Music
WOTTS delivers a sonic dance marvel with its latest single, “WANNABE”
Amidst the plethora of burgeoning artists in the music industry, WOTTS distinguishes itself as a genuinely innovative act. Their latest single, “WANNABE,” exemplifies the duo’s unique blend of dance, electronic pop, and indie influences, creating a fresh and captivating sound. Comprising vocalist and multi-instrumentalist Jayem, WOTTS originates from Canada’s musical hub, bringing a wealth of talent and creativity to the indie pop genre. With their release of “WANNABE,” they have crafted a mesmerizing sonic experience that will delight and captivate fans from all backgrounds.
Produced with finesse by Jayem, “WANNABE” is a jewel in WOTTS’ upcoming EP, “PETALS.” The song “WANNABE” by WOTTS draws a stylistic influence from the Australian psychedelic pop scene, with inspiration taken from Tame Impala and Pond. However, the band’s unique flair distinguishes “WANNABE” as an exceptional entry in the indie pop catalog.
The band described the track as a “happy-sad song,” presenting an enchanting paradox through its captivating rhythms, infectious beats, and lively electronic pop components with a narrative articulating a feeling of yearning and expectation. Ricky 100, the bassist and guitarist, highlights the band’s inclination towards layering in their tracks, which is evident in “WANNABE.” The track features a musical tapestry woven with vintage drum machines, warm analog synths, and razor-sharp guitars, creating a nostalgic yet contemporary sound.
The genius of “WANNABE” lies in its ability to transport listeners into a realm where danceable beats meet poignant lyricism. The lyrics, exploring the pain and mind games associated with waiting, add depth to the otherwise upbeat composition. Jayem’s vocals, gliding effortlessly over the layers of sound, guide the audience through a journey of emotions.
As “WANNABE” unfolds, WOTTS invites listeners to delve into the intricacies of hope, love, and the agony of waiting. It’s a testament to their musical prowess and storytelling finesse. WOTTS is undoubtedly a rising force, and “WANNABE” is the anthem that cements their place in the indie pop scene. Keep your ears tuned because WOTTS is poised to become a household name in the music industry.
CLICK HERE TO STREAM WOTTS’ “WANNABE“ on Spotify.
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Entertainment
Bad Bunny’s Super Bowl Halftime Show Just Swept The Emmys
Bad Bunny is officially an Emmy winner — and not just once. At Saturday’s Creative Arts Emmys, his Super Bowl LX Halftime Show swept every single category it was nominated in, all seven of them, making it the most-decorated nominee of the night.
The headline win was Outstanding Variety Special (Live), a category the show became only the third halftime show ever to claim. From there it just kept going: music direction, choreography, sound mixing, lighting design, technical direction and camerawork, and directing all went home with the Puerto Rican star’s team. There’s technically an eighth trophy with his name attached, too, though it won’t land in his hands — the “Saturday Night Live” episode he hosted last season separately won Outstanding Makeup for a Variety, Nonfiction, or Reality Program.
The sweep is good news for Jay-Z as well. As an executive producer on the halftime show, he now has two Emmys to his name, having previously won for producing Kendrick Lamar’s Super Bowl LIX performance in 2025 — the show that, until Saturday, held the record for most Emmys won by a Super Bowl performance.
Bad Bunny wasn’t the only one having a night. Sabrina Carpenter picked up her first Emmy as a performer and executive producer on “The Muppet Show,” edging out Taylor Swift’s “The Eras Tour | The Final Show” for Outstanding Variety Special (Pre-Recorded). The Billy Joel HBO miniseries “And So It Goes” won for sound mixing on a nonfiction program, and 50 Cent’s Diddy documentary “Sean Combs: The Reckoning” took home picture editing honors. A big weekend for live spectacle, all around.
Artist Spotlight
personalheartbreaker and ENCASSATOR unpack manipulation, obsession and remorse on “Sorry Eyed”
“Sorry Eyed” is a dark shoegaze and alternative rock ballad by personalheartbreaker and ENCASSATOR that explores the space between obsession, emotional dependence, manipulation, and remorse. The new single slowly reveals how reliance is a form of oppression, not just weakness. The result is a psychologically complex song that pulls you into a relationship where trust and exploitation are not mutually exclusive.
The track takes an unsettling emotional turn through its manipulator’s perspective in “Sorry Eyed.” At first, the narrator seems dependent on another person, as if they need comfort, connection, or support. But as the story progresses, that openness starts to resemble exploitation. The song’s heart is the power imbalance, where regret always clashes with self-interest.
This struggle gives the song its emotional weight, because the narrator knows the damage he’s causing but is still addicted to the perks of manipulation. The accompanying music video arrives September 30th and carries that story further with the angel’s trust, devotion, and sacrifice. What begins with faith in a fellow man ends in destruction and offers visual counterpoint to the song’s themes.
“Sorry Eyed” is a collaboration with ENCASSATOR, who produced, recorded, mixed, and mastered the song and played a major role in its development. That full creative engagement helps shape the single into one cohesive piece, where the track’s dark alternative rock, shoegaze identity doesn’t detract from the story but supports it. “Sorry Eyed” is a strong pick for fans who love exploring manipulation and complicated relationships.
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