Album Review

Raised on Candy unveils sonic brilliance with its self-titled album that redefines rock’s nostalgia

Raised on Candy, the electrifying rock trio born from the creative pulse of the San Francisco Bay Area and New York Tri-State has unveiled its eponymous debut self-titled album. With a nod to the golden age of ’90s rock and the raw edge of post-punk and shoegaze, the album promises a transcendent journey that redefines modern rock’s emotional and melodic possibilities.

The 12-track opus marks a significant milestone for the band, featuring Joe Penna (vocals/guitar), Scotty Imp (drums/percussion), and Kevin Harris (bass/vocals). Produced by legendary engineer Steve Albini, “Raised on Candy” is rumored to be their final recorded project, adding an air of historical significance to this groundbreaking release.

The album commences with the invigorating track “Nishuane Park,” characterized by an energizing and euphoric melody alongside a compelling rhythm that underscores the evocative potential of rock music. This introductory song is promptly succeeded by the soul-baring “Lonely Bill,” imbued with melancholic undertones and introspective depth. Subsequent tracks such as “Midnight Creeper” and “Rococo” exemplify the band’s sonic versatility for weaving deftness and soulfulness with dynamic guitar and piano interplay to create rich musical pieces that resonate through a timeless lens of the listener’s emotional clarity.

“Raised on Candy” extends beyond a singular vision. The energetic vibrancy of “Like A Bird” juxtaposes with the nostalgic smoothness of “Maxing The Clink,” creating contrasting yet complementary auditory experiences. Furthermore, compositions such as “Reunion,” “The Ponderosa,” and “Big Game Hunter” engage in profound sonic exploration, eliciting deep emotional resonance. Other tracks include “Soft Metal“ and “Ora.” The album culminates with the hauntingly beautiful track “Whisper Me Your Wish,” which envelops listeners in a synthesis of introspection and melodic excellence.

Every track on “Raised on Candy” attests to the band’s meticulous craftsmanship and relentless pursuit of authentic artistic expression. From shimmering guitar melodies to poignant lyricism, the album traverses a vast emotional landscape, cementing the trio’s place as a powerful force in today’s music scene.

Raised on Candy’s self-titled album is a collection of musical expertise and a profoundly personal adventure through the band’s sonic evolution. It’s a must-listen for rock enthusiasts and anyone yearning for an authentic, introspective experience. “Raised on Candy” is poised to resonate with listeners, solidifying the band’s legacy as pioneers of a new rock renaissance.

For more information about Raised on Candy, please visit [website].
CLICK HERE TO STREAM Raised on Candy’s Album “Raised on Candy“ on Spotify.
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Album Review

Paul Terry, Aptøsrs & Cellarscape unite on bold new album “Alternative Piano Club”

Combining his three artistic alter egos, Paul Terry presents an awe-inspiring new 12-track album, “Alternative Piano Club,” written in collaboration with Aptøsrs and Cellarscape. This is an album-length voyage of music that blends acoustic, rock, and piano-driven cinematic sounds.

Torn between this complex emotional spectrum, all the while the piano remains at its core throughout. Paul Terry opens his “Memento Mori (Chromogenic Phase)” contemplatively, creating a solemn, reflective mood. Cellarscape’s “Three Years Of Roses“ is warmer, whereas Aptøsrs’ “Questionnaires“ is much more textured as a large, sculptural post-rock.

“Dave’s Theme,” written by Paul Terry, musically expands the narrative with a touch of cinematic elevation that aligns well. “We Shape The Clouds” by Cellarscape is fluffy and heart-warming, “Writers Behind The Curtain” is somber, more narrative. We are all together in “A Place We Made,” an honest, intimate, emotionally grounded space.

The project contains vocal warmth and cultural depth in the song “This Is My Home“ by Silas Miami & Lana Crowster. Proceeding in a totally different direction is the stronger emotional clarity of Paul Terry’s acoustic storytelling on “Any Time You Want To Fly” and “No Sleep Has Come.” Cellarscape presents a wide, spacious atmospheric moment in “Cygnus,” while Aptøsrs ends with “Rust Mountain (Monochrome Piano Version),” a simple gem that brings the project full circle.

The mixing of Sam Okell and Adam Noble, the mastering of Alex Wharton and Robin Schmidt have, in many ways, brought their polish to it while still making it feel human. “Alternative Piano Club” is a work entity, where three musical personalities met and talk mind in the same emotional language.

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Album Review

Mt. Kili Mt. Kili delivers quiet power and honest reflection on “The Noticer” (album)

Mt. Kili’s latest album, “The Noticer,” is a warm, contemplative acoustic folk album that finds beauty in the minutiae of life itself, as calm and bare as anyone would call it. Songwriter Rick Sichta of Asheville leads the project with delicate instrumentation and outspoken lyrics, bringing forth an experience that can be both personal and universal.

Recorded at Echo Mountain Studio in Asheville, the music is refined and mastered by Grammy Award-winning Julian Dreyer and David Glasser. The current lineup still embodies this vision, with Matt Shepard holding down a heavy rhythmic backbone and Laney Barnett’s violin and vocals rounding out the sound, creating emotion.

There is a story and emotion hidden within each track. The EP opens with “Don’t Start a War,” which opens contemplatively, begging for peace rather than war. The title track, “The Noticer,” exudes a sense of awareness and the beauty of watching life unfold. “The Rain Song” features a soothing, near-meditative vibe.

With a hopeful reflection, “The Road Isn’t as Long as It Seems” is about perspective and perseverance. “Her Song” is pretty much a musical love letter, and “Kyle” is defined by its character-driven narrative. With “The Weather Report,” the change of feeling is reflected, while “Scars “ and “Strawberry Fields” hint at memories and softening imagery. “All in Good Time” concludes the record patiently, a soothing sigh of comfort. “The Noticer” is a reflective album with a soft reminder that sometimes the smallest moments mean the most.