Music
The Grammys’ New Best Progressive R&B Album Category Is Here, And It’s Awesome
Getty Image / Uproxx Studios The new category revamps the Academy’s previous attempts at honoring hip-hop-influenced R&B. …
The Grammys have a new category this year. In an effort to better recognize the increasing breadth and variety of modern R&B, they’ve split the R&B Album category into two: Best Progressive R&B and Best R&B. The new range allows them to nominate more artists — five each — and give the nod to non-traditional contemporary R&B artists who aren’t forced to compete with genre mainstays like Alicia Keys and John Legend.
Although the Grammys have tried similar moves in the past, this year’s move is timely, as the style of some R&B has been reshaped by contributions from alt-rock, ambient music, hip-hop, EDM, trap, and other styles to make it something far more futuristic but still rooted in the tenets of the sound established in the late ’80s and early ’90s. From 2003 to 2011, more hip-hop-influenced albums could be found under Best Contemporary R&B Album, but they were shifted back to the main category after 2011. The new category was created as Best Urban Contemporary Album, but that name was phased out as a result of longstanding criticisms and the industry-wide revamping of “Urban” classifications after this summer’s “Blackout Tuesday.”
According to the Recording Academy, the new category “is intended to highlight albums that include the more progressive elements of R&B and may include samples and elements of hip-hop, rap, dance, and electronic music. It may also incorporate production elements found in pop, euro-pop, country, rock, folk, and alternative.” For its inaugural clutch of nominees, the Academy has acknowledged Chloe X Halle, Jhené Aiko, Free Nationals, Robert Glasper, and Thundercat. The traditional category includes Ant Clemons, Giveon, Gregory Porter, John Legend, and Luke James.
Speaking of Robert Glasper, the accomplished pianist/producer is planning his eighth annual Grammy Jam to coincide with 2021 Grammy Awards, gathering together some of the biggest names in R&B, jazz, and hip-hop for a special night of music. Check out the video from the 2020 edition above.
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Philly and Suzy Uncork a Delightful Symphony with ‘Wine Kisses’
Philly and Suzy’s latest track, “Wine Kisses,” showcases their exceptional musical skills and seamless integration of their musical styles. The duo’s expertly crafted melody and lyrics evoke a sense of rediscovery, joy, and vitality. Suzy’s velvety vocals and Philly’s soulful instrumentation intertwine seamlessly to create a rich and complex musical narrative.
The composition of “Wine Kisses” is akin to a well-aged Bordeaux, with layers of musical complexity that are both intricate and accessible. The song’s infectious rhythm and chorus are a testament to Philly and Suzy’s innate chemistry and undeniable talent, leaving no doubt that they are a force to be reckoned with in the music industry.
The lyrics of “Wine Kisses” transport listeners to a world of moonlit vineyards and stolen moments, evoking images of the beauty and power of love and connection. The song’s celebratory nature reflects the duo’s shared experiences and the transcendent power of music.
Artist Spotlight
Honk Magazine’s Top 10 Must-Listen Tracks of the Month
Honk Magazine is proud to present an innovative and diverse collection of tracks that are generating buzz within the music industry. From the serene acoustic vibes of Zion Head’s “Chalice Baptized” to the rebellious spirit of SHIV’s “Mad Hatter,” this list showcases the latest in cutting-edge musical talent.
Zion Head‘s “Chalice Baptized” is a noteworthy instrumental track from his album “Mount Zion,” which celebrates the calming effects of marijuana. His unique perspective showcases how this plant can inspire positive emotions and creativity.
Philly and Suzy‘s “Quitting Day” is a refreshing and upbeat anthem that encourages listeners to persevere through tough times. This fun-filled track is sure to get you dancing and singing along in no time.
Jeff Vidov‘s “Baby, can you dig your man” is a danceworthy rock/pop fusion inspired by Stephen King’s “The Stand.” This track is a preview of Vidov’s upcoming double album, which promises high-energy entertainment.
Razor Braids‘ “It Goes Quiet” is a captivating tune that explores moments of silence and reflection. This mesmerizing track is sure to leave listeners feeling introspective and thoughtful.
Donnzy‘s “Corner” is an Afro-beats and Amapiano-infused track that promises to keep you on your toes with its infectious rhythm. This groove-worthy track is sure to get you moving and feeling energized.
Melyssa Lee‘s “Nobody’s Home” is a nostalgic nod to nineties retro pop, hailing from Calgary. The accompanying music video promises to be a visual feast, adding depth and layers to this heartfelt track.
Chris Lewington‘s “Remember Me” is a psychedelic folk pop gem that channels the spirit of classic rock legends like The Byrds and R.E.M. With its punchy guitar riffs and catchy melody, this track is a must-listen for fans of psychedelic rock.
King Bradley‘s “Ionizer” is a sonic journey featuring intricate riffs and a fast-moving tempo that keeps listeners on their toes. This track is from his debut solo album “Eco Death.”
Extra Time‘s “Where Is The Light” is a cinematic experience that weaves captivating stories within its 3-minute runtime. This lush and melodic track is sure to transport listeners to another world.
Closing out our list is SHIV‘s “Mad Hatter,” which channels the raw energy of The White Stripes while delivering lyrics that resonate deeply. This song is part of the band JEEW’s ambitious recording plans and is a testament to their commitment to authenticity and connection.
From introspective acoustic tunes to high-energy rock anthems, this list offers a little something for everyone. These tracks will impress even the most discerning music aficionado, so add them to your playlist today and discover your new favorite song!
