Music

Snoop Dogg Slammed with Lawsuit Over Alleged Copyright Infringement on BODR Tracks

Snoop Dogg has landed in hot water with a fresh legal battle brewing. Earlier this week, producer and drummer Trevor Lawrence Jr. filed a copyright lawsuit against the rapper in LA federal court, accusing him of using two backing tracks without proper payment. Lawrence Jr. claims he allowed Snoop to “experiment with the tracks in-studio,” making it clear that payment would be required if the tracks were commercially released.

The tracks in question, “Pop Pop” and “Get This Dick,” are featured on Snoop’s 2022 album BODR. According to Lawrence Jr.’s attorneys, there was no formal licensing agreement, and the producer has yet to see any financial compensation for his contributions.

“To date, defendants have refused to properly license the Lawrence tracks or compensate Lawrence for their use in the Broadus tracks,” the lawsuit states. Lawrence Jr. often creates tracks to shop around to artists, assuming a proper license will be negotiated. His attorneys claim that he and Snoop agreed on a $10K flat fee plus a 50% interest in the musical composition. However, the lawsuit argues that the songs have generated “tens of millions of dollars,” especially with their release as NFTs.

“At no point in time did defendants… Communicate to Lawrence any intention to exploit the Lawrence tracks in connection with a bundled offering such as [the NFT sale], nor did Lawrence authorize any such exploitation of his work,” the lawsuit emphasizes.

What are your thoughts on Snoop Dogg’s latest legal troubles? Share your opinions in the comments section below, and stay tuned to Honk Magazine for more updates on this developing story.

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Artist Spotlight

Alwyn Morrison scales through with new single “Chained”

Alwyn Morrison’s new single, “Chained,” hits hard with its heartfelt message, offering an honesty rare in music today. Written while he was flying to Europe, this song comes from deeply personal experiences and showcases Alwyn’s most vulnerable side yet.

Teaming up with his longtime friend Michael Ales for songwriting and working with producer Michael Carey in Los Angeles, Alwyn creates a sound that feels both rich and simple. The guitar-driven music is full of warmth, exhaustion, and hope.

“Chained” plunges into the complex realities of loving someone who struggles with depression. Alwyn beautifully captures the heavy feelings that come with it, expressing the helplessness, loyalty, and quiet sadness often accompanying such love. His lyrics paint a vivid picture, inviting you to share the emotional journey of navigating the hidden struggles that can tie two people together.

The track’s raw honesty resonates with anyone who has faced challenges in love. It reminds us that sometimes love means standing by someone going through tough times. In “Chained,” Alwyn Morrison captures real human experiences and turns them into music that sticks with you.

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The song combines deeper sounds with a light, catchy vibe, making its heavy themes approachable enough for dancing. Ava’s voice is strong and open, giving each line an authentic feeling that hits home.

“Laugh Track” is a stand-out because it embraces chaos. Ava doesn’t wrap up her insecurity and self-doubt in a tidy package. Instead, she celebrates the messiness of life and finds comfort in the imperfect characters we often see on TV and in ourselves. “Laugh Track” mirrors our experiences. Like the best comedy shows, it makes you laugh, feel uncomfortable, and reminds you that you’re not alone in your struggles.

For more information about Ava Valianti, please visit [website].
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