Minna LaFortune, “My Love, My Love Master BPM 118,” begins a new emotional chapter. It’s a soft song that hits you hard and shows how weak she is with amazing grace.

Minna sings a romantic ballad in Latin that is both personal and universal. She gets rid of the complicated parts in favor of being honest. The track doesn’t follow the usual jazz pattern. It moves along soft melodic currents, warm instruments, and a rhythm that feels like a slow heartbeat, steady, present, and full of emotion.

“Please be careful with my heart” is the most touching line in the song. It’s a simple refrain, but it carries the emotional weight of the whole piece. When repeated with quiet intensity, it becomes a mantra of trust and emotional openness, showing how hard it is to love openly.

The song “My Love, My Love” is special because it is so strong. Minna LaFortune doesn’t need fancy singing or heavy production to make her point. Instead, she uses clear emotions and soft melodies. The song sounds like a private conversation between two people who love each other, honest, warm, and open.

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Okonski’s new single, “Flying,” the second track in a series of new songs, is a slow, deliberate exhale that shows a small but important change in the trio’s sound. They are now open to working with others while still keeping their introspective core.

Okonski invites Cochemea to join for the first time, making the group larger than its three-piece base. This makes the change from trio to quartet smooth, with Cochemea’s tenor saxophone not just being an extra part but also a living, breathing part of the group’s identity. His lines come and go in the arrangement, never overpowering it, always making it better, like the wind catching a sail at just the right time.

“Flying” fits with the band’s already established thoughtful, meditative mood, giving space to act as its own instrument. Cochemea’s playing in that space feels almost spiritual, gently leading the listener deeper into the piece’s emotional undercurrent.

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