Music
Lil Wayne Sparks Controversy by Rapping Kendrick Lamar’s Lyrics While Flaunting Drake’s OVO Pendant
Lil Wayne and Drake’s long-standing friendship has always intrigued fans, particularly in the context of Drake’s viral feud with Kendrick Lamar. Recently, Wayne seemed to weigh in on the tension during a performance, sending the internet into a frenzy. In a circulating clip, the New Orleans rapper can be seen passionately delivering lines from Kendrick’s hit “Not Like Us” while proudly displaying his OVO owl pendant.
This moment has ignited a heated debate among fans, especially in DJ Akademiks’ comments section. Some argue that Wayne’s performance was a subtle dig at Kendrick, while others dismiss it as a mere coincidence. The debate centers around whether Wayne’s rendition of “Not Like Us” was intended as a diss, particularly since he integrated the lyrics into “The Motto,” a highly successful collaboration with Drake.
Adding fuel to the fire, there’s speculation that Wayne might have been saying “They don’t like us” instead of “They not like us,” though the clip is too ambiguous to confirm. Regardless, this incident has fans buzzing about a potential showdown between Wayne and Kendrick, splitting opinions on who would come out on top.
Interestingly, this isn’t the first time Wayne has shown his allegiance to Drake recently. Last month, he revealed his top five rappers in an interview, naming Drake, Jay-Z, Eminem, Missy Elliot, and The Notorious B.I.G., with Kendrick noticeably absent from the list.
What do you think about Lil Wayne rapping Kendrick Lamar’s lyrics onstage while holding up his OVO pendant? Was this a direct diss at Kendrick or just a misinterpreted performance? And who do you think would win in a lyrical battle between Wayne and Kendrick? Share your thoughts in the comments below, and stay tuned to Honk Magazine for more updates!
Artist Spotlight
Neurolapse opens up buried feelings into a rebellious release “Fvck These Feelings”
Neurolapse channel released feelings that had been held inside for too long with “Fvck These Feelings.” That emotional urgency also translates into the writing process itself, with some of the lyrics coming in the early hours of the morning and insisting on being put down. From there, it was developed into a track that turns personal emotional pressure into a collective experience for listeners.
What is interesting about the song is the tension between the emotional base it draws on and the freedom it seeks to create. The song is born of the difficulty of releasing painful feelings, but its effect is anything but restrained. The band wants the song to make listeners dance, shout along, and let go of the emotions they have been carrying. This gives “Fvck These Feelings” an intuitive quality, turning frustration and emotional exhaustion into an opportunity to let go.
Something is refreshing about the song’s directness. Instead of bottling up feelings and keeping them a secret, “Fvck These Feelings” celebrates the messy process of letting them out. It gives people a chance to identify what they’ve been holding on to, and a place to let it out. Neurolapse takes a tough internal experience and turns it into something energetic, expressive, and communal. This is a track designed not simply to be heard, but to be felt and released through movement.
Artist Spotlight
KUILL unveils a testimony from the pain of memory on latest release “Last Night”
KUILL‘s latest release, “Last Night” is a very human approach to memory. It is about those moments we only realize were important after they are already gone. This song is not about a specific event, but about growing up, about time passing and about people and places we once assumed would always be there. Its emotional core is born of the painful realization that a final moment rarely announces itself as it unfolds.
“Last Night” is subtle yet cinematic, letting KUILL’s signature voice do the heavy lifting in telling the story. His restrained vocal delivery creates space for the listener to bring his own memories. Its shimmering world can be the last evening before leaving home, a family holiday, or a carefree summer with childhood friends. The result is intimate, yet it doesn’t constrain the listener’s interpretation.
The artwork accompanying the piece enhances that feeling with broken reflections of KUILL, placing him between past and present. It’s the essence of the song: memories tend to fade with time and become less about the details of what happened and more about how those times made us feel. “Last Night” takes that quiet sadness and lets you sit with it.
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