Music

Saweetie Explains Why She Told Women To Demand Birkin Bags From Their Men

Getty Image After being accused of materialism, Saweetie confronts ‘the discourse’ head-on. …

Since becoming an official couple Saweetie and Quavo became a couple sometime in 2018, they’ve been many music fans’ prime example of “couple goals.” However, while their cutesy flirtation has set a trend or two, Saweetie’s high standards for their relationship became a hot topic of debate on Twitter when video from an Instagram Live in which she seemingly advises women to expect expensive accessories from their men went viral. In a new interview with Essence‘s Girls United, Saweetie addresses the resulting backlash and clarifies what she really meant.

In the original video, Saweetie counseled, “If he not getting you a Birkin, if he not paying for your bills, then throw that n**** back to the streets, okay?” Quavo, present in the background, simply shrugs in agreement. The flippant remark doubled as promotion for Saweetie’s anticipated single “Back To The Streets” with Jhene Aiko. However, rather than interpreting this advice for their individual circumstances, some fans instead took it literally, using it as “evidence” of an increasing sentiment of materialism in hip-hop — especially among women. Others thought it was a wasteful expenditure, telling anyone who would listen they should instead invest in assets like land and/or businesses.

Saweetie says if he can’t buy you a Birkin, you don’t need him, sis pic.twitter.com/3qTA6svZQ5
— The Shade Room (@TheShadeRoomEnt) October 23, 2020

However, in her Girls United interview, she makes clear that the costly Hermés purse (which can run a purchaser anywhere from a few grand to almost half-a-million dollars, according to Google Shopping) was only an example and she wasn’t recommending only dated exorbitantly rich men. “Let’s talk about the discourse,” she jokes. “For me, a Birkin is symbolic of a gift. So to people coming in, talking about ‘Oh, I’m going to get my girl property,’ why don’t you get her property and a Birkin. My sentiments behind that were just, you know, spoil your girl. Spoil her with your loyalty, your energy, and how you treat her.”

Of course, for Quavo, one of the higher-paid entertainers in hip-hop thanks to lucrative business deals with brands like Boohoo, Doritos, Lids, and Martell, that advice really was literal. In July, a video of Saweetie dropping into a split after he gave her not one but two Birkin bags for her birthday similarly went viral, prompting even more fans to declare the two couple goals.

Saweetie is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.

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Album Review

Orshina turns personal grief into a powerful message of remembrance on “Requiem for “NOVA”” (album)

Orshina’s new album, “Requiem for “NOVA”,” is emotionally charged, turning personal pain into a message of remembrance, healing, and hope. The result is a blend of ambient and rock that explores the raw emotions of loss and reflection. The album is a journey through a very difficult creative process, crossing grief, rage, trauma, and collective pain, not forgetting the importance of remembering those who are no more.

The album was recorded mostly at Orshina’s home studio and features violinist Maianne Tur, drummer Roey Brosh, and vocalists Idit Eshel and Shiran Tzfira. Additional drums and mixing were done at Leon Sound Pro. The album opens with “Graveyard Blues,” which lays out the core themes of grief and loss. It serves as a reflective launchpad, drawing you into the project’s emotional weight.

“Bread & Circus” looks outward, exploring the dissonance between private grief and a world obsessed with entertainment. The song asks how easy it is to miss serious pain when the attention is elsewhere. With “Hell In Paradise,” Orshina explores the difficulty of carrying trauma in a world that can feel peaceful on the surface.

“Rest In Music” takes music to a place you can visit when it’s hard to understand or put feelings into words. The song is also about the creative process as a way to sit with complicated feelings and begin working through them. “Dressed up for the Devil” is a darker emotional journey, dealing with grief as well as anger, bitterness, and destructive thoughts.

The album moves from the personal to the historical tragedy with “Holocausts and Slavery,” the collective suffering. In a project of remembrance, Orshina places these subjects within a larger responsibility to recognize painful histories and link them to individual grief. Through “Requiem for “NOVA,”” the artist creates a musical statement about healing and the importance of keeping memories alive through a difficult creative process. “Requiem for “NOVA”” is a tribute to the lost, a reminder that hope can exist alongside sorrow.

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Artist Spotlight

Map of the Woulds finds meaning in life’s passing moments with “Only For Today”

Life is rarely as we remember it, and Map of the Woulds takes on this uncertainty in “Only For Today,” a rock tune about impermanence, changing relationships, and the limits of human understanding. It’s not about repairing loss or compensating for loss, but about how life is happening. Here, dreams come to an end, memories aren’t so bright, and the things that are forever are gone.

The song is a meditation on life’s transient nature, love, and success. This idea creates a thoughtful atmosphere and a peaceful sense of acceptance. Map of the Woulds includes Andrew Woods (bass/voice) and Adrian Woods (homemade drum kit/voice). It’s a combination that puts the people behind the track at the center of the performance. It was mixed & mastered by Adrian Woods at Ed Shot Studio, all of which add up to a release that’s defined by a strong songwriting vision and a tactile recording process.

“Only For Today” is unique because it asks questions, and Map of the Woulds offers an artistic interpretation of life’s transient nature that ties personal experience to a broader meditation on life. The best line in the song is that change doesn’t make a moment any less important, and it’s even more special to be with those who count.

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