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Sheriff’s Deputy Thought Raptors’ Masai Ujiri Could’ve Been A Terrorist
Toronto Raptors president Masai Ujiri had an extremely bittersweet moment last year during Game 7 of the NBA Finals.
As the Raptors secured the first NBA championship in the franchise’s history, Ujiri attempted to make his way onto the court to celebrate with his team, where he became involved in an altercation with Alameda County sheriff’s deputy Alan Strickland.
The officer first claimed that Ujiri had been the aggressor, leaving the officer concussed and with a “serious jaw injury.”
Of course, body cam footage released in the months since has contradicted the officer’s laughable claims, namely that Ujiri did not make any sort of attempt to identify himself. The footage clearly shows Ujiri pulling out his identification and that the officer aggressively pushed him twice without the Raptors president getting physical before bystanders jumped in to separate the men.
Ujiri released a statement addressing the incident in which he asserted his belief that the incident was a clear-cut example of anti-Black racism.
Ujiri has since filed a counterclaim in response to the officer filing a lawsuit against him. The deputy recently asked the court to dismiss the Raptors president’s counterclaim, citing his belief that he was “trying to stop a potentially serious threat.”
“Had Deputy Strickland not employed force, he would have risked having the suspect not only trespass onto the court, he would have risked the suspect quickly getting lost amid the growing crowd of folks authorized to be on the court, and potentially committing any number of possibly serious crimes,” legal documents asking to dismiss the counterclaim read. “After all, this was a high-profile sporting event, which entailed a risk of crimes ranging from vandalism to assaults on players…assaults on coaches… player-fan brawls… and even mass murder or terrorism. The same threats persisted when Mr. Ujiri continued to attempt to barge past the second time, still without showing his (invalid) credential, even after being shoved and ordered to back up.”
Um…
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Pete Miller Explores Duality on “The Dazzling Kimberly”
Pete Miller’s ‘The Dazzling Kimberly’ is a profound exploration of the intricacies of human emotion and the complexity of our relationships. Through its narrative, the song delves deep into the heart of love, loss, and the paths we choose in life. The protagonist’s journey of self-reflection and contemplation, sparked by the enigmatic Kimberly, serves as a mirror to our own experiences with love and the often painful lessons that come with it.
“The Dazzling Kimberly” is a poignant song that narrates the story of two twins embroiled in conflict, who are brought together and eventually reconciled by their interactions with a mystical figure named Kimberly. This song, with its rich narrative and allusions, particularly to the biblical story of Jacob and Esau, offers a layered exploration of themes such as rivalry, redemption, and the ephemeral nature of life and relationships.
The song opens with a vivid depiction of one twin’s sense of guilt and moral ambiguity, contrasting his own cunning with his twin’s straightforward approach. This internal conflict sets the stage for the entrance of Kimberly, a figure whose very existence seems otherworldly, serving as a catalyst for change and reflection in the twins’ lives.
Kimberly, characterized by her wisdom and almost supernatural presence, challenges the narrator to reconsider his values, suggesting that victories won through cunning lack the essence of true love and fulfillment. Her influence is profound, guiding the twins towards a reconciliation that seemed impossible before her intervention.
The chorus of the song encapsulates the narrator’s deep yearning and the transformative impact Kimberly has had on his life. It questions the value of freedom and the significance of their bond, highlighting the impermanence of life through the metaphor of fading air and shifting sands.
The resolution of the twins’ conflict, prompted by Kimberly’s disappearance (or passing), symbolizes a newfound maturity and understanding. The once-contentious land becomes a symbol of their shared heritage and reconciliation, underscoring the message that love and unity are more valuable than any material possession or victory.
The allusion to Jacob and Esau provides a biblical backdrop to this tale of rivalry and reconciliation, enriching the narrative with layers of meaning and moral questioning. Just as Jacob and Esau reconcile after years of conflict, so do the twins, guided by the ethereal and loving presence of Kimberly.
The song’s melancholic yet hopeful tone captures the duality of human experience—the longing for what was and the hope for what could be. The moods and themes you’ve described, from melancholy and contemplation to love, regret, and redemption, underscore the universal struggle with fate and the desire for moral clarity and closure.
For further thematic exploration, the works of Leonard Cohen, particularly for their spiritual and existential undertones, or the poetic narratives of Bob Dylan, might resonate with the themes of “The Dazzling Kimberly.” Both artists adeptly weave complex human emotions with broader philosophical and spiritual questions, much like Pete Miller does in this song.
–Ralph Grossman
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