Artist Spotlight
Strip Club Cashes in on Bhad Bhabie & Alabama Barker Feud with Wild Look-Alike Brawl
The ongoing drama between Bhad Bhabie and Alabama Barker has taken an unexpected turn. Recently, a strip club in East Tennessee decided to capitalize on their feud by hosting a wild event where impersonators of both stars faced off in an entertaining look alike fight. Those who attended say it was quite the show. The event, which happened earlier this week, drew a lot of attention and ended with the impersonator of Bhad Bhabie coming out on top.
Neither Bhad Bhabie nor Alabama Barker participated in the fight, but the fact that their rivalry inspired such a unique event highlights how intense things have become between them. This latest spectacle follows Bhad Bhabie’s recent jabs at Barker, including a new diss track titled “OG CRASHOUT.” In the song, Bhad Bhabie criticizes Barker’s accent, looks, and family background, going as far as to use some harsh language. One of the most talked about lines questioned Barker’s ties to specific cultures and was notable for its controversial language, surprising many listeners.
With all the back and forth on social media, diss tracks, and now this fight night, it seems clear that this rivalry is far from over. Whether Bhad Bhabie or Alabama Barker will comment on this unusual event remains uncertain, but it’s evident that when rap disputes move into real life, they tend to become much more dramatic. For now, the strip club enjoyed its moment of fame, the look alikes got their chance to shine, and fans are left with yet another twist in this unexpected feud. Whether there will be a rematch with the real stars is still up in the air.
Artist Spotlight
“Subterranean Homesick Blues” finds a new direction through Ghost of Panama
Rearranging a song that carries six decades of cultural weight is a creative challenge, but Ghost of Panama approaches “Subterranean Homesick Blues” with clear purpose. The rock band radically reworks Bob Dylan’s counter-culture hit, reshaping its identity while keeping its rebellious spirit. It’s a tribute to musical heritage and a statement of artistic independence all in one.
This new interpretation is very much shaped by the production, made at Ghost of Panama’s home studio in West London. The setting allows an intimate approach to reinterpreting a familiar song and lets the group engage directly with the material, taking it in a new artistic direction.
“Subterranean Homesick Blues” centers on the tension between conservation and transformation. Ghost of Panama is true to the song’s rebellious spirit without adding to its legacy, and this approach gives the release an adventurous feel, grounded in countercultural energy but driven by a desire to see what the composition can become in a different musical context.
Their version of this 60-year-old classic shows that respecting a song’s history can also mean breaking the rules and finding new ways to express its spirit. Fundamentally, “Subterranean Homesick Blues” presents Ghost of Panama as artists who want to engage with the past without being tied to it. The release’s strongest identity is a familiar heritage reimagined through a singularly forward-looking creative vision.
Artist Spotlight
“NO MORE” by Amanda Holley connects healing, awakening, and survival
“NO MORE“ carries that kind of emotional weight, and some songs feel like they come from lived experience but reach for something bigger. Amanda Holley blends R&B and soul, turning a lifetime of survival into a vision of healing, awakening, and the determination to move beyond what caused the pain.
“NO MORE“ is a healing anthem for people who have gone through bad experiences and reached a place of higher awareness, but it’s also an emotionally charged protest. The duality is introspective and outward-looking at the same time, turning personal survival into a broader declaration that some experiences, conditions, or cycles should end.
Holley had a premonition of the song six months before the world went into global shutdown. In the vocal booth, working out melodies with her collaborators, she pictured people in the streets. Those images were hard to imagine at the time, but subsequent events would make them painfully familiar.
“NO MORE“ is given a particularly contemplative underpinning by the context. The identity of R&B and soul leaves room for emotion. The song’s themes link survival, awakening, resistance, and the need for change. Amanda Holley is an artist using music to process personal endurance and a broader sense of social awakening. It’s got a complicated significance, and its release feels like a glimpse of a moment when personal intuition and public reality collided in an unexpected way.
Photo Credit: Yulia Shusharina
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