Artist Spotlight

“The Deverills” by TYGERMYLK reveals a glittering ode to queer friendship

Hayz Harland, known professionally as TYGERMYLK, returns with something far more precious, “The Deverills,” a track that feels like flipping through a sun-creased scrapbook of inside jokes, questionable travel decisions, and emotional pitstops shared with your closest friends. Co-written with long-time creative soulmate, collaborator, and best friend Laura Reznek, the single is both a love letter and a comedic commentary, offering a tender, chaotic, and sharply self-aware ode to platonic queer friendship.

The track is funny, emotional, and honest. From the very first notes, “The Deverills” envelops listeners in warmth buoyed by the lush harmonies of the KIN Choir and lyrics that are as witty as they are wistful. Harland doesn’t just tell stories; she paints vivid scenes of viral cat museum escapades, hotel bar confessions, and that one time they ended up on the wrong boat (we’ve all been there…right?). Her storytelling shines with cinematic detail, culminating in a chorus that evokes the comforting feeling of returning home after an extended tour of beautiful disasters.

What makes this track potently impactful is its quiet indignities, which serve as an incisive critique of ageism within the music industry, and effectively challenge and dismantle outdated assumptions regarding queer relationships. Harland’s approach goes beyond merely requesting inclusion; she assertively establishes her presence in this domain by artfully combining humor with grace, thereby exhibiting both wit and poise.

In a cultural landscape that often prioritizes romantic ideals and fleeting novelty, “The Deverills” provides a refreshing exploration of the intricate and fulfilling dynamics that emerge from the joyful eccentricities of a chosen family. This narrative serves as a resonant anthem for those who have cultivated profound connections with friends or surrogate family members through shared experiences marked by unconventional road trips, communal living situations, and intimate exchanges of secrets during the twilight hours, discovering moments of joy along the way. The work encapsulates the juxtaposition of playfulness and poignancy, immersing the audience in the complexity and relatability of human relationships. TYGERMYLK’s anthemic creation stands as a noteworthy contribution to the discourse on the beautifully chaotic journey of human connection.

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Artist Spotlight

“the wash” by SUUNCAAT turns an ordinary chore into a surreal journey through time

SUUNCAAT’s new single “the wash” dives into new depths of one of life’s most common routines. The track turns the weekly chore of laundry into a surreal setting where time, identity, repetition, and the odd details of daily life start to bleed into each other. It’s a bright, complexly melodic song that makes you return to moments they might otherwise have skipped.

“the wash” is built on the dance of repetition and time. The routine might be the same week after week, but the person living it is constantly changing. That tension gives the single an interesting emotional depth. It’s a familiar act, returning to the same task, and it reminds us that time moves on, even when life can seem as though it has stopped.

The tune is complex enough to support its unconventional point of view musically. “the wash” isn’t simply about washing clothes, but a larger statement about mundane moments signaling a personal shift. The music is full of a sense of discovery that begs listeners to find their own meaning in the repetition.

Adding a visual layer to SUUNCAAT’s investigation of the ordinary and the uncanny, Tokyo-based photographer Tiana Suzuki created the visuals and music video for the track, with Lew Husbands mastering. SUUNCAAT’s new single shows that even a weekly chore can be a way to learn about ourselves and how fast time goes by.

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Artist Spotlight

“Sing-Along Songs (Album Version)” finds new energy for Arn-Identified Flying Objects and Alien Friends

Arn-Identified Flying Objects And Alien Friends returns to “Sing-Along Songs (Album Version),” with an album version more consistent with the track’s original creative vision. The song came out in 2024 and featured an unusual mix of upbeat music and ironic lyrics that contextualized dark times.

This new version keeps that distinction but makes the arrangement a little spikier, punkier, and more playful. It blends indie pop and pop punk, fusing punk and power pop with a dash of folk rock. The more upbeat music works especially well against the darker outlook at the heart of the writing, creating a tension that keeps the track interesting rather than too serious.

The most obvious change is the intro, which now feels more in line with the original direction the song was meant to take. Co-producer David Myhr’s background vocals add some lift to the second and third choruses. Another key revision is the updated production.

The different parts of the track have more room to play off each other, with a stronger cohesive overall presentation and a more consistent, clear mix from beginning to end. “Sing-Along Songs (Album Version)” feels like a deliberate refinement, and Arn-Identified Flying Objects and Alien Friends take the new version and grind the song’s contrasting moods for a more polished, playful take on an already upbeat tune.

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