Music

The Grammys Mistakenly Credit Jack Harlow’s ‘What’s Poppin’ To R&B Singer Luke James And Fans Are Aghast

Getty Image The singer was nominated for a Best R&B Album Grammy but also listed on the title card announcing Best Rap Performance. …

The Grammys have long taken plenty of guff from rap fans disappointed in the committee’s weird relationship with the genre over snubs, undeserved album wins, and even what gets categorized as rap, but in today’s nominee announcement broadcast, someone in the graphics department made a mistake that may end up costing the show its last shred of hip-hop credibility for a while.

When announcing the nominees for the Best Rap Performance category, the title card on the screen honored Big Sean and Nipsey Hussle for “Deep Reverence,” DaBaby for “Bop,” Lil Baby for “The Bigger Picture,” Megan Thee Stallion and Beyonce for the “Savage” remix, and Pop Smoke for “Dior,” but the final artist in the category didn’t even get credit for his own song, even though it was a massive hit that reached No. 2 on the Billboard Hot 100. Instead of seeing his name listed under “What’s Poppin,” Jack Harlow saw R&B singer Luke James credited for the rapid-fire hit, despite the fact that James had nothing at all to do with the song.

Look how they did Jack Harlow lmaooo pic.twitter.com/1JyadjRYeg
— Craig Bro Dude (@CraigSJ) November 24, 2020

Naturally, hip-hop heads caught the faux pas immediately and promptly set about roasting the Grammys’ art department for such an obvious whiff.

https://twitter.com/raptalkSK/status/1331291123260723203

Still cant believe they put the wrong name for Jack Harlow lmao pic.twitter.com/NEMUoEvJDq
— Daisy 🙂 (@PreedyDaisy) November 24, 2020

nah but who is Luke James pic.twitter.com/MOxrlRkOuE
— noah (@worrynodream) November 24, 2020

Aye, they put What’s Poppin was by Luke James and not Jack Harlow. pic.twitter.com/OXRylaTTJ4
— DJ Heat (@DJHeatDC) November 24, 2020

Shout out to Luke James for being nominated for Best Rap Performance on What's Poppin pic.twitter.com/CmQYQUgtnM
— NLE Chakra (@CountBlaccula) November 24, 2020

Of course, later posts from the Grammys’ official accounts correct the mistake but by then, it was too late. Screenshots are forever. On the bright side, there are probably a lot of fans looking into Luke James now, as they should — he’s also nominated for Best R&B Album for To Feel Love/d, an overlooked gem from January of this year. See the full list of nominees here.

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Album Review

Paul Terry, Aptøsrs & Cellarscape unite on bold new album “Alternative Piano Club”

Combining his three artistic alter egos, Paul Terry presents an awe-inspiring new 12-track album, “Alternative Piano Club,” written in collaboration with Aptøsrs and Cellarscape. This is an album-length voyage of music that blends acoustic, rock, and piano-driven cinematic sounds.

Torn between this complex emotional spectrum, all the while the piano remains at its core throughout. Paul Terry opens his “Memento Mori (Chromogenic Phase)” contemplatively, creating a solemn, reflective mood. Cellarscape’s “Three Years Of Roses“ is warmer, whereas Aptøsrs’ “Questionnaires“ is much more textured as a large, sculptural post-rock.

“Dave’s Theme,” written by Paul Terry, musically expands the narrative with a touch of cinematic elevation that aligns well. “We Shape The Clouds” by Cellarscape is fluffy and heart-warming, “Writers Behind The Curtain” is somber, more narrative. We are all together in “A Place We Made,” an honest, intimate, emotionally grounded space.

The project contains vocal warmth and cultural depth in the song “This Is My Home“ by Silas Miami & Lana Crowster. Proceeding in a totally different direction is the stronger emotional clarity of Paul Terry’s acoustic storytelling on “Any Time You Want To Fly” and “No Sleep Has Come.” Cellarscape presents a wide, spacious atmospheric moment in “Cygnus,” while Aptøsrs ends with “Rust Mountain (Monochrome Piano Version),” a simple gem that brings the project full circle.

The mixing of Sam Okell and Adam Noble, the mastering of Alex Wharton and Robin Schmidt have, in many ways, brought their polish to it while still making it feel human. “Alternative Piano Club” is a work entity, where three musical personalities met and talk mind in the same emotional language.

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Artist Spotlight

LAST ALEX! balances precision and pulse on the electrifying track “Plus 1”

LAST ALEX!, a Chicago-based artist and producer, comes out with “Plus 1,” a high-energy release that combines technical prowess with an undeniable melodic instinct.

LAST ALEX! puts both craftsmanship and creativity on display here. The song’s strength lies in its balance, in detailed execution without sacrificing feeling, and in complexity without losing momentum.

LAST ALEX! doesn’t fully lean into the cold technique or loose emotion, but finds the sweet spot where skill and soul meet. This yields a polished, vibrant, and musically confident track.

Connect with LAST ALEX! on Spotify