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Rappin’ 4-Tay Reasserts His OG Status With New Single “Manifest”

Rappin’ 4-Tay may not be on the charts like he used to back in the 90s, but his influence and OG status are unshakeable.

Imagine spitting something so hot 20 years ago, the biggest rapper in the world runs you a massive check just to use your lyrics in his own song.

The Drake bag aside, Rappin’ 4-Tay has certainly accrued enough wealth throughout his career to just chill and take it easy. He hasn’t dropped an album in 9 years, but it looks like he’s trying to change that.

He recently collaborated with luxury headwear brand Minted & Dipped on a custom “Playaz Club” hat (the same hat on the album cover) and commemorated the collab with his new single “Manifest.”

The song sounds like 4-Tay kept it in the vault for 15 years, with its vintage G-funk sound and 4-Tay’s relaxed flow.

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Suffice it to say, they don’t make em like this anymore.

Check out “Manifest” below and be sure to share your thoughts with us in the comments.

Quotable Lyrics

I’m in the club with Spice-1 and the cubano is lit
Send a pack to Rozay, it feel good to be rich
I’m a player like 4-Tay, M’s in the floor safe
I had to go to war, just to buy more weight

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RoHaNa and Morpheus von Dobenhausen paint love in shadows and light “WHEN A BOY LOVES A WOMEN”

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RoHaNa feat. Morpheus von Dobenhausen, in this new release, “When a Boy Loves a Woman,” This track, recorded in winter, has a hint of gothic style that blends emotional restraint with atmospheric elegance. The track is all about RoHaNa’s emotional singing, which fits perfectly with the carefully crafted production. Her voice shows desire, weakness, and dedication without being too loud, letting each note ring out. The result is a sound that affects people on a personal and universal level. There is a sense of innocence that permeates, capturing the delicate nature of love in its purest form.

Morpheus von Dobenhausen is a guest singer who deepens the track’s emotional journey. Their voices work together to make a conversation of feelings that is both clear and mysterious. The song doesn’t go too fast, so the listener can feel the mood and atmosphere as they go through its subtle changes.

“When a Boy Loves a Woman” is unique because it strikes the perfect balance between modern pop and gothic restraint. The result is a soundscape that is both creepy and easy to listen to. It is a moving story about love and devotion, told with grace and quiet strength.

With this first release, RoHaNa confidently joins the scene, thanks to XanadumusiX’s never-ending creative drive, even when things get hard in the winter. This release not only introduces a new artist with significant potential but also showcases a bold artistic direction in which emotion, atmosphere, and story come together to make a lasting impression.

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Connect with Morpheus von Dobenhausen on Spotify || Instagram || Facebook || Youtube || Tiktok

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Kieran James Honors Memory with “Part of the Grind”

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Singer-songwriter Kieran James delivers a devastating new single with “Part of the Grind,” a track to tackle the tangled emotions behind loss and memory. A love letter penned to a close friend who faced severe cognitive decline, the song’s emotional heft feels universal yet heartbreakingly personal.

Set to delicate instrumentation and achingly sung vocals, “Part of the Grind” is both a lament and an honoring, a means of remembering while addressing the unavoidable cost of time and illness. His voice floats, leaving room for silence and the long pauses that so often come with grief. But in that silence, there is warmth as well, a refusal to let memory be totally extinguished.

Resilience is also implied in the song’s title, a reminder that even in heartbreak, life goes on and holding the memory of someone stays with the rhythm of everyday living. it’s an anthem for anyone who has ever looked on witnessing decline, mixed sorrow with love.

In Kieran James’s “Part of the Grind,” we hear music as well as go behind it. He gives us room feel, to mourn, and to honor. In the process, he turns private pain into something achingly universal, a song for everyone who has either loved or lost.

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