Music

Swimming Pool’s debut single “Calling” echoes like a dream at dawn

The new duo out of The Hague Swimming Pool arrives on its debut single, “Calling,” with a calm that quiets a room and insists upon its own intimacy. There is a certain magic in restraint, and Swimming Pool appears to know it all too well. “Calling” is a lo-fi ballad that exists between night and morning, between silence and sound, and between genre and mood. Built upon bowed bass lines moaning like distant sound and spare electronics that feel barely there, the track cleverly nods at minimalism without ever feeling empty.

But what lingers is the vocal harmony, which is fragile and timid and covered in just the right layer of reverb to make it feel as though it’s coming from behind glass. There’s vulnerability here that falls in on you, like a cold light through the windowpane. Swimming Pool falls between post-rock’s atmospheric sprawl and experimental pop’s fractured beauty. “Calling” grows around the choruses quietly. The song suggests the weight and softness of early hours, with soft-hearted, heavy thoughts, and the whole world slowed down more felt than seen.

But the most notable thing about “Calling” is how secure it is in quiet. It’s a debut that doesn’t feel the need to prove itself. Rather, it allows you to get closer and lean in with each repetition. You don’t listen to this track as much as inhabit it. As initial statements go, “Calling” says a lot about where Swimming Pool could potentially be headed, and that’s into the atmospheric, emotionally complex terrain, where the atmosphere and the feeling do all the talking. This is headphone music for windows streaked with rain, headphone music for empty rooms, headphone music for letting go.

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Artist Spotlight

François Marius pushes lips to feet on the dance-ready on latest release “What You Gonna Do (Radio Edit)”

François Marius‘ latest release, “What You Gonna Do (Radio Edit),” asks a heartfelt question, the difference between saying you love someone and showing it. The song is built on a catchy dance beat and guitars with an energetic feel and emotional message about trust, commitment and openness that comes with giving someone your heart.

The song questions the uncertainty of loving someone and if they’ll stick around when the going gets tough. The song straddles the line of intimacy and fear of a broken heart. It’s relatable because it’s not about saying love, it’s about showing love. François Marius’ “Radio Edit” is a relationship-centered offering, providing sincerity in an upbeat musical setting. The guitars are textured and the dance beat keeps the song interesting.

“What You Gonna Do” challenges listeners to look past statements and consider what real commitment looks like in action. This is a song for people who believe that love should be heard not just in the words of a person but in the actions they are willing to take.

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Artist Spotlight

Metaphoric Mind unveils dark intensity and catchy rhythms on latest release “Jaws”

Metaphoric Mind delivers a hard-hitting, energetic sound on “Jaws” built on dark themes, razor-sharp guitars and a driving instrumental base. I love how the song opens up with a strong attack, fast synths and drums and the lead guitar gives a compelling edge to the momentum of the song. The result is a powerful record with a darker mood, but also rhythmic pull that gives the track an energy that is both urgent and captivating.

The lyrics of the song go back to the idea of trying again and making things right, reinforcing the determined mood. That sentiment is echoed throughout, a persistence thread beneath the dark tone of “Jaws,” a willingness to confront the mistake rather than leave it unresolved.

The dark feel gives the song a unique character and the syncopation between the drums and lead guitar make the song accessible and engaging. “Jaws” is an intense listen and a striking addition to Metaphoric Mind’s sound for fans of music that mixes weight and urgency with memorable instrumental interplay.

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