Music
Quality Control’s CEO Pierre Thomas Condemns The Grammys For Snubbing Lil Baby’s ‘My Turn’
Getty Image Thomas said the award show is ‘disconnected like a mf’ when his artist did not get nominated for his double-platinum album ‘My Turn.’ …

Earlier today, the Recording Academy unveiled their nominations for their 2021 Grammy Awards, and as per usual, people had a lot to say about whose names were called. One of the biggest surprise snubs came in the Best Rap Album category, with a large number of people disappointed that Lil Baby’s My Turn failed to get nominated. One particularly angry person was Quality Control’s CEO Pierre Thomas, who took to Twitter to express his frustrations with the award show’s My Turn snub.
“Whoever making the decisions at the Grammys ‘You all disconnected like a mf’ you don’t speak for our culture,” Thomas wrote on Twitter. “Congrats to all the nominees. #MyTurnAlbumOfTheYear.”
The Grammys have never been on the good side of hip-hop fans, so another year of anger in the hip-hop is certainly not out of the ordinary. Still, many thought Lil Baby’s album would be a shoo-in for the Best Rap Album category, as it continues to be celebrated throughout the rap community. It was also the first album to reach double-platinum status this year, leading many to assume it would be a shoo-in. Unfortunately, the Grammys thought differently.
At least Lil Baby has good company: People felt The Weeknd was snubbed but, unlike Lil Baby, who was at least nominated for Best Rap Song and Best Rap Performance, he got nada.
Artist Spotlight
Steven Luke explores love, loss, and the cost of connection on “Seasons (to be human)”
Life is rarely linear, and Steven Luke’s new release, “Seasons (to be human),” accepts that with the reflective weight of an atmospheric alternative rock ballad. The song is built on organic, unfiltered musicianship and a dramatic live cello performance. It examines the highs and lows that make us human.
“Seasons (to be human)” meditates on love, loss, connection, and the emotional toll of moving through life. The poetic writing uses images of snow and cold to describe times when it’s hard to understand another person or even yourself. It’s a sweet take on the song because connection can be very meaningful, but it can also have its own challenges.
It’s the kind of production that’s cinematic but stays in the grand tradition of classic rock balladry. The live cello adds a big, expressive feel to the arrangement, bringing emotional weight while keeping the song’s organic feel. The song creates an emotional space through its sweeping motion, so it feels intimate in subject matter but still reaches for something bigger.
Steven Luke’s vocals suit the song’s style, carrying the themes’ emotional energy without overwhelming them. “Seasons (to be human)“ is a portrait of life in motion, of its warmth and its colder stretches, and all that happens in between. Steven Luke takes those distinctions and makes an organic, cinematic rock statement, with a decidedly human heart.
Artist Spotlight
Dan Webb finds joy and movement ahead on new single “Thai Basil”
“Thai Basil“ is a refreshing change of pace. This new release from Dan Webb is a funk, jazz, and electronic track that trades the heavier subject matter of his recent singles for something much more immediate. It’s a party that celebrates life and the present moment. The track is the first single from his forthcoming fifth album, “Lion Dance,” and draws on Southeast Asian flavors.
The heart of “Thai Basil“ is a stacked horn chart played by Ron Blake and James King, both of whom are in The Rolling Stones’ horn section and also played on Hackney Diamonds and Foreign Tongues. This gives the track a strong brass-led identity, and the horns become a defining part of its musical character. The arrangement suggests a sound meant for movement and energy.
The album’s previous singles have delved into Taoist philosophy, Buddhist tradition, loss, displacement, self-identity and reinvention. “Thai Basil“ breaks from those weightier subjects but keeps the album’s sense of artistic discovery. It’s about presence, pleasure, and the simple fact of being alive.
“Thai Basil“ is more playful and celebratory, never settling into one emotional space, and pulls from a unique array of jazz, funk, and electronic influences. What is released expands the image of what “Lion Dance” can be, showing it can be not just a journey through identity and change, but a journey that can be welcoming and simply happy.
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