Music
Premiere: Bjorn Rydhog Drops New Track “I Don’t Wanna Be Alone”
Hailing from Malmö, Sweden, the multi-instrumentalist and singer/songwriter has a habit of crafting uplifting, wondrous pieces ready to soundtrack our days and night – it’s fun, smile-inducing music that connects on a deeper level. Rydhog has continued to keep his growing audience engaged with a stream of moving tracks that glisten with warmth and heartfelt intimacy.
Together with producer Johan Sigerud (JRSS) and co-writer Olof Gråhamn, Bjorn Rydhog continues to take his melodic indie pop into an electronic and beat-based realm. Melancholic progressions are blended with a modern retro sound inspired by M83 and The Weeknd. A logical continuation of their previous collaboration, the single ‘Just to Be with You’, which was released in 2020 and was picked up by Swedish radio.
Bjorn Rydhog Drops New Track “I Don’t Wanna Be Alone” on March 2021. “The single ‘I Don’t Wanna Be Alone’ shows an electronic direction I’m currently exploring. The tracks of the song were recorded separately at our different homes. I guess the creation process, as well as the theme of the song, reflect the distant and lonely, but also creative times we currently live in”.
The Revue: “As the world emerges from extended isolation, music like his is the perfect soundtrack for that transition. Bjorn Rydhog delivers intimacy that often becomes therapeutic. Listening becomes an act of surrender and relocation to a dream place as his lyrics describe”.
Stream on SoundClound
Artist Spotlight
personalheartbreaker and ENCASSATOR unpack manipulation, obsession and remorse on “Sorry Eyed”
“Sorry Eyed” is a dark shoegaze and alternative rock ballad by personalheartbreaker and ENCASSATOR that explores the space between obsession, emotional dependence, manipulation, and remorse. The new single slowly reveals how reliance is a form of oppression, not just weakness. The result is a psychologically complex song that pulls you into a relationship where trust and exploitation are not mutually exclusive.
The track takes an unsettling emotional turn through its manipulator’s perspective in “Sorry Eyed.” At first, the narrator seems dependent on another person, as if they need comfort, connection, or support. But as the story progresses, that openness starts to resemble exploitation. The song’s heart is the power imbalance, where regret always clashes with self-interest.
This struggle gives the song its emotional weight, because the narrator knows the damage he’s causing but is still addicted to the perks of manipulation. The accompanying music video arrives September 30th and carries that story further with the angel’s trust, devotion, and sacrifice. What begins with faith in a fellow man ends in destruction and offers visual counterpoint to the song’s themes.
“Sorry Eyed” is a collaboration with ENCASSATOR, who produced, recorded, mixed, and mastered the song and played a major role in its development. That full creative engagement helps shape the single into one cohesive piece, where the track’s dark alternative rock, shoegaze identity doesn’t detract from the story but supports it. “Sorry Eyed” is a strong pick for fans who love exploring manipulation and complicated relationships.
Artist Spotlight
“Hell has frozen over” finds Sarina choosing peace over being understood
Sarina’s new track, “Hell has frozen over,” explores the less dramatic, more complicated moment of reaching the end of the road, being gaslit, ignored, rejected, and painfully lonely. It translates the emotional burnout into a rock-pop context that’s easy to understand.
“Hell has frozen over” focuses on the decision to step away, instead of explaining, defending, or seeking understanding from people who refuse to listen. The rock foundation gives it the right weight, the pop influence makes it accessible, and the focus stays on the emotional message.
Sarina’s art is the struggle of loss and being strong in yourself. It’s about understanding that protecting your peace is more important than being understood. And that’s the emotional balance that gives the release its character so that the subject matter has relevance beyond a particular circumstance.
“Hell has frozen over“ is a relief from the burden of carrying on a debate that will never be resolved. Sarina turns an experience of isolation into a statement about boundaries, resilience, and the choice not to get caught in the same cycle. The result is a record that’s at its best when it’s being true to what it feels like to finally be free from whatever has been holding you down.
Photo Credit: Andrea Hunter
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