Music

Wotts Takes a Nostalgic Leap with “Be Kind,” a Bridge into Indie Pop Future

In the ever-evolving landscape of indie pop, Canadian duo Wotts is back with a bang and emerges as a captivating musical force to be reckoned with. Their latest offering, “Be Kind,” is a testament to their musical prowess, blending influences from the 90s with a contemporary twist that creates a unique and nostalgic auditory journey, leaving a lasting impression. They have gained recognition by performing at RBC Bluesfest, Canadian Music Week, and Junofest. Their latest single, “Be Kind,” is a beautiful addition to their collection of songs.

Wotts, hailing from Ottawa, Canada, is no stranger to experimentation, and “Be kind” is a testament to their willingness to push boundaries. After the well-received EP “Garden,” the duo decided to revisit their roots, embracing the sounds of the 90s. The result is a track that expertly fuses modern rock elements and retro influences, marking a departure from their signature 80s-inspired sound. This band, consisting of the talented vocalist, multi-instrumentalist Jayem, and the versatile bassist/guitarist Ricky 100, has taken a bold step into the world of the 90s and steadily made waves in the indie music scene.

The lyrics of “Be Kind” resonate deeply with a universal theme of farewells and unspoken goodbyes to the people they never had a chance to find closure with. Jayem’s hauntingly emotive lines, such as “Goodbye! So long, am yours, can’t think of nothing” and “Hope you got somebody to love, doesn’t matter that you really matter now or before,” evoke a sense of longing and introspection. These words paint a picture of parting ways with a touch of melancholic nostalgia, echoing the sentiment of the 90s.

One fascinating aspect of Wotts’ creative process is their reliance on 90s films and shows as inspiration. This method shines through in “Be Kind,” infusing the song with an atmospheric quality that feels like the perfect auditory experience, transporting listeners to a cinematic scene from a 90s indie movie. It’s a testament to the duo’s ability to craft music that resonates and tells a story.

The duo handled every aspect of its creation, from recording to production and mixing, showcasing Wotts’ dedication with Do-It-Yourself spirit and commitment to their musical craft. This hands-on approach has allowed them to craft an authentic and deeply personal song.

Wotts, a talented duo, is worth watching and listening out for, as they promised to release more music soon. Wotts’ music stays fresh and exciting while paying homage to their influences. Their commitment to pushing musical boundaries and experimenting with new sounds guarantees their upcoming releases will continue to amaze and delight their expanding fanbase.

With “Be Kind,” Wotts cements their position as one of the indie pop scene’s rising stars. In the words of Ricky 100, “We’re super excited to share more songs with everyone.” And indeed, fans eagerly anticipate listening to the next phase of their musical journey. Wotts are a great choice to add to any music playlist in their genre, a refreshing reminder that creativity knows no bounds, even in a world where music often feels formulaic. So, dear music enthusiasts, let’s embrace “Be kind” as a beautiful musical bridge to what Wotts has in store for us.

CLICK HERE TO STREAM Wotts’ “Be Kind“ on Spotify.

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Artist Spotlight

Loris Tils brings funk energy to life with “IKKI”

Loris Tils comes out swinging with “IKKI,” a single that comes with energy and musicianship right from the opening note. Borne on the unmistakable thump of Minneapolis Funk, the song surges forward with a groove that feels impressively designed and still wildly alive.

“IKKI” is a naughty conversation between slap bass and guitar, and the two instruments impressively craft around each other with both precision and flair, building a high-octane rhythm section that feels as tight as it is explosive.

The magic of “IKKI” is this tension, relentless discipline balanced by acrobats of daring improvisation. The energy never overwhelms the groove. Instead, it expands on it, making this song a celebration of rhythm, creativity, and instrumental chemistry.

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Artist Spotlight

Glass Mansions turn a possible goodbye into “SUNSETTING”

Glass Mansions return with “SUNSETTING,” a new single that came together during some uncertain times for the project. What began as a mini farewell to music turned out to be among the band’s most authentic and openhearted efforts yet.

The back story of the song’s creation feels almost cinematic. The day the decision was made to quit music altogether, a message came through from some big-time music executive who had heard about the band’s first Ep and wanted to collaborate. The band had agreed to share unreleased demos on request, though they hadn’t prepared any. That urgency caused a combustion of creativity that would shape the song’s trajectory.

“SUNSETTING” was written, tracked, and recorded in a home studio with scratch vocals in roughly two hours. What could have been a thrown-together demo became a surprise breakthrough. Confronted with the prospect of delivering just one last song, the writing became rather reflective, what would you say if it were your final creative curtain call.

“SUNSETTING,” produced by Zack Odom and Kenneth Mount alongside Orb Studios’ Taylor Webb, captures the urgency of its origin story but colors it with a new reflective emotional depth. The upshot is a song that feels at once improvisational and profound, an affirmation that, sometimes, when we think we’re reaching the end of something, it’s actually only setting in motion the most powerful of new starts.

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