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The ‘Hamilton’ Cast, Bebe Rexha, And Others Performed At The Macy’s Thanksgiving Day Parade

Getty Image CNCO, Brett Young, the cast of ‘Jagged Little Pill,’ and more had a presence in the parade this year. …

Jimmy Fallon and The Roots kicked off the Macy’s Thanksgiving Day Parade this morning, and since then, more musical figures and entities have made their mark on the event.

There was an emphasis on Broadway shows this year and the cast of Hamilton participated in the festivities with a performance. Lin-Manuel Miranda tweeted about the presence of Hamilton and other Broadway shows (like Ain’t Too Proud, Jagged Little Pill, and Mean Girls), writing, “It’s Hamilton’s 1st time performing at the Parade. Grateful to be among the shows performing, including @AintTooProud, @jaggedmusical, @MeanGirlsBway. Live theater is waiting on the other side of all this. The ghost lights are still on. Grateful for YOU. Have a happy safe day.”

Meanwhile, Bebe Rexha also performed her new Doja Cat collaboration, “Baby, I’m Jealous,” which she and Doja recently performed at the AMAs.

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Beyond all that, CNCO, Ally Brooke, Brett Young, Sofia Carson, and AJR also made appearances during the parade.

https://twitter.com/Macys/status/133199458759914701

Given the restrictions the pandemic imposes, the parade was different this year that it has been in recent years. There wasn’t a crowd there and everything took place within a one-block radius. A lot of the parade was also pre-taped over the course of three days, and the number of participants was cut by about 88 percent this year, so there were far fewer people than the usual 8,000 or so.

Watch some clips from the parade above.

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Artist Spotlight

Lisa Boostani creates a mesmerizing tidal realm in “Ocean”

Lisa Boostani

Lisa Boostani’s “Ocean” takes you deep into a sensory world where body, spirit, and myth come together, beyond the surface of genre. Boostani makes a soundscape that is both ethereal and deeply human by combining the broad essence of psychedelic pop with the strong appeal of alternative rock.

Her voice rises as if it is coming from deep within her, shaped by emotion rather than action. She intentionally channels the intangible, turning weakness into strength rather than a source of pain, and “Ocean” tells people to get involved in this inner world, not just watch it. This release is an integral part of her first EP, “One,” which will come out in March 2026 and is based on love, sensuality, and unity.

If “Ocean” is any indication, the EP will show sensuality not as something pretty, but as a kind of spiritual intelligence, a way to know yourself by connecting with others. The song’s textures and structure have an aquatic quality, moving between clarity and delirium, rhythm and freedom. Its emotional focus is on immersion instead of resolution.

The striking quality of “Ocean” is the blend of the mystical worlds. Boostani understands that strength often shows up as gentleness and that deep feelings are better expressed through frequencies than words. She wants people to see consciousness as immediacy, sensation as truth, and openness as an undeniable strength.

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Artist Spotlight

NOAH. captures the unspoken signals in enchanting R&B track “That’s Bless”

NOAH.

“That’s Bless” captures the unspoken late-night message, the smile that was exchanged from afar, and the feeling you sense but are afraid to say. NOAH. offers a song with a smoky R&B feel and lyrics that capture unspoken tension, firmly in the realm of emotional ambiguity, where connection is clear but not defined.

This piece concerns the subtle discomfort of mixed signals and quiet longings, when looks say more than words ever could. NOAH. handles the theme with restraint, letting the chemistry simmer rather than explode. NOAH.’s delivery shows a confident gentleness, recognizing that some feelings don’t need strict definitions to be real.

In “That’s Bless,” he captures the essence of connection and the compelling allure that endures, even when both parties pretend it is not there. The composition is based on real-life events, and it acknowledges that specific attachments endure in the heart long after one has persuaded oneself of having progressed.

“That’s Bless” is at the crossroads of closeness and distance, clarity and confusion. The song doesn’t resolve the tension it talks about, and that’s what makes it so powerful. It sums up the connection we say we don’t want but keep coming back to in memory, rhythm, and pulse.

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