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Stephen A. Smith Laces Into Max Kellerman For Tom Brady Take
Stephen A. Smith and Max Kellerman have always had good chemistry on ESPN’s First Take and a lot of it has to do with the fact that they are on such polar-opposite ends of many debates. While some will say these opinions are manufactured for ratings, it still goes without saying that Kellerman and Smith make for compelling television, even if some of the topics are both recycled and stale.
One debate that has never grown old between these two involves none other than Tom Brady of the Tampa Bay Buccaneers. For years now, Kellerman has been trying to make the case that Brady is dwindling and can no longer be an effective quarterback. Time and time again, Kellerman has been proven wrong on this, especially this season as Brady continues to play some of his best football.
Following the signing of Antonio Brown, Kellerman tried to make the point that Brady is a great leader, which led to a tirade from Smith. The First Take host unleashed on Kellerman, calling him “pathetic” for trying to skate around saying Brady is a good quarterback.
Later on in the conversation, Smith got even more aggravated as he proclaimed that he would officially no longer be having Tom Brady conversations alongside Kellerman. Even when Max tried to joke about him being wrong, Smith simply didn’t want to hear it and shut the conversation down. It was a pretty hilarious bit of television, that even Kellerman couldn’t help stop laughing at.
If the Bucs continue to win and Brady goes deep in the playoffs, Kellerman and Smith will certainly be in for some awkward conversations in the future.
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François Marius and Bérénice creates a tender acoustic pop confession with “Billie Jean”
François Marius’ latest release, “Billie Jean (Acoustic Version),” cuts to the quick and lets raw emotion take over. What you get, ultimately, is a personal pop experience that feels closer to a secret than to either a spoken-word show or a performance. The initial soft strum of an acoustic guitar creates a mood that is soft, sweet, and quietly interesting. It’s a full-throated, backbones-out piece, and every note is screaming its potential. It’s simple but riveting, and it proves that sometimes less is more.
François Marius and Bérénice’s voices sound right together, their voicings intermingle so naturally that they seem accidental or spontaneous, harmonies that emerge from nowhere. The way they speak to one another is very, I mean, they really love each other. That even makes the track seem like a conversation about feelings.
The two artists are clearly close. Romance and Eros are not just ideas, and they inhabit every note that lingers and every minuscule shift in tonality. The harmonies soar effortlessly over the acoustic foundation, a blend of sweetness and strength. It’s a sign of strength and also of a willingness to be hurt.
“Billie Jean (Acoustic Version)” is stripped of any fancy production or theatrical effects, it wins you over with its frankness and forthrightness. Sandy François Marius’s impersonation is fresh and real, endowed with depth and softness thanks to Bérénice’s presence, which definitely makes everything more perfect. This acoustic performance serves as a stark reminder of the elements that do connect people: the singer, his guitar, and a story from the heart.
Connect with François Marius on Spotify || Instagram || Facebook || Youtube || Twitter || Soundcloud
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RoHaNa and Morpheus von Dobenhausen paint love in shadows and light “WHEN A BOY LOVES A WOMEN”
RoHaNa feat. Morpheus von Dobenhausen, in this new release, “When a Boy Loves a Woman,” This track, recorded in winter, has a hint of gothic style that blends emotional restraint with atmospheric elegance. The track is all about RoHaNa’s emotional singing, which fits perfectly with the carefully crafted production. Her voice shows desire, weakness, and dedication without being too loud, letting each note ring out. The result is a sound that affects people on a personal and universal level. There is a sense of innocence that permeates, capturing the delicate nature of love in its purest form.
Morpheus von Dobenhausen is a guest singer who deepens the track’s emotional journey. Their voices work together to make a conversation of feelings that is both clear and mysterious. The song doesn’t go too fast, so the listener can feel the mood and atmosphere as they go through its subtle changes.
“When a Boy Loves a Woman” is unique because it strikes the perfect balance between modern pop and gothic restraint. The result is a soundscape that is both creepy and easy to listen to. It is a moving story about love and devotion, told with grace and quiet strength.
With this first release, RoHaNa confidently joins the scene, thanks to XanadumusiX’s never-ending creative drive, even when things get hard in the winter. This release not only introduces a new artist with significant potential but also showcases a bold artistic direction in which emotion, atmosphere, and story come together to make a lasting impression.
Connect with Morpheus von Dobenhausen on Spotify || Instagram || Facebook || Youtube || Tiktok
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