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SAINt JHN’s ‘While the World Was Burning’ Serves Notice That His Time is Now
Brooklyn rapper SAINt JHN recently released his third studio album, While the World Was Burning. Which is his most sonically complete project to date. SAINt JHN gives fans a number of A-list guests,…
Brooklyn rapper SAINt JHN recently released his third studio album, While the World Was Burning. Which is his most sonically complete project to date.
SAINt JHN gives fans a number of A-list guests, including Kanye West, Kehlani, DaBaby, Future, Lil Uzi Vert, and others. The star also gives fans a new single and visual for the emotionally charged “Sucks To Be You.”
The Brooklyn rapper spoke on the project saying, “The album came together on its own, and I was just appreciative I did it. I took it as an opportunity to put it out. I took it as a reminder of the momentum that I built over the course of the last couple of years when people weren’t paying attention.”
2020 has been an amazing year for SAINt JHN. He performed at the Billboard Music Awards as this year’s Breakout Artist, and the fan-favorite “Roses” has become the longest-running song of 2020 on Spotify’s Today’s Top Hits playlist.
“While The World Was Burning” is an interesting dichotomy of both emotion and self-confidence. Throughout many of the songs, JHN shows vulnerability with an air of “not caring”. Almost as if the trauma suffered was just a stepping stone to where he’s ultimately headed.
SAINt JHN combines melodic notes with solid bars on “Ransom,” featuring Kehlani and 6Lack. Diving into his sense of arrogance, stating “I’m too handsome.”
On the other hand, you have a record like “Time for Demons” which is a bit more of a trap vibe. He goes off with the lyrics “I’m savage mode, I’m not average, I’m on demon time, just in my cabbage.“
On the Kanye West featured “Pray For Me” he gives fans old Kanye vibes with more self-assured lyrics. Stating, “Cut from a different cloth, from a different upholstery.” Almost egging West to go in the same direction. However, Kanye goes into a double entendre flow, combining personal feelings with the pressures of what fans and consumers think.
On Monica Lewinsky, Election Year featuring the ever-ready Da Baby and A Boogie Wit Da Hoodie, which video dropped early Monday, SAINt JHN dives deep into his personal feelings of a past relationship. Uttering, “She’s my Monica Lewinsky. She gon’ bust it right here, ‘cause it’s risky. She got a code like DaVinci. Only gotta text one time, adding, “Did you miss me?” She gon’ want to resent me, ‘cause me and her best friend got history. She got the walk of the century. Girl, you really got some kind of intrigue. I don’t want no smoke. I don’t wanna learn how to drive in the Rari.”
3 of the songs are a tad bit older, including the social media favorite, “Roses.” SAINt JHN gives fans 2 versions. One featuring Future and the other labeled the “Imanbek Remix”. This definitely adds confusion to the cohesiveness of the entire project. It seems to go in various directions, with no real sense of organization.
Ultimately, this project will give fans vibes to turn up to and will keep any mood light where the album is played. Definitely looking forward to more as he continues to find his own voice in the ever-changing landscape of hip hop.
The post SAINt JHN’s ‘While the World Was Burning’ Serves Notice That His Time is Now appeared first on The Source.
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Carmen Bryan’s Cryptic Post Stirs the Pot in Jay-Z Controversy
The hip-hop industry currently faces substantial controversy as Jay-Z finds himself in the eye of a storm. Allegations of sexual assault stemming from a 2000 afterparty involving the illustrious rap mogul and disgraced music executive Diddy have ignited fierce public debate. While Jay-Z categorically denies the accusations and expresses his intent to contest the lawsuit, the court of public sentiment appears to have already rendered its verdict. Further complicating this turmoil is the involvement of Carmen Bryan, a name from Jay’s contentious history, which has added a chilling layer to the evolving situation.
Carmen Bryan, recognized for her decade-long affair with the Brooklyn rapper, recently took to Instagram with a cryptic yet pointed post. Although she refrained from naming anyone directly, Bryan suggested that loyalty often supersedes ethical morality in cases involving influential individuals. “These days, people don’t defend what is right; they defend who they like,” she wrote. Her parting shot, “And that’s why we call you a groupie,” felt like a verbal mic drop, leaving little doubt about who her words targeted.
