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Pusha T And Vince Staples Kick Off Their 2021 Campaigns Beside Divine On ‘Jungle Mantra’

The track will appear on the soundtrack for the Netflix film ‘White Tiger,’ which set to arrive on January 22. …

After. a fairly quiet 2020, fans are hoping things will be much different for Pusha T and Vince Staples. Both haven’t revealed anything concrete in terms of a 2021 album, but the hope is both are hard at work in the booth. Despite this, the rappers’ latest guest verses provide a great beginning to the new year. They both brought their talents to Indian-born rapper and Mass Appeal signee Divine for their new collaboration, “Jungle Mantra.”

Vince Staples leads the way with a verse focused on making sure he gets to every dime that is meant to come his way. Divine then takes the middle verse with a string of bars delivered in Hindu before Pusha T closes it off by highlighting some of the differences between the poor and rich class in the world. The trio’s new track is set to appear in the upcoming Netflix film, White Tiger which debuts on the streaming platform next Friday, January 22. The film is based on the 2008 novel by Aravind Adiga and features direction from Ramin Bahrani.

Both Pusha T and Vince Staples’ last albums came in 2018. The former’s project was his Daytona release, which was centered in controversy and helped escalate tensions between him and Drake. Last year, he teased not one, not two, but three projects in the works with production from Madlib, The Neptunes, Kanye West, and Tyler The Creator spread out amongst them. As for Vince, his FM! album from 2018 was a rather concise project that was still met with positive reviews. It’s the hope that he too will make their returns to the music world in 2021 having laying low for the past year and a half.

Listen to “Divine Manta” in the video above.

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Artist Spotlight

Lisa Boostani creates a mesmerizing tidal realm in “Ocean”

Lisa Boostani

Lisa Boostani’s “Ocean” takes you deep into a sensory world where body, spirit, and myth come together, beyond the surface of genre. Boostani makes a soundscape that is both ethereal and deeply human by combining the broad essence of psychedelic pop with the strong appeal of alternative rock.

Her voice rises as if it is coming from deep within her, shaped by emotion rather than action. She intentionally channels the intangible, turning weakness into strength rather than a source of pain, and “Ocean” tells people to get involved in this inner world, not just watch it. This release is an integral part of her first EP, “One,” which will come out in March 2026 and is based on love, sensuality, and unity.

If “Ocean” is any indication, the EP will show sensuality not as something pretty, but as a kind of spiritual intelligence, a way to know yourself by connecting with others. The song’s textures and structure have an aquatic quality, moving between clarity and delirium, rhythm and freedom. Its emotional focus is on immersion instead of resolution.

The striking quality of “Ocean” is the blend of the mystical worlds. Boostani understands that strength often shows up as gentleness and that deep feelings are better expressed through frequencies than words. She wants people to see consciousness as immediacy, sensation as truth, and openness as an undeniable strength.

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Artist Spotlight

NOAH. captures the unspoken signals in enchanting R&B track “That’s Bless”

NOAH.

“That’s Bless” captures the unspoken late-night message, the smile that was exchanged from afar, and the feeling you sense but are afraid to say. NOAH. offers a song with a smoky R&B feel and lyrics that capture unspoken tension, firmly in the realm of emotional ambiguity, where connection is clear but not defined.

This piece concerns the subtle discomfort of mixed signals and quiet longings, when looks say more than words ever could. NOAH. handles the theme with restraint, letting the chemistry simmer rather than explode. NOAH.’s delivery shows a confident gentleness, recognizing that some feelings don’t need strict definitions to be real.

In “That’s Bless,” he captures the essence of connection and the compelling allure that endures, even when both parties pretend it is not there. The composition is based on real-life events, and it acknowledges that specific attachments endure in the heart long after one has persuaded oneself of having progressed.

“That’s Bless” is at the crossroads of closeness and distance, clarity and confusion. The song doesn’t resolve the tension it talks about, and that’s what makes it so powerful. It sums up the connection we say we don’t want but keep coming back to in memory, rhythm, and pulse.

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