room at the same time wasn’t until March the next year, to record their project in Nashville, TN. The resulting collection of songs follows the creative evolution of the band’s personality and individual influences over the year they spent getting to know each other virtually, and brings together groovy, rhythmic guitar riffs, anthemic arpeggiation, and a Tears-For-Fears-esque nostalgia for an electronic synth.

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Natalie is a journalism major with a focus on Entertainment and Music who aspires to become a Content Creator For Honk Magazine. Eventually, she wants to be the Publisher or Editor-in-Chief of a major Publishing House. She loves helping people find their voice and passion for writing and journalism, and she can always be found with coffee in hand, editing another article.

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Artist Spotlight

southpaw, Era 51 & Blvck Svm redefine hip-hop chill with “Money?”

southpaw

“Money?” is the latest track from southpaw featuring Era 51 and Blvck Svm, and it’s a perfect late-night soundtrack for cerebral contemplation. The song opens with a slightly wavy yet purpose-driven sound, and each beat serves at least two purposes. It’s about creating a world with distinct textures that draws people in through quiet magnetism.

Whereas most mainstream rap songs are a full-on charge on the senses with beats and outsize energy, Money?” succeeds in fineness. southpaw and Era 51 create a space where deep lyrics chase deep atmospheres. The work by Blvck Svm expands on this setting in a manner that makes it feel both intimate and filmic. It’s the sort of music that makes you feel alive, serious, intimate, and quietly hypnotic.

As far as production goes, things like cash register percussion blur the line between experimental underground techniques and a slick, commercial sound design. It’s a song that declares its genius and announces its genius. This intentional chill energy encourages people to pause and notice the small things, the pauses, the textures, the gaps between notes that make a song stick in your head long-term.

“Money?” also sets the tone for “Don’t Run From the Rain,” demonstrating that impact in hip-hop is also about how deftly you understand nuance, timing, and mood. southpaw, Era 51 and Blvck Svm remind us that music can be intense without volume, wits or emotional weight.

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Artist Spotlight

Loris Tils brings funk energy to life with “IKKI”

Loris

Loris Tils comes out swinging with “IKKI,” a single that comes with energy and musicianship right from the opening note. Borne on the unmistakable thump of Minneapolis Funk, the song surges forward with a groove that feels impressively designed and still wildly alive.

“IKKI” is a naughty conversation between slap bass and guitar, and the two instruments impressively craft around each other with both precision and flair, building a high-octane rhythm section that feels as tight as it is explosive.

The magic of “IKKI” is this tension, relentless discipline balanced by acrobats of daring improvisation. The energy never overwhelms the groove. Instead, it expands on it, making this song a celebration of rhythm, creativity, and instrumental chemistry.

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