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T.I. Walks Back His ‘Beef’ Comment After Fans Tie It To King Von’s Death

Getty Image The trap rap godfather wrote ‘Handle your beef in YOUR city’ shortly after the Chicago rising star was shot in Atlanta. …

Trap rap pioneer T.I. is walking back earlier comments he made on Instagram Monday after a fan backlash connected his words to the recent shooting of King Von, who died from his injuries on Friday. T.I. tried to explain that he didn’t mean his post to refer to King Von and that he was just speaking generally. “I don’t speak ill of my allies,” he wrote today. “My last post had nothing to do with King Von.”

He continued, “Y’all grossly mistaken. I have no motive or intention to do harm or malice to cats I’m cool wit. My family’s hearts go out to them and I’ve expressed this to the people in his life that matter most in this situation. That’s all I’m concerned with.”

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But I know IG ain't da place for understanding & miserable people love to keep up shit. Be Eazy ✌🏽

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The original tweet was interpreted as a jab toward the Chicagoan King Von, who was shot during an altercation at an Atlanta lounge that escalated from a shoving match to a shootout, involving police Atlanta police officers and leaving three dead, including Von. “Atlanta is a beautiful progressive city filled with black excellence,” his original post read. “We uplift each other & win together. Stop coming here to kill each other. That sh*t is played out.” The caption, which read “Handle YOUR beefs in YOUR city,” prompted Von’s sister to lash out via her own Instagram story and even 50 Cent chimed in.

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Handle YOUR beefs in YOUR city. Thx in advance. – King

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King Von was fresh off the release of his debut album Welcome To O-Block, released via Lil Durk’s Only The Family Entertainment just one week before his death. Meanwhile, T.I.’s own new album, The L.I.B.R.A., was released in October.

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Artist Spotlight

Mamas Gun and Brian Jackson shines light on the truth on latest release “DIG!”

Mamas Gun

Mamas Gun makes a strong comeback with their new single “DIG!.” The track sounds more like a strong statement of intent than just a release. The UK band is known for its smooth blend of blue-eyed soul and traditional black music. They show once again that they can make music that sounds both thoughtful and very new, while still being real, emotional, and sophisticated.

“DIG!” was recorded directly onto analogue tape, and every note has warmth, grit, and soul. The production choice gives the music a rich, natural sound that complements the band’s unique groove. It is a piece of music that makes people slow down, really listen, and experience it rather than hear it.

Adding famous collaborator Brian Jackson, whose vocals, keyboard, and flute give the song a timeless elegance, adds even more depth and magic. Jackson is known for working with artists such as Stevie Wonder, Gil Scott-Heron, Roy Ayers, and Earth, Wind & Fire. His addition makes the song something truly special. His reunion with Andy Platts, the lead singer of Mamas Gun, almost twenty years after they first worked together creatively in New York, gives “DIG!” a very personal touch that can be felt throughout. “DIG!” sets a strong mood based on connection, art, and essence. Mamas Gun not only goes back to their roots but also makes them stronger. This song is heartfelt, timeless, and completely captivating.

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Artist Spotlight

Bromsen crafts a suspension between attachment and release in new single “Concendrain”

Bromsen

Bromsen’s latest release, “Concendrain,” is very immersive and lives in the space between control and disintegration. The song smoothly shifts from focused to tired, from connected to free, and captures a complex emotional balance that is both personal and universal.

“Concendrain” starts slowly and carefully, the structure has layers that change over time, so each part can come out on its own without any stress or hurry. As time goes on, electronic textures begin to emerge, giving the music a mood that eventually turns into rock-infused energy. These different sounds don’t clash, they work together to create a track that is alive, fluid, and always changing.

The guitar, voice, and rhythm should all work together on the song. These parts don’t compete for attention; instead, they work together to make a smooth flow that pulls the listener into the song’s emotional depth. The arrangement features vocals that complement complex guitar lines and a steady beat that keeps everything in line.

“Concendrain” is really interesting because it has two sides. The track is about the fight in your head between giving up and pushing through, and between staying focused and giving in to tiredness. Bromsen and Reatsch work together to make something that looks natural and well-made. “Concendrain” doesn’t try to be cool or follow trends. Instead, it gives you a slow experience that you should really pay attention to. “Concendrain” is a powerful and thought-provoking work that sticks with you long after the last note has faded away. It stands out because its structure changes, its atmosphere is rich, and its emotions are strong.

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