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The Grammys Mistakenly Credit Jack Harlow’s ‘What’s Poppin’ To R&B Singer Luke James And Fans Are Aghast

Getty Image The singer was nominated for a Best R&B Album Grammy but also listed on the title card announcing Best Rap Performance. …

The Grammys have long taken plenty of guff from rap fans disappointed in the committee’s weird relationship with the genre over snubs, undeserved album wins, and even what gets categorized as rap, but in today’s nominee announcement broadcast, someone in the graphics department made a mistake that may end up costing the show its last shred of hip-hop credibility for a while.

When announcing the nominees for the Best Rap Performance category, the title card on the screen honored Big Sean and Nipsey Hussle for “Deep Reverence,” DaBaby for “Bop,” Lil Baby for “The Bigger Picture,” Megan Thee Stallion and Beyonce for the “Savage” remix, and Pop Smoke for “Dior,” but the final artist in the category didn’t even get credit for his own song, even though it was a massive hit that reached No. 2 on the Billboard Hot 100. Instead of seeing his name listed under “What’s Poppin,” Jack Harlow saw R&B singer Luke James credited for the rapid-fire hit, despite the fact that James had nothing at all to do with the song.

Naturally, hip-hop heads caught the faux pas immediately and promptly set about roasting the Grammys’ art department for such an obvious whiff.

https://twitter.com/raptalkSK/status/1331291123260723203

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Of course, later posts from the Grammys’ official accounts correct the mistake but by then, it was too late. Screenshots are forever. On the bright side, there are probably a lot of fans looking into Luke James now, as they should — he’s also nominated for Best R&B Album for To Feel Love/d, an overlooked gem from January of this year. See the full list of nominees here.

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Artist Spotlight

Lisa Boostani creates a mesmerizing tidal realm in “Ocean”

Lisa Boostani

Lisa Boostani’s “Ocean” takes you deep into a sensory world where body, spirit, and myth come together, beyond the surface of genre. Boostani makes a soundscape that is both ethereal and deeply human by combining the broad essence of psychedelic pop with the strong appeal of alternative rock.

Her voice rises as if it is coming from deep within her, shaped by emotion rather than action. She intentionally channels the intangible, turning weakness into strength rather than a source of pain, and “Ocean” tells people to get involved in this inner world, not just watch it. This release is an integral part of her first EP, “One,” which will come out in March 2026 and is based on love, sensuality, and unity.

If “Ocean” is any indication, the EP will show sensuality not as something pretty, but as a kind of spiritual intelligence, a way to know yourself by connecting with others. The song’s textures and structure have an aquatic quality, moving between clarity and delirium, rhythm and freedom. Its emotional focus is on immersion instead of resolution.

The striking quality of “Ocean” is the blend of the mystical worlds. Boostani understands that strength often shows up as gentleness and that deep feelings are better expressed through frequencies than words. She wants people to see consciousness as immediacy, sensation as truth, and openness as an undeniable strength.

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Artist Spotlight

NOAH. captures the unspoken signals in enchanting R&B track “That’s Bless”

NOAH.

“That’s Bless” captures the unspoken late-night message, the smile that was exchanged from afar, and the feeling you sense but are afraid to say. NOAH. offers a song with a smoky R&B feel and lyrics that capture unspoken tension, firmly in the realm of emotional ambiguity, where connection is clear but not defined.

This piece concerns the subtle discomfort of mixed signals and quiet longings, when looks say more than words ever could. NOAH. handles the theme with restraint, letting the chemistry simmer rather than explode. NOAH.’s delivery shows a confident gentleness, recognizing that some feelings don’t need strict definitions to be real.

In “That’s Bless,” he captures the essence of connection and the compelling allure that endures, even when both parties pretend it is not there. The composition is based on real-life events, and it acknowledges that specific attachments endure in the heart long after one has persuaded oneself of having progressed.

“That’s Bless” is at the crossroads of closeness and distance, clarity and confusion. The song doesn’t resolve the tension it talks about, and that’s what makes it so powerful. It sums up the connection we say we don’t want but keep coming back to in memory, rhythm, and pulse.

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