Story

Price & KOTA The Friend Collaborate On New Single “MAYA”

While KOTA The Friend’s name may ring more familiar in some circles, it is Audio Push member, Price, who managed to secure the lead in the pair’s single, “MAYA”. Price, now seeking to release his first solo album, found a bigger break for his solo-career than most when he acquired a deep-seated feature from KOTA.

Still, the pair exchanges verses seamlessly, as if they were old friends catching up. A tender horn radiates and echoes in a wavering melody as a sharp percussion of rapid hi-hats and rustic claps ensue.

The countering elements clash beautifully, as a somber apparatus serves as the backdrop for the lyrical contemplation we’d expect of an elder statesman kindred to Black Thought, as opposed to an artist still prepping for the release of their debut album.

Price’s impending release, CLRD., is slated to drop on October 16th, with “MAYA” serving as the third and potentially final tease of the album’s contents.

Despite the narrow range of songs for comparison, “MAYA” readily shows Price at a new lyrical height as he goes back-to-back with KOTA. A reference to the acclaimed Maya Angelou book, “I Know Why the Caged Bird Sings”, the pair likens the socioeconomic disenfranchisement of African-Americans to a colored bird whose beauty is restricted by a cage.

The haunting maturity of a fresh voice is an irony that only manages to elevate the potency of the song’s advocacy for earnest ambition and expression.

Quotable Lyrics:
You see it’s bad enough when we
See cops that gotta frisk and smoke
But then we hear stupid sh*t, like you know
Black people kill each other the most
As if it ain’t human nature to kill or attack whatever is close
Whatever comes with a negative approach
It’s another way to put a rope on our throats

Tweet LinkedIn PinShares0

Story

François Marius and Bérénice creates a tender acoustic pop confession with “Billie Jean”

François Marius’ latest release, “Billie Jean (Acoustic Version),” cuts to the quick and lets raw emotion take over. What you get, ultimately, is a personal pop experience that feels closer to a secret than to either a spoken-word show or a performance. The initial soft strum of an acoustic guitar creates a mood that is soft, sweet, and quietly interesting. It’s a full-throated, backbones-out piece, and every note is screaming its potential. It’s simple but riveting, and it proves that sometimes less is more.

François Marius and Bérénice’s voices sound right together, their voicings intermingle so naturally that they seem accidental or spontaneous, harmonies that emerge from nowhere. The way they speak to one another is very, I mean, they really love each other. That even makes the track seem like a conversation about feelings.

The two artists are clearly close. Romance and Eros are not just ideas, and they inhabit every note that lingers and every minuscule shift in tonality. The harmonies soar effortlessly over the acoustic foundation, a blend of sweetness and strength. It’s a sign of strength and also of a willingness to be hurt.

“Billie Jean (Acoustic Version)” is stripped of any fancy production or theatrical effects, it wins you over with its frankness and forthrightness. Sandy François Marius’s impersonation is fresh and real, endowed with depth and softness thanks to Bérénice’s presence, which definitely makes everything more perfect. This acoustic performance serves as a stark reminder of the elements that do connect people: the singer, his guitar, and a story from the heart.

Connect with François Marius on Spotify || Instagram || Facebook || Youtube || Twitter || Soundcloud

Tweet LinkedIn PinShares0

Story

RoHaNa and Morpheus von Dobenhausen paint love in shadows and light “WHEN A BOY LOVES A WOMEN”

RoHaNa feat. Morpheus von Dobenhausen, in this new release, “When a Boy Loves a Woman,” This track, recorded in winter, has a hint of gothic style that blends emotional restraint with atmospheric elegance. The track is all about RoHaNa’s emotional singing, which fits perfectly with the carefully crafted production. Her voice shows desire, weakness, and dedication without being too loud, letting each note ring out. The result is a sound that affects people on a personal and universal level. There is a sense of innocence that permeates, capturing the delicate nature of love in its purest form.

Morpheus von Dobenhausen is a guest singer who deepens the track’s emotional journey. Their voices work together to make a conversation of feelings that is both clear and mysterious. The song doesn’t go too fast, so the listener can feel the mood and atmosphere as they go through its subtle changes.

“When a Boy Loves a Woman” is unique because it strikes the perfect balance between modern pop and gothic restraint. The result is a soundscape that is both creepy and easy to listen to. It is a moving story about love and devotion, told with grace and quiet strength.

With this first release, RoHaNa confidently joins the scene, thanks to XanadumusiX’s never-ending creative drive, even when things get hard in the winter. This release not only introduces a new artist with significant potential but also showcases a bold artistic direction in which emotion, atmosphere, and story come together to make a lasting impression.

Connect with Morpheus von Dobenhausen on Spotify || Instagram || Facebook || Youtube || Tiktok