Music
Tennessee Outlaw Country Recruits Chart-Topping Vocalist For New Single, Veterans Suicide Prevention Benefit
Matt Westin joins Tennessee Outlaw Country to record “Ghost Train.” The band will perform at a March benefit alongside Jamie O’Neal and Tom Proctor.
“I’m excited to be the new front man for T.O.C. and carry on the outlaw country and southern rock traditions that you just can’t get from downtown Nashville anymore.”— Matt Westin
Since 2014, Tennessee Outlaw Country, also known as T.O.C., has been rocking their namesake state and surrounding areas with their patented blend of southern rock and outlaw country. The road saw the band opening for multiple award-winning artists. After some personal tragedy and personnel changes, T.O.C. reached out to their producer, Bryan Cole, about finding a vocalist who had the voice and style to fit their brand of music. Enter iTunes chart-topping singer-songwriter Matt Westin.
Pittsburgh native, Matt Westin exploded onto the international country music scene with his 2018 debut album, also produced by Cole, “Legacy.” Enduring some personal tragedy of his own, Westin recorded the album as a tribute to his deceased father. With iTunes charting in Canada (“Stomp On”) and a #1 hit in South Africa (“Thin Blue Line”), as well as an appearance in Billboard Magazine, Westin broke out in a big way. His Spotify streams have topped the 600K mark, while his Youtube channel has received over 150K views, making Matt Westin one of the most exciting new country artists to come from the Steel City.
Now, Westin has become the frontman for T.O.C., who are about to release their first single together, “Ghost Train.” Written by T.O.C. guitar player, Tim Burton, the song is based on what Tim experienced after having a heart attack, while riding his motorcycle. “Ghost Train” was recorded at Nashville’s OmniSound Studio in October 2021 and produced by Bryan Cole.
“I’m excited to be the new front man for T.O.C. and carry on the outlaw country and southern rock traditions that you just can’t get from downtown Nashville anymore,” says Westin. “We’re all very proud of our first single ‘Ghost Train’ and looking forward to its worldwide radio release.”
Watch the sneak peek of “Ghost Train” on the band’s Facebook page at https://www.facebook.com/tennesseeoutlaw/videos/321331850003552.
Tennessee Outlaw Country will perform “Ghost Train” at a March 12th, 2022 benefit concert for Veterans Suicide Prevention. The show is being headlined by platinum-selling country artist, Jamie O’Neal, and will feature singer/songwriter and actor, Tom Proctor. Tickets for the show at the Smith County AG Center in Carthage, TN are available now at https://allevents.in/south%20carthage/veteran-suicide-benefit-jamie-oneal-tom-proctor-tennessee-outlaws/10000252829518897.

Artist Spotlight
Alwyn Morrison explores betrayal, judgment, and survival on new EP “Trial”
Life isn’t always a straight line, and Alwyn Morrison explores that in “Trial,” a four-track EP that goes beyond the familiar territory of love and heartbreak. The project blends pop, rock, and singer-songwriter influences, exploring themes of betrayal, false accusations, emotional pain, self-defense, and survival. Each track is inspired by courtrooms and is a step in a personal journey of understanding, acceptance, and ultimately freedom.
The first track, “Puzzle Piece,” is Morrison’s raw, heavy alternative rock sound, fitting the weight of betrayal and false accusations. The song has a sense of tension, putting you in the shoes of someone trying to understand a difficult situation. Followed by “Everybody Bleeds,” which follows that emotional path, creating a song about confusion, openness, and the struggles we all face, and it’s an emotional listen, with hard truths and personal experiences laid bare.
The project’s focus track, “Monster,” goes into more personal territory. It explores what happens when we are judged or condemned for the choices we make, and it carries a message that goes far beyond Morrison’s own experience. The central theme will strike a chord with anyone who has felt misunderstood, unfairly labeled, or defined by others’ opinions.
The EP closes with “Fireflies,” a track that shifts the mood, contrasting childhood innocence and memories with the realities of adult life. The sequence moves the story toward resilience, survival, and earned acceptance. Alwyn Morrison spins a musical tale of hard life experiences put to the test. The courtroom concept gives the four songs real purpose to move on without letting past experience dictate the future.
Artist Spotlight
Fanny Alexandra explores emotional recovery and self-discovery on “Ceasefire”
Not every fight ends a relationship, and there could be long-term emotional damage, with questions about identity, attachment, and the difficult path to moving on. “Ceasefire” is a ghostly alternative rock ballad in which Fanny Alexandra navigates difficult terrain, exploring emotional dependency and the search for selfhood after a toxic relationship.
“Ceasefire” is full of sad melodies and hints of atmospheric rock, making it a dark, cinematic listen. The song’s alt-rock pivot provides an emotionally charged foundation, and it’s about the internal battle, especially when your identity has been so tied to another person.
Fanny Alexandra’s ethereal vocal approach suits the song, lending real emotional weight to the exploration of self-loss and internal tension. “Ceasefire” is a reflective track, with atmospheric instrumentation and deeply personal songwriting that capture feelings that can linger long after a tough chapter closes.
It’s about finding yourself again, and its emotional arc moves from openness and dependence to the hard-earned discovery that personal freedom is more than just walking away. Fanny Alexandra’s love for dark, emotional alternative music inspired “Ceasefire.” Her art is about intimate storytelling, cinematic atmosphere, and making music that explores the quieter struggles people tend to keep inside. In this record, she turns the fallout from a toxic relationship into a meditative reflection on the long road to selfhood.
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