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Premiere: Kitt Wakeley Unveils 2nd Collaboration With Joe Satriani Recorded At Abbey Road Studios – “Forgive Me”

Songwriter-composer Kitt Wakeley announces the release of his latest composition, “Forgive Me,” featuring Joe Satriani. Off his upcoming album Symphony of Sinners and Saints, this is the second single featuring Joe Satriani and the third from the album, following-up on “Conflicted,” and “Sinners And Saints.” The album was  recorded at Abbey Roads Studios with the participation of the London Philharmonic and London Voices. Apart from Joe Satriani, Symphony of Sinners and Saints will include featured artists Andy Timmons, Paige Harwell, Brent Berry and Ryan Miller. 

“Forgive Me” is a profound composition that transports the listener into Wakeley’s orchestral rock universe, distilling  an ethereal and solemn feel throughout, while beautifully translating into sounds the coexistence of beauty and tragedy. With complex feelings arising when life’s dichotomy is finally transcended, Kitt Wakeley builds on his past successes as one of the first artists to mesh rock music with massive orchestras and choirs, initiating a movement that keeps gaining momentum with each year passing. 

He shares, “It was interesting to see the yin and yang of two genre’s colliding. More interesting was performing live. The prim and proper orchestral players interacting with the rock musicians was a sociological case study. Everyone got along great and had an appreciation for what the others did. That’s where I initially came up with the concept of “Sinners and Saints”. Eventually, it made sense to create the vernacular “Symphony of Sinners and Saints”.

 

After topping the Hard Rock Digital Song Sales with “Conflicted” featuring Joe Satriani, the first song released from the upcoming album, Kitt Wakeley is sure to break some more records with “Forgive Me.” Listeners will have to be patient to hear Satriani’s exceptional solo, imagined by Wakeley to act as the climatic finish of the composition. 

 

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Artist Spotlight

Lisa Boostani creates a mesmerizing tidal realm in “Ocean”

Lisa Boostani

Lisa Boostani’s “Ocean” takes you deep into a sensory world where body, spirit, and myth come together, beyond the surface of genre. Boostani makes a soundscape that is both ethereal and deeply human by combining the broad essence of psychedelic pop with the strong appeal of alternative rock.

Her voice rises as if it is coming from deep within her, shaped by emotion rather than action. She intentionally channels the intangible, turning weakness into strength rather than a source of pain, and “Ocean” tells people to get involved in this inner world, not just watch it. This release is an integral part of her first EP, “One,” which will come out in March 2026 and is based on love, sensuality, and unity.

If “Ocean” is any indication, the EP will show sensuality not as something pretty, but as a kind of spiritual intelligence, a way to know yourself by connecting with others. The song’s textures and structure have an aquatic quality, moving between clarity and delirium, rhythm and freedom. Its emotional focus is on immersion instead of resolution.

The striking quality of “Ocean” is the blend of the mystical worlds. Boostani understands that strength often shows up as gentleness and that deep feelings are better expressed through frequencies than words. She wants people to see consciousness as immediacy, sensation as truth, and openness as an undeniable strength.

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Artist Spotlight

NOAH. captures the unspoken signals in enchanting R&B track “That’s Bless”

NOAH.

“That’s Bless” captures the unspoken late-night message, the smile that was exchanged from afar, and the feeling you sense but are afraid to say. NOAH. offers a song with a smoky R&B feel and lyrics that capture unspoken tension, firmly in the realm of emotional ambiguity, where connection is clear but not defined.

This piece concerns the subtle discomfort of mixed signals and quiet longings, when looks say more than words ever could. NOAH. handles the theme with restraint, letting the chemistry simmer rather than explode. NOAH.’s delivery shows a confident gentleness, recognizing that some feelings don’t need strict definitions to be real.

In “That’s Bless,” he captures the essence of connection and the compelling allure that endures, even when both parties pretend it is not there. The composition is based on real-life events, and it acknowledges that specific attachments endure in the heart long after one has persuaded oneself of having progressed.

“That’s Bless” is at the crossroads of closeness and distance, clarity and confusion. The song doesn’t resolve the tension it talks about, and that’s what makes it so powerful. It sums up the connection we say we don’t want but keep coming back to in memory, rhythm, and pulse.

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