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Rihanna “Canceled” By Muslim Fans For Song Played During Savage X Fenty Show

It’s generally pretty hard to make it to the top without pissing some people off. Celebrities get under people’s skin all the time, resulting in “cancel culture” becoming a major thing in the last few years. It has rarely worked but, sometimes, those attempting to cancel an artist or public figure have a point.

During her latest Savage X Fenty fashion show, which featured stunning looks from her brand ambassadors, including Willow Smith, Rihanna came under fire for one of the songs played during the event, being accused of culturally appropriating Islam by playing a version of a hadith. When you have a platform as large of hers, and especially when you preach inclusivity with your products, you’ve got to be responsible and aware of how offensive something like this could be.

According to Newsweek, hadiths are “highly revered records of the traditions or sayings of the Prophet Muhammad”, which are understandably sacred to Muslims around the world. The song played is called “Doom”, performed by London producer Coucou Chloe, who previously explained her use of the vocal sample.

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“For those who were wondering what were the vocal samples – I didn’t make the vocals on this one as you can easily guess,” she reportedly wrote about the song, which was released several years ago.

Regardless of Rihanna’s intent behind the use of this song, which very well may have been ignorant, the star is being picked apart by her Muslim fans for using this specific track, which reportedly uses a hadith about the “end of our times”. People are calling the move Islamophobic, accusing the Bajan star of cultural appropriation.


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Thus far, Rihanna has not responded to the controversy.

The second volume of her Savage X Fenty show is available to watch on Amazon Prime Video.

[via]

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François Marius and Bérénice creates a tender acoustic pop confession with “Billie Jean”

François Marius

François Marius’ latest release, “Billie Jean (Acoustic Version),” cuts to the quick and lets raw emotion take over. What you get, ultimately, is a personal pop experience that feels closer to a secret than to either a spoken-word show or a performance. The initial soft strum of an acoustic guitar creates a mood that is soft, sweet, and quietly interesting. It’s a full-throated, backbones-out piece, and every note is screaming its potential. It’s simple but riveting, and it proves that sometimes less is more.

François Marius and Bérénice’s voices sound right together, their voicings intermingle so naturally that they seem accidental or spontaneous, harmonies that emerge from nowhere. The way they speak to one another is very, I mean, they really love each other. That even makes the track seem like a conversation about feelings.

The two artists are clearly close. Romance and Eros are not just ideas, and they inhabit every note that lingers and every minuscule shift in tonality. The harmonies soar effortlessly over the acoustic foundation, a blend of sweetness and strength. It’s a sign of strength and also of a willingness to be hurt.

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“Billie Jean (Acoustic Version)” is stripped of any fancy production or theatrical effects, it wins you over with its frankness and forthrightness. Sandy François Marius’s impersonation is fresh and real, endowed with depth and softness thanks to Bérénice’s presence, which definitely makes everything more perfect. This acoustic performance serves as a stark reminder of the elements that do connect people: the singer, his guitar, and a story from the heart.

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RoHaNa and Morpheus von Dobenhausen paint love in shadows and light “WHEN A BOY LOVES A WOMEN”

Morpheus von Dobenhausen

RoHaNa feat. Morpheus von Dobenhausen, in this new release, “When a Boy Loves a Woman,” This track, recorded in winter, has a hint of gothic style that blends emotional restraint with atmospheric elegance. The track is all about RoHaNa’s emotional singing, which fits perfectly with the carefully crafted production. Her voice shows desire, weakness, and dedication without being too loud, letting each note ring out. The result is a sound that affects people on a personal and universal level. There is a sense of innocence that permeates, capturing the delicate nature of love in its purest form.

Morpheus von Dobenhausen is a guest singer who deepens the track’s emotional journey. Their voices work together to make a conversation of feelings that is both clear and mysterious. The song doesn’t go too fast, so the listener can feel the mood and atmosphere as they go through its subtle changes.

“When a Boy Loves a Woman” is unique because it strikes the perfect balance between modern pop and gothic restraint. The result is a soundscape that is both creepy and easy to listen to. It is a moving story about love and devotion, told with grace and quiet strength.

With this first release, RoHaNa confidently joins the scene, thanks to XanadumusiX’s never-ending creative drive, even when things get hard in the winter. This release not only introduces a new artist with significant potential but also showcases a bold artistic direction in which emotion, atmosphere, and story come together to make a lasting impression.

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