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Artist Spotlight

Stephan Folkes steps boldly beyond boundaries with “It’s None of Your Business (Bonus Track – Hazard Era)”

Stephan Folkes

Stephan Folkes has always played around with different music styles, but in his latest release, “It’s none of your business (Bonus Track – Hazard era),” he takes it to a whole new level. This single stands out from his album Hazard, making its own bold statement and demanding attention on its own. Known for his powerful singing, Folkes surprises listeners by taking a different approach this time. Instead of fully diving into the emotional singing he usually does, he mixes elements of rap, R&B, and indie pop. The result is a unique sound that’s both edgy and smooth, supported by a moody beat that feels cinematic.

His rhythmic speaking flows confidently, with verses that blend poetry and performance, keeping listeners engaged with each line. What truly makes this track powerful is its mix of styles and the confidence that drives it. Folkes openly admits he’s not a rapper, yet this makes the song even more intriguing. Instead of sticking to one label, he allows himself to move between different rhythms and melodies, creating a vibrant musical experience. This daring exploration reveals new sides to his artistry and expands the scope of what his music can be. “It’s none of your business” captures the spirit of an artist exploring new territory and thriving in it.

While it’s labeled as a bonus track, it’s far from being an afterthought. In fact, it acts as a key to understanding Folkes’s creative journey during the Hazard era. The song invites listeners to join Folkes on a journey where boundaries blur and genres mix. It’s raw, confident, and completely his own. If this is what a “bonus” track sounds like, it’s clear that Stephan Folkes is an artist committed to experimentation, making every piece of music he creates just as important as his main work.

Artist Spotlight

Loris Tils brings funk energy to life with “IKKI”

Loris

Loris Tils comes out swinging with “IKKI,” a single that comes with energy and musicianship right from the opening note. Borne on the unmistakable thump of Minneapolis Funk, the song surges forward with a groove that feels impressively designed and still wildly alive.

“IKKI” is a naughty conversation between slap bass and guitar, and the two instruments impressively craft around each other with both precision and flair, building a high-octane rhythm section that feels as tight as it is explosive.

The magic of “IKKI” is this tension, relentless discipline balanced by acrobats of daring improvisation. The energy never overwhelms the groove. Instead, it expands on it, making this song a celebration of rhythm, creativity, and instrumental chemistry.

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Artist Spotlight

Glass Mansions turn a possible goodbye into “SUNSETTING”

Glass

Glass Mansions return with “SUNSETTING,” a new single that came together during some uncertain times for the project. What began as a mini farewell to music turned out to be among the band’s most authentic and openhearted efforts yet.

The back story of the song’s creation feels almost cinematic. The day the decision was made to quit music altogether, a message came through from some big-time music executive who had heard about the band’s first Ep and wanted to collaborate. The band had agreed to share unreleased demos on request, though they hadn’t prepared any. That urgency caused a combustion of creativity that would shape the song’s trajectory.

“SUNSETTING” was written, tracked, and recorded in a home studio with scratch vocals in roughly two hours. What could have been a thrown-together demo became a surprise breakthrough. Confronted with the prospect of delivering just one last song, the writing became rather reflective, what would you say if it were your final creative curtain call.

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“SUNSETTING,” produced by Zack Odom and Kenneth Mount alongside Orb Studios’ Taylor Webb, captures the urgency of its origin story but colors it with a new reflective emotional depth. The upshot is a song that feels at once improvisational and profound, an affirmation that, sometimes, when we think we’re reaching the end of something, it’s actually only setting in motion the most powerful of new starts.

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