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The ‘Hamilton’ Cast, Bebe Rexha, And Others Performed At The Macy’s Thanksgiving Day Parade

Getty Image CNCO, Brett Young, the cast of ‘Jagged Little Pill,’ and more had a presence in the parade this year. …

Jimmy Fallon and The Roots kicked off the Macy’s Thanksgiving Day Parade this morning, and since then, more musical figures and entities have made their mark on the event.

There was an emphasis on Broadway shows this year and the cast of Hamilton participated in the festivities with a performance. Lin-Manuel Miranda tweeted about the presence of Hamilton and other Broadway shows (like Ain’t Too Proud, Jagged Little Pill, and Mean Girls), writing, “It’s Hamilton’s 1st time performing at the Parade. Grateful to be among the shows performing, including @AintTooProud, @jaggedmusical, @MeanGirlsBway. Live theater is waiting on the other side of all this. The ghost lights are still on. Grateful for YOU. Have a happy safe day.”

Meanwhile, Bebe Rexha also performed her new Doja Cat collaboration, “Baby, I’m Jealous,” which she and Doja recently performed at the AMAs.

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Beyond all that, CNCO, Ally Brooke, Brett Young, Sofia Carson, and AJR also made appearances during the parade.

https://twitter.com/Macys/status/133199458759914701

Given the restrictions the pandemic imposes, the parade was different this year that it has been in recent years. There wasn’t a crowd there and everything took place within a one-block radius. A lot of the parade was also pre-taped over the course of three days, and the number of participants was cut by about 88 percent this year, so there were far fewer people than the usual 8,000 or so.

Watch some clips from the parade above.

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Artist Spotlight

The trapheaux gracefully glides over in new release “Marble Floors”

Trapheauxly

Trapheauxly’s latest release, “Marble Floors,” is a smooth, seductive single that combines clean, complex rap verses with melodic R&B. The song’s production, soulful vocal harmonies, and steady rhythmic pulse create a luxurious yet emotionally grounded atmosphere. All of these elements work together to create this atmosphere.

The most impressive aspect of it is the way it shifts from a catchy melodic hook to a rapid-fire delivery of the lyrics. One moment, “Marble Floors” is silky smooth, and the next, it is razor sharp. This contrast is what gives the musical its identity.

When it comes to lyrical concerns of intimacy, devotion, and elevated aesthetics, the image of marble floors appears, time and time again, as a symbol of elegance and emotional weight. Trapheauxly is a polished package that combines style, substance, and value that cannot be denied in terms of replay value.

Connect with Trapheauxly on Spotify || Instagram || Soundcloud

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NIHLNØTHING unleashes increased tides on new release “ocean” Power

NIHLNØTHING

NIHLNØTHING’s latest release, “Ocean” is a powerful, immersive single that defies classification as heavy music. The track sounds huge, punishing, and emotionally complex, as the title promises, drawing on post-metal, alternative metal, sludge, groove metal, metalcore, and deathcore.

A sense of depth makes “ocean” appealing. The song balances atmosphere and intensity like a violent current under calm waters. This track has towering sonic weight and textured melodic darkness, suggesting it can go from hypnotic tension to explosive release in a heartbeat.

Genre DNA enables NIHLNØTHING to create something expansive. It has sludge, groove, metalcore urgency, and a post-metal mood that’s probably more than aggression. NIHLNØTHING excels in contrasting crushing weight with atmosphere, chaos with control, and brutality with reflection. Balance distinguishes loud from powerful music.

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