Artist Spotlight

Stephan Folkes steps boldly beyond boundaries with “It’s None of Your Business (Bonus Track – Hazard Era)”

Stephan Folkes has always played around with different music styles, but in his latest release, “It’s none of your business (Bonus Track – Hazard era),” he takes it to a whole new level. This single stands out from his album Hazard, making its own bold statement and demanding attention on its own. Known for his powerful singing, Folkes surprises listeners by taking a different approach this time. Instead of fully diving into the emotional singing he usually does, he mixes elements of rap, R&B, and indie pop. The result is a unique sound that’s both edgy and smooth, supported by a moody beat that feels cinematic.

His rhythmic speaking flows confidently, with verses that blend poetry and performance, keeping listeners engaged with each line. What truly makes this track powerful is its mix of styles and the confidence that drives it. Folkes openly admits he’s not a rapper, yet this makes the song even more intriguing. Instead of sticking to one label, he allows himself to move between different rhythms and melodies, creating a vibrant musical experience. This daring exploration reveals new sides to his artistry and expands the scope of what his music can be. “It’s none of your business” captures the spirit of an artist exploring new territory and thriving in it.

While it’s labeled as a bonus track, it’s far from being an afterthought. In fact, it acts as a key to understanding Folkes’s creative journey during the Hazard era. The song invites listeners to join Folkes on a journey where boundaries blur and genres mix. It’s raw, confident, and completely his own. If this is what a “bonus” track sounds like, it’s clear that Stephan Folkes is an artist committed to experimentation, making every piece of music he creates just as important as his main work.

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Gus Ormo finds a gentle balance of sound on latest release “Claroscuro (APAPE)”

Gus Ormo‘s latest release, “Claroscuro (APAPE),” is an instrumental piece built from a carefully selected set of sounds. Clean shakers, piano, bass, trumpet, flutes, acoustic guitars, drums, lead guitar, and tambs make up the track. The vocal element is absent from the foreground; the instruments themselves establish the piece’s character.

The arrangement shows the contrast of its different textures. Bass and piano provide the grounding, with trumpet and flutes supplying the melodic color. Congas, drums, and shakers provide percussion, while the acoustic and lead guitars enrich the instrumental palette. These elements are incorporated into the song’s somber mood, but it remains mostly soft and emotion-driven.

What appeals to “Claroscuro (APAPE)” is its dedication to an instrumental expression that is soft on the heart. It’s not the words that convey the mood; it’s the instruments. Gus Ormo combines strings of rhythm, melody, and texture to produce a piece that sounds deliberately restrained, and each section contributes to the overall musical picture.

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Artist Spotlight

Gus Ormo brings warmth and tenderness on latest release “Latidos”

Gus Ormo’s latest release, “Latidos,” is an instrumental, so it must rely on its musicianship to carry the emotional weight. Instead of a vocal to guide the listener, the arrangement features clean shakers, piano, bass, trumpet, flutes, acoustic guitars, drums, lead guitar, and tambs. The combination is a well-layered musical setting, with a somber character and a soft approach to the heart.

The piano and guitars add important touches to the arrangement, the trumpet and flutes add more color. Percussion, congas, drums, and clean shakers add movement but don’t detract from the gentle nature of the track. The bass anchors the song, while the lead and acoustic guitars provide an additional layer to the instrumental mix.

What sets “Latidos” apart is the quiet emotional intent. Instead of singing of its feeling, the piece creates a solemn and tender atmosphere with its collection of instruments. Still, Gus Ormo’s method stresses the connection between the instruments. It is an instrumental piece that should touch the heart with softness and not in excess.

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