The intrigue didn’t stop there. Bryan shared a snapshot of Jay-Z’s lyrics from his 2010 track “Monster,” honing in on a particularly unsettling line: “Kill a block, I murder the avenues, I rape and pillage your village, women and children.” Though these lyrics were part of a more extensive metaphorical verse showcasing a “monster” persona, their resurfacing in this context feels calculated and ominous.
Bryan is no stranger to controversy, having previously aired her grievances toward Jay-Z. In her 2006 memoir, It’s No Secret: From Nas to Jay-Z, Seduction to Scandal, she detailed their affair and its tumultuous fallout. Additionally, she revealed in a 2017 interview that she had been pregnant with Jay-Z’s child, only to suffer a miscarriage. The relationship, fraught with personal and public conflict, remains a blemish on Jay-Z’s meticulously crafted, otherwise carefully curated narrative. Carmen Bryan’s multifaceted approach raises pertinent questions: Is she simply sharing her perspective on morality in the industry, or does she possess additional undisclosed knowledge?
While the allegations against Jay-Z are still under legal evaluation, Bryan’s Instagram post has reignited another dimension to the complex and polarizing discussions about power dynamics, accountability, and the ethical responsibilities of those influential individuals in the spotlight. Her courageous decision to use Jay-Z’s lyrics against him paints a stark picture that forces fans and critics alike to reckon with the blurred lines between art and reality.
As the legal proceedings involving Jay-Z progress, the public remains split amid this developing saga. While Jay-Z’s peers have predominantly expressed skepticism toward the allegations, the enduring legacy of this iconic figure hangs in precarious balance, with shadows from the past casting long and potentially damning silhouettes.
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Jay-Z Engrossed in Fresh Allegations as Tony Buzbee Claims More Victims
In a stunning twist to an already high-stakes legal dispute unfolding with the intensity of a Hollywood thriller, Jay-Z, one of music’s most preeminent figures, finds himself at the center of an explosive allegation involving minors. This drama stems from accusations brought forth by attorney Tony Buzbee and has escalated a conflict that began with a lawsuit over alleged extortion. Buzbee, who represents a woman accusing the music mogul of sexually assaulting her at the 2000 MTV VMAs afterparty, claims there are additional alleged victims, involving both male and female minors.
Jay-Z and his attorney, Alex Spiro, aren’t backing down. They have initiated a countersuit against Buzbee, vehemently denying the allegations and characterizing them as “entirely fabricated and malicious.” Spiro’s filing asserts that Buzbee’s accusations are part of a calculated scheme to tarnish the rapper’s reputation and coerce a settlement. “These baseless accusations are nothing more than a weapon in a calculated plot,” Spiro stated, doubling down on their stance that the allegations are devoid of any factual basis.
The case took another dramatic turn when the woman Buzbee represents amended her lawsuit against Diddy to include Jay-Z. The timing of the amendment and the salacious nature of the claims have fueled a media frenzy, leaving the hip-hop icon fighting a battle both in the courtroom and in the court of public opinion.
Late Sunday, Jay-Z fired back with a defiant statement on X (formerly Twitter). “What he had calculated was the nature of these allegations and the public scrutiny would make me want to settle,” he wrote. “No sir, it had the opposite effect! It made me want to expose you for the fraud you are in a VERY public fashion. So no, I will not give you ONE RED PENNY!!”
This case is now racing against the clock, with Jay-Z’s legal representatives seeking an emergency hearing to address the allegations. Their urgency stems from the relentless media coverage, which poses a substantial risk to the Roc Nation founder’s reputation. This matter extends beyond a mere legal confrontation; it encompasses significant implications beyond the courtroom, a fight for his legacy.
The stakes are exceptionally high. Legal counsel Buzbee hints at the potential existence of additional alleged victims, thereby intensifying the spotlight scrutiny placed on both parties involved. With careers, reputations, and justice on the line, this legal showdown is poised to become a critical juncture within the music and entertainment industry. For fans and observers alike, the unfolding circumstances prompt inquiries regarding the veracity of the claims and the tactical weaponization of reputation in the court of public discourse.