Music
Singer-Songwriter Holly Clausius Drops Her Debut Album “Rose Garden”
After leading up with three singles and two music videos, indie-folk singer Holly Clausius dropped her debut LP “Rose Garden”. The album mixes genres of folk, country, pop, and Americana with soulful vocals and vulnerable lyrics. Highlights of the album include “Clementine”, a playful folk-pop number about a queer elementary-school infatuation, and “It Will Stay Right Here”, a heartfelt tribute to the live music scene in Toronto that was hit hard during the pandemic, and features multiple local Toronto artists. Holly’s vocals are fervent and sophisticated, blending notes of Adele and Regina Spektor.
“Rose Garden” was written entirely during isolation in early 2021. Clausius explains “ I think the main thing people should take away from this album is that they’re not alone. Whatever trauma/emotions you’re going through there are others who have walked that path and are here for you. I want my music to sort of be that safety blanket for anyone struggling. It’s actually quite ironic that it was made while isolated because I’ve never felt more connected to myself and others while making it.”
“Rose Garden” may be easy to listen to, but the subject of the lyrics span a range of issues including mental health, toxic relationships, advocacy for the LGBTQ community, and commentary on an industry that is crawling out of the ashes. The album has a beautiful flow as a whole but also keeps us entertained with different moods and musical styles, from the country-rock of “Strawberry Blonde” to the acoustic indie ballad of “Slow Motion”. Keep tabs on Holly Clausius, she is an artist you do not want to overlook!
Holly Clausius is a queer artist blazing a trail of her own. Currently based in Toronto, Holly Clausius is a full-time musician mixing the genres of folk, pop, and rock. Her soulful songwriting emulates the ballads of Feist, the honesty of Amy Winehouse, and the emotion of Billie Eilish. Holly has been chosen to perform in this year’s HoneyJam showcase- headlining the famous El Mocambo, she has placed 2nd in the Cross Canada Artists For Social Change competition- being praised and wowing Judge Tegan (from Tegan and Sara), and she’s completed the RBC Music x Launchpad Entrepreneurship all in just the first half of 2021.
She has been featured in notable publications like Toronto Guardian and Bong Mines Entertainment and radio stations like Pop Can Radio and CBC London and Toronto. Her folk-driven EP “Sunflower” was released in the summer of 2020, and she will be releasing her debut LP “Rose Garden” this October. Above everything, Holly’s mission is to be a voice for the voiceless and for her music to be a safe haven for those who feel alone.
Follow Holly Clausius On: Facebook | Instagram | Website | YouTube | Spotify
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Louise Goffin Takes Us for an Intimate Ride with “Backseat”
Louise Goffin’s new single, “Backseat,” takes listeners on a nostalgic journey, like a late-night drive filled with deep emotions. The Brooklyn-born singer-songwriter offers a heartfelt song that feels personal yet relatable to everyone. Drawing inspiration from the storytelling style of Laurel Canyon, “Backseat” invites you to dive into its rich, soulful sounds and escape the daily hustle and bustle.
Goffin’s talent shines through in her ability to tell a story reflecting her life experiences. Growing up with famous songwriters, she experienced a world full of creativity and ups and downs, which she beautifully expresses in her music. “Backseat” captures the mix of chaos and tranquility, creating a calming yet powerful musical experience. Her gentle voice flows over various instruments, making it feel like a cozy chat with a close friend.
At its heart, “Backseat” touches on balancing being a passenger in life and taking charge, something everyone can relate to when feeling uncertain about the past and future. Goffin’s gift for sharing her thoughts makes this journey feel shared, showcasing her storytelling talent.
Louise Goffin is truly coming into her own as an artist, turning the intricacies of life into songs that resonate with many. Whether you’re already a fan or just discovering her music, “Backseat” is a song you don’t want to miss—a beautiful celebration of growth, resilience, and the magic of music.
Artist Spotlight
Rich Kidz’s “Settle Down” Hits a Sweet Spot with Heartfelt Realness
Regarding merging authenticity with infectious beats, Rich Kidz pairs up like no other, and their latest single, “Settle Down,” dives into the depths of love and relationships. At the same time, ensuring listeners remain locked in with melodic flows unique to the duo.
Written in the studio during honest discussions about their personal lives, “Settle Down” is less a song than a heart-to-heart. The two talk about the fact that no relationship is perfect, and that’s just fine. All good things end up being perfect in their unique way. Rich Kidz features relatable lyrics and production that are both contemporary and ancient all at once, teaching us that the beautiful aspects of love are the flaws.
The song offers a luxuriant sound from the very first bars, combining smooth harmonies with a midtempo gait that feels like the auditory half of a cleanse. It’s reflective but also a lift, a duality that aligns with the message of accepting the highs and lows in any partnership. The duo’s storytelling shimmers as the verses progress, mixing personal details with a wider, relatable narrative.
“Settle Down” is not just a song for romantic couples; it serves as a universal rallying cry for anyone taking the plunge into the complicated tango of human relations. Whether you’re enjoying love’s sweet side or grappling with its thorns, this track has something to tell you.
The way Rich Kidz pairs its introspection with infectious energy makes “Settle Down” extraordinary in today’s music landscape. This is one of those songs that has to be added to everyone’s playlist and shows how much they have grown as a band. With this release, they’re not merely making music — they’re composing a soundtrack to life’s most pivotal moments.
