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Premiere: Dolly Dirtbag Releases a New Single “All This Time”

Dolly Dirtbag Releases a New Single “All This Time”. “All This Time,” is a melancholy, nostalgic song about yearning for and mourning the loss of a younger, more perfect version of yourself. Written, produced, and recorded by Dolly Dirtbag. She is at times bratty, at times wistful, at times enraged and her songs range from dreamy ballads to experimental sound poems to high energy pop, all with electronic production, catchy melodies, and an affinity for processed or altered vocals. Her diverse influences include Kate Bush, Caroline Polachek, Mitski, Oneohtrix Point Never, SOPHIE, and late 90s Eurodance/pop-infused trance.
In September 2018, Dolly self-released UNCOVERED, her debut EP, and in May 2019, she graduated from CalArts with an MFA in Music Technology. At CalArts, Dolly developed the Infinity Glove and Dolly’s Selfie Stick, two tools to help bring the character(s) to life in performance. In June 2020, Dolly released the single “Broken Shell,” and also opened her online shop, where she sells handmade and reworked clothing and jewelry. She plans to release three more singles in August and September 2021: “All This Time,” ” I Want Everyone to Like Me,” and “Too Little Too Late” before self-releasing her debut full-length album, Slug Dreams on September 14, 2021.

The Dolly pantheon plays with feminine tropes like the sexualized little girl, the bratty teenager, the scorned woman, but also includes a gender-neutral, calm, and heavenly slug and seeks to complicate stereotypes by refusing to occupy a stable persona. Dolly thrives most in areas of tension between supposed opposites or differentiated categories: in between characters, genres, genders, in between high and low-brow culture. The project also straddles the line between playful, over-the-top sarcasm and raw emotional vulnerability and in doing so speaks to the universal struggle to forge a self somewhere in between authenticity and performance.

Natalie is a journalism major with a focus on Entertainment and Music who aspires to become a Content Creator For Honk Magazine. Eventually, she wants to be the Publisher or Editor-in-Chief of a major Publishing House. She loves helping people find their voice and passion for writing and journalism, and she can always be found with coffee in hand, editing another article.

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Album Review

Couldn’t Be Happiers unleashes a harmonious ode to modern existence with its EP “Couple(t)s Side A”

Couldn't Be Happiers

Get ready to be enchanted as North Carolina’s folk-rock duo Couldn’t Be Happiers invites listeners into their universally resonant anthems by releasing their eagerly awaited EP masterpiece, “Couple(t)s Side A.” This ambitious and heartfelt six-track collection brimm with introspection, poetic storytelling, and bold sonic exploration. The timeless melodies EP showcases the duo’s signature blend of heart-on-sleeve authenticity and genre-defying artistry.

More than a clever title, “Couple(t)s Side A” celebrates Jodi Hildebran Lee (playing drums, vocals, harmonica) and Jordan Crosby Lee (guitar, vocals) both as a married couple and as fervent admirers of poetic couplets. Produced in collaboration with Doug Davis of Flytrap Music Production, the EP is a testament to the duo’s harmonious synergy that defines their partnership in music and life. Organized thematically into categories of romantic compositions, protest anthems, and folk narrative ballads, the EP interweaves a complex tapestry of emotion, resulting in a work that is both diverse and cohesive.

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The EP evocatively begins with Come Back Tomorrow,” a euphoric folk-rock brilliance brimming with optimism and hope. With assertive harmonies and striking lead vocals, the track embodies a poignant reflection on the resilience of love and community amidst the uncertainties of modern life. The title track, When I Die,” follows with a soulful warmth that lays bare life’s imperfections through melancholic yet therapeutic tones.

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Each subsequent track deepens the EP’s emotional and thematic complexity. Plastic Bag Odyssey (I’ll Never Die) delivers a skillfully crafted critique against societal ills, while Tear It Down electrifies with timeless folk-infused grooves and emotive instrumentation. The hauntingDevil’s Tramping Ground pairs dynamic beats with a dreamlike atmosphere, exploring the euphoria of discovery. Closing the EP, Pretty Polly leaves an indelible mark with its hauntingly introspective folk narrative, with trembling vibrato and seamless narrative flow.

With robust instrumentation including sousaphone, melodica, accordion, and musical saw, “Couple(t)s Side A” captures the essence of the duo’s dynamic live performances while pushing the boundaries of their artistry. It’s a sonic odyssey that invites listeners into the intimate, heartfelt world of Couldn’t Be Happiers, blending classic folk vibes with modern, introspective charm.

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This EP marks a significant milestone in the duo’s growing discography, highlighting their unique approach to songwriting and storytelling. As Couldn’t Be Happiers continues to evolve and innovate, “Couple(t)s Side A” firmly solidifies its place as an exciting rising voice in the folk-rock scene.

For more information about Couldn’t Be Happiers, please visit [website].
CLICK HERE TO STREAM Couldn’t Be Happiers’ EP Couple(t)s Side A on Spotify.
CONNECT WITH Couldn’t Be Happiers | Instagram | Facebook |

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Artist Spotlight

“Blue Christmas” by Lisa Humber delivers a heartfelt holiday melancholic glow

Lisa Humber

Weaving an ethereal soundscape that cuts straight to the soul, Lisa Humber’s rendition of “Blue Christmas” feels like unwrapping an intimate letter to the heartbroken, transforming the familiar holiday classic into a profoundly personal exploration of seasonal melancholy. Gone are Elvis Presley’s iconic version’s upbeat, almost playful undertones; Lisa offers a stripped-back performance characterized by a haunting resonance.

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Working closely with producer and guitarist Justin Abedin, Humber breathes life into the song’s quiet void that lingers in the spaces where laughter should reside. Her tender and vulnerable voice evokes a rare sense of unfiltered longing. It’s as though she’s singing directly to the part of us that carries the burden of lonely and disappointed festive promises during a time usually filled with happiness and celebration, creating a stark contrast to the glittering cheer of the season.

The minimalistic instrumentation creates an intimate auditory experience. Abedin’s guitar strings hum softly, almost like a fragile heartbeat, leaving room for Lisa’s vocal tenderness to shine. Each note she sings feels deliberate, and every lyric is imbued with the ache of memories and the quiet hope of what could have been.

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Humber’s evolution as a songwriter began with her debut original composition, ‘Boxing Day.’ With this new single, she demonstrates her adeptness in capturing the nuances of human emotions. “Blue Christmas” isn’t just a cover; it functions as a reimagined dialogue with the audience, providing shared solace to anyone whose holiday experiences might not meet the cheerful festive narrative.

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This interpretation of “Blue Christmas” encapsulates a dual sense of introspective warmth and illumination while simultaneously embodying bittersweet emotions. Its impact is particularly pronounced when complemented by visuals of twinkling lights juxtaposed against through a lens of melancholy. Ultimately, it represents a stunning addition to Humber’s growing catalog of musical works.

 

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For more information about Lisa Humber, please visit [website]. 
CLICK HERE TO STREAM Lisa Humber’s Blue Christmas on Spotify.
CONNECT WITH Lisa Humber | Instagram | Twitter

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