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Reese Weil Debuts Lake-Pop Soundscape with New Single “Easy Daze”

Reese Weil is showcasing that quality with his debut release Easy Daze under Mighty Oak Records on June 30th. As a Chico, CA native, Weil created “Easy Daze” to be a capsule of the Northern California lifestyle in what Weil dubs his signature “lake-pop” sound.

A little Americana, a little soul, and a whole lot of vibes with dirty beats, “Easy Daze” is an eclectic mix of pop-alternative soundscapes that brings focus to Weils’s live instrumentation and easy-going style. The feel-good song has some powerful lyrical moments about love and loss as Weil reminisces on growing up in a small town with big dreams and then coasting along missing the “Easy Daze”. Produced by fellow Chico native and Grammy nominee Marty James, “Easy Daze” is the first single to come from Weil’s debut EP.

Remarking on working with James and the creation of the song, Weil says, “Marty and I found a unique sound. Blending my guitar sensibilities along with his ability to craft world-class pop and the gritty production, we feel “Easy Daze” will stand the test of time.”

“Easy Daze” will be available on all major streaming platforms on June 30, 2021.

Reese Weil is a classically trained guitarist from Chico, CA who began playing guitar at the tender age of four. Heavily influenced by artists like the Beastie Boys, The Beatles, Steely Dan, Tame Impala, Sublime, and Jack Johnson, Weil’s signature tone incorporates a breathy melodic delivery that flows smoothly into tight rhythmic pockets, usually reserved for an emcee. After attending Berklee, Weil set out to make a career in music and played hundreds of shows across Northern California which led him to catch the eye of producer (and founder of Mighty Oak Records), Marty James. While creating Weil’s upcoming EP, the two coined the term “lake-pop” to describe the new genre of feel-good acoustic guitar merged with beat-heavy, aggressive mixes that they have found themselves creating. This eclectic mashup of alternative-pop genres seamlessly blends Weil’s world-class guitar playing with James’ gritty breakbeat signature production style, making for a unique representation of the Northern California lifestyle – a cornerstone that both Weil and Mighty Oak Records have built their identity upon. All about small-town dreams with big city passion, Weil embodies the DIY spirit of NorCal with his songs having been dubbed as “the sound of the 530 area code”. Eclectic and gritty, yet soulful and uplifting at the same time, Weil’s music speaks to people with lifestyle hobbies that are characteristic of the NorCal area such as snowboarding, skating, surfing, x-games, and several others. “Music has been the way that I have expressed myself my entire life,” says Weil. “Its been the one constant and kept me sane when life felt too heavy. I will always pour all my soul into every song and performance I’m working on.” Weil is eager to hit the road touring the west coast with the release of his new music this summer as he feels that the songs from the EP are the first true reflection of him as an artist. “This is the best music I’ve ever made.”

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Natalie is a journalism major with a focus on Entertainment and Music who aspires to become a Content Creator For Honk Magazine. Eventually, she wants to be the Publisher or Editor-in-Chief of a major Publishing House. She loves helping people find their voice and passion for writing and journalism, and she can always be found with coffee in hand, editing another article.

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Hip-Hop

DatYunginG5 breathes fire and feeling into “Suffocate”

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In DatYunginG5’s new single “Suffocate,” he moves beyond the desperation to reveal the chilling cycle of love that won’t release its grip. All over a darkened blend of moody pop and synthy flashbacks, “Suffocate” reads like a rough draft at 2 a.m., too honest to stow away, too raw to ignore. Crafted with razor-sharp precision by Austin Weller, the song fuses spacey production with cutting lyricism. The beat shimmers like a dream but strikes like a memory you’ve tried to bury.

There’s a quiet tension between the down-beat melodies and low-key rap flow, reflecting the emotional tussle that underlines the song. “Suffocate” is a song about the love we can’t shake once it’s grown old and stale when a toxic presence keeps seeping into our lives, reopening scars we thought were healed. DatYunginG5 cuts right to that unsettling feeling with surgical emotional precision and pointedly reminds us that sometimes, it’s not the love you miss; it’s the chaos you grew accustomed to. The story he’s telling is every bit as gripping as his delivery. Each line hits hard, awash in regrets and reflection yet remaining defiantly open. He is not merely singing about being wounded he’s allowing you to feel it with him.

If you’re in the midst of your heartbreak or still licking your emotional wounds, then “Suffocate” deserves a place on your playlist. It’s the sound of every message you never sent, every memory you attempted to erase, and every breath you found impossible to take when love started to suffocate you. On “Suffocate,” however, DatYunginG5 makes it clear he cannot be seen as an artist, but a storyteller, and his story cuts clean. This is the most beautifully written emotional unraveling, in which pain sounds almost poetic.

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Electronic

Rayhan’s “1f(one flew)” is a beautiful breakdown before the breakthrough

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There’s something mesmerizing about a meltdown with a style that can make chaos feel like clarity and in Rayhan’s new single, “1f (one flew),” it all reaches its breaking point. A genre-blurring track produced by Charlie Weare, Rayhan’s “1f (one flew)” is a raw, self-aware firecracker of emotion and noise that merges the fog of shoegaze, the bite of indie rock, and the witty punchlines of alternative hip hop. This would be the soundtrack to spiraling. With the line, “Everyone gets tired of me / But I get tired of myself too,” Rayhan comes out swinging.

It’s a bit of brutally honest, sometimes sardonic, fully human dialogue. The track plays like a 3 a.m. journal entry shredded through a distortion pedal and blaring through blown speakers. “1f (one flew)” is a cleansing shifting between emotional confession and revolution. Rayhan can hold contradictions in his hands, exhaustion and exhilaration, control and chaos, sadness and swagger. The Charlie Weare production punches hard but without overpowering Rayhan’s voice. It’s sloppy in the most purposeful sense, with thick layers of fuzz and a vocal delivery that sounds like a sneer and a scream all at once.

Everything feels frayed around the edges and also deeply considered. It is music that reflects the mind of someone coming apart but doing so beautifully. With this track released in anticipation of Rayhan’s album release, “uDOPE,” we can tell he’s not here to play it safe. “1f (one flew)” is a warning shot, a wild opening, maybe even a last gasp before something big comes. For those who laugh while falling apart, and for people who draw strength for in their imperfection, Rayhan you just gave your tribe an song.

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