Music
The Grammys Mistakenly Credit Jack Harlow’s ‘What’s Poppin’ To R&B Singer Luke James And Fans Are Aghast
Getty Image The singer was nominated for a Best R&B Album Grammy but also listed on the title card announcing Best Rap Performance. …
The Grammys have long taken plenty of guff from rap fans disappointed in the committee’s weird relationship with the genre over snubs, undeserved album wins, and even what gets categorized as rap, but in today’s nominee announcement broadcast, someone in the graphics department made a mistake that may end up costing the show its last shred of hip-hop credibility for a while.
When announcing the nominees for the Best Rap Performance category, the title card on the screen honored Big Sean and Nipsey Hussle for “Deep Reverence,” DaBaby for “Bop,” Lil Baby for “The Bigger Picture,” Megan Thee Stallion and Beyonce for the “Savage” remix, and Pop Smoke for “Dior,” but the final artist in the category didn’t even get credit for his own song, even though it was a massive hit that reached No. 2 on the Billboard Hot 100. Instead of seeing his name listed under “What’s Poppin,” Jack Harlow saw R&B singer Luke James credited for the rapid-fire hit, despite the fact that James had nothing at all to do with the song.
Look how they did Jack Harlow lmaooo pic.twitter.com/1JyadjRYeg
— Craig Bro Dude (@CraigSJ) November 24, 2020
Naturally, hip-hop heads caught the faux pas immediately and promptly set about roasting the Grammys’ art department for such an obvious whiff.
https://twitter.com/raptalkSK/status/1331291123260723203
Still cant believe they put the wrong name for Jack Harlow lmao pic.twitter.com/NEMUoEvJDq
— Daisy 🙂 (@PreedyDaisy) November 24, 2020
nah but who is Luke James pic.twitter.com/MOxrlRkOuE
— noah (@worrynodream) November 24, 2020
Aye, they put What’s Poppin was by Luke James and not Jack Harlow. pic.twitter.com/OXRylaTTJ4
— DJ Heat (@DJHeatDC) November 24, 2020
Shout out to Luke James for being nominated for Best Rap Performance on What's Poppin pic.twitter.com/CmQYQUgtnM
— NLE Chakra (@CountBlaccula) November 24, 2020
Of course, later posts from the Grammys’ official accounts correct the mistake but by then, it was too late. Screenshots are forever. On the bright side, there are probably a lot of fans looking into Luke James now, as they should — he’s also nominated for Best R&B Album for To Feel Love/d, an overlooked gem from January of this year. See the full list of nominees here.
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Sadie Brown delivers a heartfelt illusion of a fake life with her new single “Counterfeit”
At the heart of “Counterfeit” is a tale of love manipulated for selfish purposes, yet still feels captivating. Sadie Brown’s new single “Counterfeit” invites listeners into the deceptive lull of beautiful and bleak love, one that promises everything while lacking genuine vulnerability, ultimately delivering only heartbreak. Brown adeptly illustrates the anguish of being entangled in a romantic relationship that never fully reveals itself, leaving listeners caught between longing and the painful acknowledgment of reality. Through ethereal pop sensibilities and a bittersweet melody, Brown explores the complexity of a “counterfeit love life” alluring yet reserved, a love that’s perpetually poised to “cut its losses.” The outcome is a sonic experience that feels as vast and unreachable as a memory of love gone awry.
“Counterfeit” doesn’t just touch on the hurt that comes from unrequited love; it captures the quiet resignation accompanying it. With “Counterfeit,” Sadie Brown steps into a new creative direction in her music, mixing introspective storytelling with emotional resonance.
Written during the lockdown and produced by Cashybear (Tim Ross, formerly of Cash+David), “Counterfeit” builds a hazy, indie-pop atmosphere that feels grounded and otherworldly. The collaboration with guitarist Jimmy Sims (known for his work with George Ezra) lends a retro warmth, creating swirling riffs that complement Sadie’s soft yet piercing vocal delivery. This subtle instrumentation mirrors the song’s themes: a relationship built on false pretenses, with its sweetness fading away like mist.
Brown draws inspiration from artists like Camera Obscura, Kate Bush, and Lana Del Rey, bringing a charming and restrained sense of vulnerability. Like Joni Mitchell, Brown leans into the contradictions of love, evoking nostalgia but never retreating from the reality of unfulfilled desire. “Counterfeit” is a thought-provoking piece that establishes Sadie Brown as a voice that can authentically convey both the charm and the ache of illusion.
For more information about Sadie Brown, please visit [website].
CLICK HERE TO STREAM Sadie Brown’s “Counterfeit“ on Spotify.
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Indie
“Is Everything Okay?” by Tom Minor drops an anthemic vibe wrapped in a gold question
The newest single by Tom Minor, entitled “Is Everything Okay?” presents a compelling fusion of introspective lyrics and vibrant soundscapes, establishing a unique intersection where self-reflection meets the assertiveness of indie rock. The song commences with an almost casual inquiry, “If you are unhappy and you do not know it, what value does it possess?” This opening lyric serves as both a reflective mirror and a cautionary prompt; it suggests that well-meaning inquiries from others may compel listeners to confront uncomfortable truths they might prefer to overlook while seeking clarity within their complex emotions.
What renders “Is Everything Okay?” particularly noteworthy is Minor’s effective amalgamation of contemplative lyricism with a multifaceted, genre-defying composition. While indie rock sound with splashes of new wave and power pop have a discernible influence, the track ventures into unexpected realms of psychedelic music. Under the meticulous production of Teaboy Palmer, the song radiates the vitality of garage rock, simultaneously incorporating subtle elements of soul and R&B. The arrangement, characterized by vibrant guitar riffs and a fluid rhythmic structure, conveys the emotional depth of the message without appearing overly burdensome. Minor skillfully employs melody to construct an engaging groove that embodies optimism and challenge.
Additionally, Tom Minor’s vocal delivery demonstrates notable sincerity, reflecting his earnest intent to engage with the audience personally while allowing them space to process their emotional responses. By the conclusion of “Is Everything Okay?“, this work emerges as a significant addition to the contemporary musical landscape. It acts as a dialogue that invites contemplation of one’s current circumstances. The composition provides a form of sonic therapy that avoids offering simplistic solutions. This piece may represent Tom Minor’s most substantial achievement to date, as it fosters a more profound understanding among his audience.
CLICK HERE TO STREAM Tom Minor’s “Is Everything Okay?“ on Spotify.
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