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Revealed, The Surprising First Stage Names of Sexyy Red and Andre 3000

Sexyy Red

Sexyy Red and Andre 3000, as they delved into the fascinating stories behind their original stage names. The candid conversation unveiled some unexpected monikers that fans might find intriguing.

The name reveal began when Andre 3000 asked Sexyy Red how she preferred to be addressed. “Sexyy,” she replied, before sharing the backstory of her name. She revealed that she got the moniker from “this dude” back in the day while she was brainstorming a name to precede Red. Before adopting Sexyy Red, the St. Louis-born rapper was known on the streets as “Trill Red.”

Andre 3000 then took his turn, disclosing that he initially went by “Black Wolf” while his Outkast partner Big Boi was known as “Black Dog.” Together, they formed a duo called 2 Shades Deep, a name they eventually changed due to a local singing group called 4 Shades Deep. The shift to Outkast came naturally, as they wanted a name that reflected their unique style compared to their peers.

“Period,” Sexyy Red quipped, sealing the moment with her trademark flair.

But the episode didn’t stop there. In another nostalgic moment, Sexyy Red asked Andre 3000 about his memorable 1995 Source Awards speech. Andre admitted he couldn’t recall the entire speech but vividly remembered his frustration leading up to it. “It was not planned,” he confessed. “It looked brave, but I was nervous as a motherf*cker. I was just angry, man.”

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What do you think of the original stage names Trill Red and Black Wolf? Share your thoughts in the comments below and stay tuned to Honk Magazine for more exciting updates!

Artist Spotlight

Lisa Boostani creates a mesmerizing tidal realm in “Ocean”

Lisa Boostani

Lisa Boostani’s “Ocean” takes you deep into a sensory world where body, spirit, and myth come together, beyond the surface of genre. Boostani makes a soundscape that is both ethereal and deeply human by combining the broad essence of psychedelic pop with the strong appeal of alternative rock.

Her voice rises as if it is coming from deep within her, shaped by emotion rather than action. She intentionally channels the intangible, turning weakness into strength rather than a source of pain, and “Ocean” tells people to get involved in this inner world, not just watch it. This release is an integral part of her first EP, “One,” which will come out in March 2026 and is based on love, sensuality, and unity.

If “Ocean” is any indication, the EP will show sensuality not as something pretty, but as a kind of spiritual intelligence, a way to know yourself by connecting with others. The song’s textures and structure have an aquatic quality, moving between clarity and delirium, rhythm and freedom. Its emotional focus is on immersion instead of resolution.

The striking quality of “Ocean” is the blend of the mystical worlds. Boostani understands that strength often shows up as gentleness and that deep feelings are better expressed through frequencies than words. She wants people to see consciousness as immediacy, sensation as truth, and openness as an undeniable strength.

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Artist Spotlight

NOAH. captures the unspoken signals in enchanting R&B track “That’s Bless”

NOAH.

“That’s Bless” captures the unspoken late-night message, the smile that was exchanged from afar, and the feeling you sense but are afraid to say. NOAH. offers a song with a smoky R&B feel and lyrics that capture unspoken tension, firmly in the realm of emotional ambiguity, where connection is clear but not defined.

This piece concerns the subtle discomfort of mixed signals and quiet longings, when looks say more than words ever could. NOAH. handles the theme with restraint, letting the chemistry simmer rather than explode. NOAH.’s delivery shows a confident gentleness, recognizing that some feelings don’t need strict definitions to be real.

In “That’s Bless,” he captures the essence of connection and the compelling allure that endures, even when both parties pretend it is not there. The composition is based on real-life events, and it acknowledges that specific attachments endure in the heart long after one has persuaded oneself of having progressed.

“That’s Bless” is at the crossroads of closeness and distance, clarity and confusion. The song doesn’t resolve the tension it talks about, and that’s what makes it so powerful. It sums up the connection we say we don’t want but keep coming back to in memory, rhythm, and pulse.

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